Supported by : Marco Carola, Paco Osuna, Thomas A.S., Andrea Belli, Tony Dee, Miguel Garji, Daniele Kama, Collective Machine, Fernando Mesa, Marco Gonzalez

P-Ben - Solomilio (Dimitri Monev Remix) [Reload]

WELCOME TO THE SHOW WITH NO NAME RADIO!

The show had been broadcasting for well over 7 years with hosts Jon Rafsta & John Fillary presenting over 200 editions.
Special guests over that time include; 
Pure Science, Tempo O'Neil, Colin Dale, DJ Amazonia, Vijay, Dan BIzaro, Frarnie Gee, Kenny P, Justin Cookee, Miss C DJ/MC, Ricksta Stirfried, Joel Brittion, Martyn Rochester and many many more.

Now were back with a monthly recording to listen to at your pleasure.



We focus on the underground electronic dance music scene with many styles of house, techno, breaks, electronica, drum & bass and dub. 
Basically our music policy is varied and open. We don't have rules to what is played as long as its played from the heart and soul.



All our previous shows are archived and available HERE!
As well as a few mixes and live sets from Fillary & Rafsta.

Please take some time to check this page out as we have had some amazing guests and shows that are well worth a listen.
xx

Looking back in the days, there wasn’t any doubt that music will take special place in Dimitri’s life. Growing up in the Balkans, in the post communist era, the crucial first step came in 2004 when he bought his first professional equipment. Creating buzz on the dancefloor was familiar to him since that moment. After a few years of giging mainly on private parties and after-hour gatherings, he decided that it’s time to give a shot at the bigger scene. For a couple of years his popularity started growing fast, resulting in him being recognized as one of the front runners of the new wave of electronic music artists in Bulgaria. 
Around 2008 Dimitri Monev opened up a new chapter, influenced by the deep dark beats of old school hip-hop he started to sharing his private thoughts and feelings with music of his own. Aiming at the dancefloors, his third EP (Casper) got released by the Berlin based label Waldliebe Familien and got support from the likes of Richie Hawtin, Fabrizio Maurizi, Steve Lawler and more. He continued the trend of his productions as being noticed again by trend setting DJs such as Marco Carola, Luciano, Steve Bug, Shlomi Aber, Gel Abril, Scuba and more. His own production and remixes were released on music outlets as Metroline Limited, ELARUM, Volupso, Wavetech Limited, Malicious Smile, Heisenberg, Serkal, Pins & Needles, Baile Musik, Kosmophono, Act Natural Records, Draft, Natural Beat Records, Monday Morning Records, Antura Records, HOPELESS, Natural Rhythm, Waldliebe Familien, Quanticman Records, Innocent Music, Southpark Records, Konzentrisch Music.
He wants is to give his auditory the opportunity to listen high quality electronic music to make them feel and understand it in different way. In that point 2011 partnership was born to continue the story with the establishment of our imprint called - Alboratory. A label described with the same words with which you can describe and find in Dimitri's own sets "from deep tech house to groovy dub techno, always on the run". Nowadays Alboratory had become an important part of the underground culture as is in cooperation with only well-selected various artists around the world.
The neverending process of evolution in Dimitri’s world continued in the fall of 2013 with the founding of his latest brainchild — THE NXT GEN, an event agency and vinyl label aiming to promote upcoming stars to the worldwide scene with nights involving artists such as Seth Troxler, East End Dubs, Carlo Lio, Barac, Mahony, Archie Hamilton, Livio & Roby, Ada Kaleh, Francesca Lombardo, Fernando Costantini, Chad Andrew, Randall M, Arapu, Marwan Sabb, Caleb Calloway, Someone Else, Seb Zito, Rossko, Julie Marghilano, Dan Farserelli, David Gtronic, Giovanni Verrina & Germano Ventura, Cristi Cons, Varhat, Lorenzo Chiabotti, Julian Alexander, Guy From Downstairs, Ali Nasser, Fabe, Federico Molinari, Lee Burton and more, the story continue.

My Music is My Identity

DATES :

12.10|Club Half, Belgrade
26.10|L’ENTROPOT, Bordeaux
20.11|The Flip Side, Dubai
21.11|BASE, Dubai
22.11|Analog Room, Dubai
30.11|Yalta 
17.12|Beachgroove (Marbella)
03.01|KEBA
04.01|Tell Me Bar
19.01|KEBA
24.01|Koncept
07.02|KEBA
06.03|Barbary, Dubai
03.04|Dynamo, Eindhoven
04.04|TBA, Rotterdam 
17.04|KEBA
23.04|KEBA
05.06|Fabrica 126 
27.06|KEBA
31.07|Yalta
14.08|Yalta
05.09|Tell Me
18.09|Yalta
25.09|KEBA
16.10|Kopitoto w./ Margaret Dygas
22.10|KEBA, Sofia
30.10|Yalta w./ Vlad Arapasu
06.11|KEBA, Sofia
17.07|Roomania, Ohrid
01.08|Pisica Open Air, Paris
02.08|ClubbingTV session, Paris
05.08|Tell Me
07.08|Xaoc Beach 
14.08|Villa Private Party, Marbella
17.08|Groove Beach, Marbella
21.08|Yalta
28.08|Xaoc Beach 
18.09|Yalta
25.12|Bar 25th, Belgrade
28.01|KUPE
05.03|Micro
18.03|Yalta Club
22.04|KUPE
20.05|KUPE
03.06|KUPE
11.06|XAOC BEACH
24.06|YALTA
01.07|KEBA
09.07|BAR SYNTESIS
23.07|XAOC BEACH
30.07|HIDDEN BEACH
06.08|XAOC BEACH (day)
06.08|VERANO BEACH (night)
13.08|XAOC BEACH
19.08|BAR SCENT
20.08|XAOC BEACH (day)
20.08|TBA (night)

Musik ist die Kunst, welche durch geordnete Tonverbindungen die Seele bewegt und dem auffassenden Geiste ästhetische Luft gewährt, jenes durch ihren Inhalt, dieses durch ihre Form.
Der Inhalt der Musik besteht zunächst, äusserlich betrachtet, in den Gegensätzen und Veränderungen der Tonhöhe, Tonstärke und Geschwindigkeit der Tonfolge, welche mit elementarer Gewalt die Seele des Hörers ergreifen und bewegen, ähnlich wie sie in Affekten bewegt wird. Da die Musik ebensolchen Bewegungen der Seele des Komponisten ihre Entstehung verdankt, so ist sie zu bezeichnen als ein Abbild dieser Bewegungen, als Ausdruck der (in Begriffe nicht zu bannenden) Seelenbewegungen des Komponisten.
Die Form der Musik besteht in der übersichtlichen Ordnung der Tonhöhenveränderungen und Tonmischungen mittels Beschränkung derselben auf eine kleine Zahl, die zueinander in leichtverständlichen Verhältnissen stehen, sowie in der Ordnung der Tonstärkeveränderungen und der Veränderungen der Geschwindigkeit der Tonfolge mittels Einhaltung einer leicht verfolgbaren Gliederung der Zeit in gleiche Abschnitte. In der ersteren Ordnung beruht das Wesen der Harmonie, in der letzteren das des Rhythmus.
Lehrbar ist in der Musik vor allem das Formale: Harmonie und Rhythmus. Betreffs des Inhalts, d. h. für die Gestaltung bedeutsamer Ideen, lassen sich durch eingehende Analysierung des Wesens der obengenannten elementaren Faktoren allgemeine Gesichtspunkte gewinnen, welche für den Künstler und Kunstfreund wertvoll und fruchtbar werden können. Solche Analysen gehören in die Philosophie der Musik, die musikalische Ästhetik Rhythmus und Harmonie dagegen sind die beiden Hauptzweige der eigentlichen praktischen Kunstlehre; doch muss deren Betrachtung die Unterweisung in den Anfangsgründen der musikalischen Zeichenlehre vorausgehen, d. h. zu allererst muss man vollständig Bescheid wissen mit der Art, wie musikalische Gedanken mittels allgemein angenommener Zeichen niedergeschrieben werden.