Very delicate and well performed. Beautiful tones. 10 IMHO

Very lovely mixture with piano and sometime little flute

very atmospheric and touching, very nice interplay between piano and guitar

I love the guitar and piano together. Great melodies. Nice work!

Wonderful arrangement on this track with a beautiful blending of piano and guitar parts! Great enjoyable listening!

Tact; Franco Tartaglia, Paul Torpiano, Charles Cassar, Carl Matthew Camilleri
Film by Kenneth Scicluna & Klara Vassallo 
Recorded and Produced at Temple Studios

Catharsis

Tact - Catharsis

LOUD
Music by Overdrive
Lyrics by Electra Volcana
Guitar solo by Chris Hardisty

Check out the IG promo videos for Loud:
https://www.instagram.com/p/C1FlG4lrV1o/
https://www.instagram.com/p/C3ei_KwuNyR/
https://www.instagram.com/p/C3g9tCUxnfC/
https://www.instagram.com/p/C3eiCJIM_xv/


This is a track produced by me in collab with singer Electra Volcana and guitarist Chris Hardisty. The song mixes punk and electronic music, serving as a sample of 90s underground in a more modern guise.

Jane aka Electra Volcana's unmistakable punk vocals are the highlight of the track, creating the perfect underground atmosphere with her raspy voice. Discover the incredible work of this French singer on her Soundcloud page:

@user-6008493

Guitarist Christopher Hardisty is a long-time partner in collabs, always delivering brilliant guitar solos. Chris is a member of StillVivid, along with Matt Reeves, and the duo's brilliant work can be heard on their Soundcloud page:

@stillvivid

Also check out StillVivid's new album Saga:

soundcloud.com/stillvivid/sets/saga

The strong influence of the English band The Prodigy is evident here, especially from their album The Fat of the Land. When The Prodigy released The Fat of the Land in 1997, it was a shock. Everyone was well adapted to the industrial genre by then -- NIN had released their debut album Pretty Hate Machine more than a decade earlier. However, TFOTL became a legendary electronic music album for its rawness and brutality. The single Smack My Bitch Up faced boycotts from record stores, the music video was censored on MTV, but the song reached the top of the charts in more than 20 countries, including the US and UK. In 2020, Metal Hammer magazine (a renowned heavy metal publication) included FOTL in its list of the 10 best albums of 1997. Not enough, Rolling Stone featured FOTL in its list of "Essential Recordings of the 90s" and it is also one of the "1001 Albums You Must Hear Before You Die".

The influence of The Fat of the Land on my musical formation at this time is indisputable. It was during this same period that I bought my first physical sampler (Akai Emu E4X Turbo) and started mixing electronic music (techno, dnb, jungle, electro) with underground genres (rock, punk, heavy metal) and more traditional styles (classical music, jazz, new age, pop).

Hope you enjoy the song.

Loud (ft Electra Volcana & Chris Hardisty)

This track uses only sounds from the upcoming library "Sonespheres - Limitless" from Soundiron. Do enjoy.

As usual all comments are appreciated.

Lost Souls

The last track for Subliminally Sublime. See ya next time.

Subliminally Sublime

iTunes

Upon My Arrival

A collaboration between me and the incredibly talented guitarist SeaShea(https://soundcloud.com/chris-oshea-3), that I'm thrilled to share, a captivating fusion of piano and guitar that breathes new life into my original composition, an Elegie for Piano in G minor. 
SeaShea, moved by the original piano track, has woven his strings in such a way that the piece now dances between the realms of poignant reflection and uplifting harmony, further enriching the total soundscape. 
A heartfelt thanks to him for doing me this honour, and I hope that every listener will be moved in the same way as I was.

Elegie for Piano and Guitar, G minor (featuring SeaShea)

The Detroit underground dark jazz scene brings forth The Dark Messiahs' latest track, "Kid Twist." The melody of the piano weaves its way through the song with its hypnotic ostinato.

Blue Six's trumpet cuts through the atmosphere with a raw, distorted edge, adding an element of gritty allure to the ensemble. Tully Wilson's clarinet dances in and out of the arrangement, casting its spell, while Wilt Flowers' bass provides a steady, heartbeat that anchors the composition.

But it's Sonny Rhodes' piano that truly steals the spotlight, guiding you through the piece. From moments of melancholic reflection to bursts of more frenetic energy backed by Sticks Thompson's masterful drumming, driving the rhythm forward with precision and passion.

With its seamless blend of dark beauty and experimental fervor, "Kid Twist" allows you to close your eyes, and let The Dark Messiahs whisk you away into a world where dark jazz lives.

Kid Twist by The Dark Messiahs. Dark, doom jazz from Detroit.

The human body is an ecosystem that does a million little things every second just to make us feel "normal". And this is, in the real sense of the word, awesome.

Support Gom

The Body Works

This tune started with a basic backing track that I added more drums/cymbals to and a 1976 Gibson Les Paul Deluxe lead guitar.

Ron Snyder - BEA FLATE BLUES (Instrumental)

Two Lovers

Something in the Water (prod. beatbauerjonas)

When I make music, I often think of the people who have gone...

_______________________________________

Wenn ich Musik mache, denke ich oft an die Menschen, die gegangen sind...


Music: Axel Menningen
Cover Image: pixabay.com

Gone

A self-taught composer, who is trying to find his voice in older and traditional forms and styles of music.
Currently mostly composing for piano, but I have grand ambitions for writing chamber music and symphonies.
Sometimes I might write an essay or two:
https://renewalcollective.substack.com/p/beethoven-through-suffering-towards
Also a father to an awesome little boy.

Elegie for Piano and Guitar, G minor (featuring SeaShea)

Dino Ljubić

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