Data Mash

unfortunately no scott the woz in this

earth, wind & fire - september
lil nas x & jack harlow - industry baby

September Baby

My name is Patrick Yoshikage. I’m 27 years old. I work as an employee for the Pierce & Pierce investment firm, and I get home every day by 8 PM at the latest. There is an idea of a Patrick Yoshikage. Some kind of abstraction, but there is no real me.
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#04 - ULTIMATE BANKER - PATRICK YOSHIKAGE
- Music from JoJo's Bizarre Adventure, and artists referenced by its major villains
- Music from Christian Bale media and book adaptations
- Music related to death, murder, and time
- Music in the 80's top 100s, and all artists featured in American Psycho
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Eurythmics - Sweet Dreams [80s hits]
JoJo Part 4 - Killer [JoJo, murder]
Hall & Oates - Out Of Touch [80s hits]
Psycho - The Murder [Murder]
Rick Astley - Never Gonna Give You Up [80s hits]
The Living Tombstone - It's Been So Long [Murder, time]
Leonz - Among Us Trap Remix [Murder]
The Lorax - How Bad Can I Be? [Book adaptations]
clock sfx [Time]

Give Up Your Sweet Dreams

blasphemy

Fuck The Stardust Speedust

A Treatise on Western Christmas in the 21st Century
is a candid, theologically grounded journey through the way American Christians misunderstand, sentimentalize, and sometimes even distort the season meant to proclaim Christ’s Incarnation. Inspired by the artist’s 2014 blog post confronting the clichés and contradictions surrounding modern Christmas observance, the album unfolds like a Lutheran sermon: the first five tracks reveal the Law, exposing our blindness, pride, impatience, and misplaced zeal; the final two tracks announce the Gospel, where hope breaks through and Christ stands at the center.

This is not a cozy Christmas record. It is a clarifying one.

The opening tracks pull apart the seasonal glitter to show the truth beneath:

Born to Die confronts the heart of the Incarnation — not sentiment, but sin. Christ came because we needed saving, not decorating.

So This Ain’t Christmas laments the disappearance of Advent in a culture demanding joy without repentance, light without darkness, and salvation without cost.

Idol Talk challenges soft, surface-level faith by exposing the irony of rejecting symbols of Christ’s suffering while embracing polished, porcelain nativity scenes.

The War critiques the impulse to fight public battles over slogans and displays while neglecting the deeper spiritual war waged in our hearts, homes, and churches.

Put the X Back in Christmas dismantles outrage culture with humor and historical clarity, reminding listeners that “X” is not a removal of Christ but an ancient confession of Him.

Together, these five tracks operate as the mirror of the Law, revealing the spiritual condition beneath our cultural habits — our impatience, our ignorance, our pride, and our longing for a Christmas that affirms us instead of saving us.

Then, the tone shifts:

Joy Has Broken Through the Night begins the Gospel turn, echoing the prophets who sang of dawn while standing in darkness. Hope doesn’t erase sorrow; it breaks into it.

Behold, the Lamb Has Come completes the arc with a sweeping, hymn like proclamation of Christ’s coming — from Genesis’ promised Seed, to Isaiah’s Light, to Malachi’s rising Sun, to Revelation’s enthroned Lamb. It is the Gospel in full: the Christ who entered weakness, bore our griefs, conquered the enemy, and will be confessed as Lord by every knee and every tongue.

By structuring the album this way — Law leading to Gospel — the record becomes both a theological statement and an artistic one. It exposes us so that Christ may comfort us. It tears down our false visions of Christmas so that the true Christ may stand in their place.

A Treatise on Western Christmas in the 21st Century is not an attack on culture.
It is a call to remember that the manger leads to the cross, the cross to the empty tomb, and the empty tomb to the everlasting kingdom of the Lamb.

It is Christmas, re-centered.

Put the X Back in Christmas

this is a blend of alternative/experimental hip hop that, on any given song, blends together plenty of elements into hip hop.  also, I tried as mich as possible to keep more of a rhythm based around hip hop style drumming rather than depending on heavy synthesized beats.  I love those in lots of music but for this undertaking I wanted to maintain a balance and not have those heavy beats overpowering everything else and drowning other elements out.  I probably scaled back too much because I wanted to have those beats still mixed. Those beats are mixed into some songs lightly but I feel like I got it more figured out working on my second album, so I look forward to when I share that.  I really admire bands that can keep a base in hip hop but add all sorts of other cool elements that actually add to the music and aren't there just so they can be like 'hey, there was a guitar line here or a trumpet line there' because it seems cool. I really wanted to balance many different elements together without it all getting too diluted. 

Black Curtain(Official Alternative Hip-Hop Album Version)

Baby I'm Yours x Megalovania (Bulby's Remix)

Baby, I'm Sans

youtube.com/watch?v=1iHkqgKMBDc

Roundarock

Somewhat better version on youtube: https://www.youtube.com/watch?v=s9oahKCBkVQ

A Cruel Axels Thesis

it's cold in here

on youtube: https://www.youtube.com/watch?v=IVySKTP3Fl4

stems with acapella: https://drive.google.com/open?id=12WjmOtkOqSxnMt4YZv5pqucxTofA8Ky4

Bustin Funk

Pretty Fly For A Maniac

don't worry boys, this is just filler for my 999 follower special and my 1000 follower special. they're boTh donE so if you wanTed to follow me so i could Release them that'd be apprecIated. thankS.

let me get uhhhh one... actually make that two shamrock shakes (only at participating mcdonalds for a limited time) for me and my bro

Semi-Charmed Trauma

cursed mashup

Britney Spears - Oops!... I Did It Again
Crush 40 - Live and Learn

Oops!... I Lived And Learned

Also I hit 500 followers despite doing next to nothing over the past few months woo

I don't know who's at my door and I'd like to keep it that way

i make actual music too pls check it out @PixelCherries
no, i can't put this on spotify

dear sarah, gus, jamie, and everyone that's listening, im sorry

the flute is the generic midi pan flute preset, you can use fruity lsd if ur using fl

credits:
flamingo by kero kero bonito
it's been so long by the living tombstone

Octopus's Hell

friskyBrisky (ARCHIVE)

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