"Alone at the Window" is an immersion into a suspended moment — somewhere between solitude, introspection, and soft light. With delicate piano, this track paints an intimate sonic landscape, like a quiet breath between two silences.

Let yourself drift through this contemplative piece — perfect for sleepless nights or foggy mornings.

Alone At The Window

Ballade For Piano, G Major, No. 2 (Main themes - work in progress)

NEW RELEASE AT https://tutmonda.bandcamp.com/ 

«Like the amphibians that composed them, these songs are neither fish nor meat.
Between the first beat of "TROVÃO" (Thunder) and the last chord of "EM BUSCA DE UMA CERTA PAZ (onde está)" (In Search of a Certain Peace (Where Is It)), lies a world where electronica, fusion, improv, punk (and everything else) converge in a delightful blend.
A sonic déjà vu that sweeps us off our feet and simultaneously leaves us pleasantly lost for reference, but thinking to ourselves: "I've been here before..."»

Francisco Morato

João Svayam - beats, bass, poetic reflections on Palestine
Leonel Cardoso - winds, strings, mix, master and magical vision
Nuno Magas Viegas - artwork
Francisco Morato - liner notes

Trovão

Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/quiero-ir-a-alaskaversion-original-ver-texto

Quiero ir a Alaska

Era un día después de puente
y se oía gritar a Vicente:
venga chavales, menos hablar
que ya es lunes y hay que trabajar.

En una mesa Chupito a Juan
le comentaba la gran novedad:
hay que ir a Alaska a reglar un rodillo 
y quieren que vaya con el abuelito.
Ilusionado el joven Chupito 
cantaba así.

Estribillo

Quiero ir a Alaska con Abraham
Quiero ir a Alaska con el Herrera
Quiero ir a Alaska con el Aznar
Quiero ir a Alaska con el que sea.

Quiero ir a Alaska con el Ramón
Quiero ir a Alaska con el Fortea
Quiero ir a Alaska con Pasamón 
Quiero ir a Alaska con el que sea.


-----------   

Chupito soñaba con ese viaje
y le pedía el permiso a su padre
que extrañado, antes de dar
el visto bueno, se fue a comprobar.

Ya en la empresa osó preguntar
¿es fantasía o realidad?
no había viaje ni había rodillo
sólo la broma de un listillo.
Desilusionado el pobre Chupito
clamaba así.

Estribillo 

I Want to Go to Alaska

It was the day after a long weekend
and Vicente could be heard shouting:
Come on, kids, stop talking
because it's Monday and we have to work.

At a table, Chupito was telling Juan
the big news:
we have to go to Alaska to fix a rolling pin
and they want me to go with Grandpa.
Excited, young Chupito
sang like this.

Chorus

I want to go to Alaska with Abraham
I want to go to Alaska with Herrera
I want to go to Alaska with Aznar
I want to go to Alaska with whoever.

I want to go to Alaska with Ramón
I want to go to Alaska with Fortea
I want to go to Alaska with Pasamón
I want to go to Alaska with whoever.

-----------

Chupito dreamed of that trip
and asked his father for permission
who, surprised, went to check before giving
the go-ahead.

Once at the company, he dared to ask
Is it fantasy or reality?
There was no trip, nor was there a rolling pin,
just a clever kid's joke.
Disillusioned, poor Chupito
cried out like this.

Chorus

Quiero ir a Alaska

Msfbrownie - Gone Away.m4a

Dies Irae — "The Day of Wrath" — draws its name and inspiration from the iconic medieval Latin hymn that envisions the Last Judgment: a cataclysmic reckoning where the trumpet sounds, the dead rise, and every soul stands trial before an all-powerful Judge. Traditionally sung at Catholic Requiem Masses, this ancient text has haunted Western music and imagination for centuries, inspiring giants like Mozart and Verdi to transform it into timeless works of art.

This reinterpretation takes a more critical and personal path. Rather than presenting the full, fire-and-brimstone narrative, the track distills the original into select verses — fragments that echo through the music like distant voices from a troubled past. The piece challenges the deeply rooted notion of God as a merciless arbiter, replacing fear with reflection. In doing so, it questions how such doctrines have shaped our inner world — replacing love with dread, grace with guilt.

The composition opens and closes with solemn church organ passages, framing the piece like the arches of a ruined cathedral. The final organ reprise, however, carries a subtle shift — a glimmer of hope, as if the weight of centuries-old judgment might finally give way to something more compassionate.

-------------------------------------------------------------------

DIES IRAE 

Dies irae, dies illa
Solvet sæclum in favilla.

Quantus tremor est futurus
Quando iudex est venturus.

Liber scriptus proferetur,
in quo totum continetur.

Iudex ergo cum sedebit,
quidquid latet apparebit.

(The day of wrath, that day,
will dissolve the world in ashes.

How great will be the quaking,
when the Judge is about to come!

The written book will be brought forth,
in which all is contained.

When therefore the Judge will sit,
whatever lies hidden, will appear.)

Horror Sacri

Dies Irae

A funky groove with a vocal about a relationship breaking up

Aqua Pitta

Before You Go

Just some fun vibes. Be careful it's addictive 🤩💯👊🏾🫵🏾

So into you

https://soundcloud.com/atisang-seleso

“Like A Machine” is a dark, high-energy trap anthem where Naytee Vision links up with producer CYFR 360 to deliver a relentless sonic assault. The track blends haunting melodies with pounding 808s, creating an atmosphere that feels both futuristic and menacing.

Lyrically, Naytee Vision moves like an unstoppable force—cold, mechanical, and precise—while addressing the chaos of fake love, gossip, and industry politics. His bars cut through with coded aggression, portraying himself as a monster forged by adversity. CYFR 360’s production lays the foundation with industrial textures, eerie synths, and a bassline that feels like heavy machinery grinding forward.

“Like A Machine” isn’t just a flex—it’s a declaration of resilience, spiritual warfare, and transformation. It’s a track that embodies motion without hesitation, power without compromise, and ambition without limit. Perfect for late-night rides, gym sessions, or anyone who needs a reminder of their unbreakable drive.

LIKE A MACHINE ( RE - RELEASE )

A soul-stirring tribute to enduring friendship, "To an Old Friend of Mine" blends poetic storytelling with warm acoustic textures and timeless emotion. The signature lyrical style invites listeners into a personal yet universal journey of memory, gratitude, and connection.
With melodic echoes of classic folk rock, americana infuence and a modern digital edge, this track speaks to anyone who’s ever looked back with love and forward with hope. Whether you're reminiscing or rediscovering, this song is a gentle reminder that some bonds never fade.
This track is perfect for fans of heartfelt songwriting, nostalgic soundscapes, and lyrical depth.
It features instruments: acoustic guitar, subtle harmonies, ambient textures
 Ideal playlist placement: “Americana” “Songs That Speak,” and “Folk rock”
Also available at Spotify: 
https://open.spotify.com/track/5Gn72leN7EVaU9IKGxgM2i?si=77f057d1ca354d34
and YouTube at: 
https://youtu.be/mIJCDCTTJ0I

There to here  Pt. 3

An old friend of mine

Champignons - Rendez-vous

A self-taught composer, who has found his voice in older and traditional forms and styles of music.
Currently mostly composing for piano, but I have grand ambitions for writing chamber music and symphonies.
My music has a lot of variety in a way that expresses all kinds of sentiments, both intrapersonal and extrapersonal, kept in a cohesion by an underlying narrative; every composition is its own journey or a adventure, and I invite any guests who stumble upon my page to take part in it. 
All my music so far is written in Sibelius 7 (recordings of live performace coming down the line)
My music is available for purchase on Bandcamp: https://dinoljubi.bandcamp.com/music
Sometimes I might write an essay or two:
https://renewalcollective.substack.com/p/beethoven-through-suffering-towards
For inquiries: dinoljub89@gmail.com
Also a father to an awesome little boy.

Ballade For Piano, G Major, No. 2 (Main themes - work in progress)

Dino Ljubić