http://blogs.browardpalmbeach.com/countygrind/2013/11/1986_university_of_miami_vocal_ensemble.php

33RPM rip of 45RPM "I'm Coming Out" single (1980) performed by Diana Ross, with additional pitch manipulation by Adames at 3DVHS in Miami, Florida. The delay was a happy accident.

Diana Ross - I'm Coming Out [3DVHS Screw Dub] (2013)

HATE - BAD HISTORY - SIDE A

New Aroy Dee mix showcasing his new album and some influences. 

Aroy Dee is celebrating the release of his debut album in Trouw during Planet Delsin together with Delta Funktionen and John Heckle live on May 24th
http://www.trouwamsterdam.nl/nl/programma/2014/05/live-at-robert-johnson-planet-delsin/1065/

Read the interview about his album here: http://www.trouwamsterdam.nl/nl/blog/2014/05/expressions/1124

More about the album: https://soundcloud.com/mosrecordings/aroy-dee-sketches-mos-lp02

Aroy Dee - Sketches MOS Promo Mix 2014

Footwork/Juke DJ. The originator that made "I Cry," the remix to "What have you done," and "Say you the king." I am DJ Ro. R.I.P. MY BIG BRO DJ RASHAD

Zone Track IAmDjRo & DJ RD Mix 2014

Faith In Strangers’ was written and produced between January 2013 and June 2014, and was edited and sequenced in late July this year. Making use of on an array of instruments, field recordings, found sounds and vocal treatments, it’s a largely analogue variant of hi-tech production styles arcing from the dissonant to the sublime. The first two tracks recorded during these early sessions bookend the release, the opener ‘Time Away’ featuring Euphonium played by Kim Holly Thorpe and last track ‘Missing’ a contribution by Stott’s occasional vocal collaborator Alison Skidmore who also appeared on 2012’s ‘Luxury Problems’. Between these two points ‘Faith In Strangers’ heads off from the sparse and infected ‘Violence’ to the broken, downcast pop of ‘On Oath’ and the motorik, driving melancholy of ‘Science & Industry’ - three vocal tracks built around that angular production style that imbues proceedings with both a pioneering spirit and a resonating sense of familiarity. Things take a sharp turn with ‘No Surrender’- a sparkling analogue jam making way for a tough, smudged rhythmic assault, while ‘How It Was’ refracts sweaty Warehouse signatures and ‘Damage’ finds the sweet spot between RZA’s classic ‘Ghost Dog’ and Terror Danjah at his most brutal. ‘Faith in Strangers’ is next and offers perhaps the most beautiful and open track here, its vocal hook and chiming melody bound to the rest of the album via the almost inaudible hum of Stott’s mixing desk. It provides a haze of warmth and nostalgia that ties the nine loose joints that make up the LP into the most memorable and oddly cohesive of Stott’s career to date, built and rendered in the spirit of those rare albums that straddle innovation and tradition through darkness and light.

Faith In Strangers

Grail

Track from Pewbert's up and coming EP on 21HUNDRED "Bad Naps" featuring eDad.

http://2100.bandcamp.com

Bad Naps

Sleep Debt by Pewbert

(-)rave black acid

buy black dolphin 12" or digital:
http://other-electricities.com/album/oe035

live:
http://www.youtube.com/watch?v=VNmfn_DZM2M

reverse singularity no computer

Grail

Dim Past