Incrível e melódico, uma vibe sonora calma e agitada ao mesmo tempo

Cool piano. Great song and cool music. Very classical.

Prestige keep it going going custim twin keep on

This Nocturne, or at least its main themes, represents my first true attempt at composing on the piano several years ago. I composed or improvised a bunch of fragments and musical ideas together with the basic framework of the Nocturne.

As I've already implied in the description of my Fantasy, the two compositions were once conjoined when I finally decided to separate them and develop them independently. However, besides sharing the same key, a lot of textural fragments are still shared that can be noticed, and I bluntly quoted the main theme of the fantasy as a homage to their shared heritage. Personally, I'm particularly fond of the A-major melodic line starting at 0:38, which I consider one of the smoothest and most beautiful melodies I've written so far. Considering the hammering intro, it is one of the last additions I've made for this nocturne, and it helped me with a lot of structural problems. As with my other compositions, further changes will likely happen down the line.

I dedicate this work to another of my great friends, Ivan Dadić, a masterful smith, who once gifted me a beautiful crusader helmet he crafted (he even took measurements of my head for the undertaking). I humbly hope this endeavor will honour the gift he blessed me with!

Nocturne for Piano, F-sharp Minor

My first experiment in a somewhat sonata-like movement that loosely follows the exposition-development-recapitulation cycle, where the second, G major (tethering even on D major) returns in the recapitulation in the home key of C minor. It took me longer to finish than anticipated but in the end, I'm extremely pleased with the result. 

The main theme is one of those themes that simply appears almost on its own when your hands land on the piano. It was a delightful, but chalenging experience trying to develop it and derive new themes from it, in the end I've scraped as many themes as I've included. 

I dedicate this work to my dear friend Ivan Dadić and his wife, Katarina Dadić, who liked the melody so much that she used it as a ringtone for her alarm clock.

Allegro for Piano, C Minor

The main theme of my Aria was also written during my teenage years on a cheap Yamaha keyboard, as a simple flute melody. A dozen years later, after vigorously immersing myself in the music of the old masters, I finally managed to breathe completely new life and meaning into it.

I can confidently say that I drew inspiration from the enchanting and, at times, ethereal serenity of a particular Mediterranean landscape also found in my native province of Dalmatia. This was perfectly captured by a beautiful watercolor painting (courtesy of a magnificent painter, Vanja Kalemba) depicting a white church nestled in a lavender field. The painting may have even spurred me on further to try to encapsulate the feeling of the landscape, a beauty that no one from Dalmatia can ever take for granted due to its constant and ever-present allure.

The form of this composition falls somewhere between a rondo and theme & variations, since all the episode of the rondo form stem from the main melody as, after many experiments, I concluded that a more straightforward musical language better suits the vision of this piece, without the need for complex ornamentation and texture.

I dedicate this composition to my beloved son Karlo, who has brought more serenity and beauty into my life than anything else.

Aria for Piano, C Major

The origin of the main theme of this prelude is a progression I came up with while working on the Fantasy and the Nocturne in the same key. It couldn't fit in, but I found it very beautiful and had fruitlessly tried to find a composition where it could find a home. 
I admit it took me too long to realize that a new composition can be made from it, and it also took me too long to realize that another theme (the second one in the Prelude) I made at that time fits almost perfectly. All in all, I'm extremely pleased with the final result. 
There are almost jazzy (a friend had even said proggy) elements that work unusually well with the dark, almost folkloric ambiance.

Prelude for Piano, F-sharp Minor

Cada Vez Que Estas Cerca

Homemade record without edit. - ( WAV48/24 STEREO HIFI )

Composer : J. Arcas (1832-82)
Interpreter : I. M. Regazzo

Si consiglia l'utilizzo di cuffie o una buona amplificazione.
Per un ascolto ottimale si raccomanda l'utilizzo del pc e una buona amplificazione stereo.
Per un migliore ascolto dal cellulare su Soundcloud si consiglia di scaricare l'app.

The use of headphones or good amplification is recommended.
For optimal listening, the use of a pc and a stereo amplification is recommended.
For better listening from your mobile phone on Soundcloud we recommend downloading the app.

Bolero J. Arcas - I. M. Regazzo (2024) HD

Homemade record without edit. - ( WAV48/24 STEREO HIFI )

Composer : J. K. Mertz (1806-56)
Interpreter : I. M. Regazzo

Si consiglia l'utilizzo di cuffie o una buona amplificazione.
Per un ascolto ottimale si raccomanda l'utilizzo del pc e una buona amplificazione stereo.
Per un migliore ascolto dal cellulare su Soundcloud si consiglia di scaricare l'app.

The use of headphones or good amplification is recommended.
For optimal listening, the use of a pc and a stereo amplification is recommended.
For better listening from your mobile phone on Soundcloud we recommend downloading the app.

Andantino dal Notturno N° 2 Op. 4 J. K. Mertz - I. M. Regazzo (2024) HD

Spirited Away soundtrack on Suzuki Fabulous 48 harmonica.

One Summer Day

Variations on a classic chord scheme. 'Passacaglia' is derived from 'Passe de Caille' (pass of the quail).

Passacaglia 2

watch: https://www.youtube.com/watch?v=_8V6qTFvta0&list=RD_8V6qTFvta0&start_radio=1

Demi Lovato (We The Kings) -> We'll Be A Dream Beautiful piano Cover

After Troy

A self-taught composer, who has found his voice in older and traditional forms and styles of music.
Currently mostly composing for piano, but I have grand ambitions for writing chamber music and symphonies.
My music has a lot of variety in a way that expresses all kinds of sentiments, both intrapersonal and extrapersonal, kept in a cohesion by an underlying narrative; every composition is its own journey or a adventure, and I invite any guests who stumble upon my page to take part in it. 
All my music so far is written in Sibelius 7 (recordings of live performace coming down the line)
My music is available for purchase on Bandcamp: https://dinoljubi.bandcamp.com/music
Sometimes I might write an essay or two:
https://renewalcollective.substack.com/p/beethoven-through-suffering-towards
For inquiries: dinoljub89@gmail.com
Also a father to an awesome little boy.

Allegro for Piano, C Minor

Dino Ljubić

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