Classical works #1

Calming Classical

Beautiful Piano 1

Good Classical I Found 3

Awesome Music From Other Artists #2

Sunday Morning Ambient Mix - July 21, 2024

Repost/Exchange 7

Classical

Background Music

No way out

Deep Blue Ocean for two pianos
Duration: 12'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=938
Online Perusal Score: https://issuu.com/robertpaterson/docs/deep_blue_ocean_-_fs-bound
For More Information: https://robertpaterson.com/deep-blue-ocean

PROGRAM NOTES
Although Deep Blue Ocean is not meant to be overtly programmatic, I thought it would be wonderful to explore the oceanic depths, so during a trip to the Gulf of Mexico I became a certified scuba diver. I was truly inspired, whether by the large rolling waves on the open sea, the delicate back and forth of beds of seaweed, the vibrant colors of fish clustering around cities of coral, or the beams of sunlight that cascade over the ocean’s surface.

I was also inspired by my four year old son Dylan: his name means ocean or god of the seas in Welsh; he is an Aquarius, which means the water bearer; he is an excellent swimmer, and he loves listening to a movement of one of my choral works entitled Infinite Oceans.

While writing this piece, I could not have known that the worst oil spill in U.S. history would occur just north of where I visited. The darker moments in this work are the result of this tragedy. It is in three connected movements: The Darkness Below, Sunbeams and Waterfalls, and Accents and Waves.

Deep Blue Ocean is written for Steven Gosling and Blair McMillen of the American Modern Ensemble and is dedicated to my son Dylan.

Powerhouse Pianists II

Deep Blue Ocean - II. Sunbeams And Waterfalls

©️2022 ToMo
All Right Reserve
Exclusively Owned Copyrighted©️

Sleep Piano

Esta pieza es una fuga barroca a 4 voces para 2 violines, viola y violonchelo acompañados por una orquesta de la época. El término fuga viene del latín fugare que significa huir y como puede oírse en esta composición, las 4 voces hacen entradas sucesivas en imitación como una especie de persecución entre ellas.
Para ver el video https://www.youtube.com/watch?v=83HbSFjWHGM

FUGA A 4 VOCES 1 HD

This piano quintet is deeply rooted in Afro-Cuban music and its spiritual forces. Each movement represents a deity called Orisha, and showcases the diverse rhythms and melodies of Afro-Cuban culture, with the Orisha Shango, the lord of drums and thunder, serving as the focal point.

The second movement, "Raging Volcano," is divided into three sections. The first section builds up to the eruption, representing Agayu, the master of volcanoes and the road. The fast-paced and dissonant eruption is followed by a haunting descent of dissonant strings, with the piano gradually fading away like a heartbeat, leaving an image of desolation.

Piano Quintet No 1 - 2nd Movement Raging Volcano (Virtual Pre-Premiere)

Seq77  Every Beginning Has An End And Every Ending Is A New Beginning.

"Tea with Debussy & Pärt in Casablanca" is a musical dream that bloomed during my vacation in Havana, Cuba. Inspired by classical masterpieces from Arvo Pärt and Claude Debussy, I envisioned an imaginary encounter with these esteemed composers in Casablanca, over Moroccan tea.

This piece is not an imitation of their styles but rather a heartfelt conversation between us. It embodies the essence of typical conversations in Morocco, where we all speak at the same time, meandering from topic to topic, and experiencing numerous changes of atmospheres, tempi, textures, and fragments of thematic material.

It begins with minimalist touches, a nod to Pärt's recent works, where the piano introduces serene arpeggios, intertwining with heartfelt viola melodies. As we delve into our tea time, I incorporate some of Debussy's harmonic vocabulary. 

Throughout our harmonious dialogue, the piece mirrors the dynamic nature of conversations in Morocco. We experience moments of collective excitement, where the music swells with vibrant textures and lively tempi, as if everyone is speaking at once. Themes and motifs emerge and intertwine, mirroring the meandering nature of our discussion as we navigate from one topic to another.

As our musical journey unfolds, our collaboration celebrates cultural fusion, weaving together Pärt, Debussy, and my artistic zest. Each voice contributes to the narrative, inviting moments of wonder and contemplation through our shared inspirations.

Tea with Debussy and Pärt in Casablanca for Clarinet in A and Piano Virtual Pre-Release Version

Buy High-Quality Digital Track:
https://edoardogastaldi-music.bandcamp.com/track/i-am-here-and-you-are-mine

Listen on other Platforms:
https://fanlink.tv/iamhereandyouaremine

Artist: Edoardo Gastaldi
Record Label: PaKo Music Records
Distribution: Believe Digital
Genre(s): Piano, Modern Classical
Original Picture: Edoardo Gastaldi
Cover Art: Federico Paronetto, Edoardo Gastaldi
Official Video: Davide Fasiello
Mastering: Jann Grimm
Release Date: 01/09/2023

© 2023 Visory Records
℗ 2023 PaKo Music Records

I Am Here and You Are Mine

"Tea with Debussy & Pärt in Casablanca" is a musical dream that bloomed during my vacation in Havana, Cuba. Inspired by classical masterpieces from Arvo Pärt and Claude Debussy, I envisioned an imaginary encounter with these esteemed composers in Casablanca, over Moroccan tea.

Commissioned by a dear friend and talented violist Vincent Delorme, this piece is not an imitation of their styles but rather a heartfelt conversation between us. It embodies the essence of typical conversations in Morocco, where we all speak at the same time, meandering from topic to topic, and experiencing numerous changes of atmospheres, tempi, textures, and fragments of thematic material.

It begins with minimalist touches, a nod to Pärt's recent works, where the piano introduces serene arpeggios, intertwining with heartfelt viola melodies. As we delve into our tea time, I incorporate some of Debussy's harmonic vocabulary. 

Throughout our harmonious dialogue, the piece mirrors the dynamic nature of conversations in Morocco. We experience moments of collective excitement, where the music swells with vibrant textures and lively tempi, as if everyone is speaking at once. Themes and motifs emerge and intertwine, mirroring the meandering nature of our discussion as we navigate from one topic to another.

As our musical journey unfolds, our collaboration celebrates cultural fusion, weaving together Pärt, Debussy, and my artistic zest. Each voice contributes to the narrative, inviting moments of wonder and contemplation through our shared inspirations.

Tea with Debusy and Pärt in Casablanca

Tea With Debussy and Pärt in Casablanca - World Premiere (Live Performance)

A composition I'm extremely fond of, feauting one of my most dearest themes which I simply had to repeat it in the Coda.
As a musical piece it is straightforward, and unassuming in its texture and scope, but I believe it has a certain fable-like, enchanting feeling, thus the poem title, although structurally it is very close to a sonata. 
I've explored others mode a bit ( I've modulated to F Lydian briefly), which is something I'll likely do in the future.

Poem for Piano, F Minor

A composition I started writing almost at the same time as my first Nocturne, when both were part of an extremely long and bizarre fantasy, and thus they both share very few of the same and almost unnoticable textures and motivic figures, although they are completely different in character and form from one another. 

In comparison with my second Nocturne, which is quite a pensive and somber work, this one is rather stormy, bordering on fury during the climax in the middle section, where the music shifts from E minor to C minor, and then a ray of hope appears in E-flat major, which is almost as far as one can get from E minor.

Nocturne For Piano, E Minor, No. 3

Star Dust

#01 Relaxing Music for Bedtime, Relaxing, Studying, Walking

Calming Music for Massage

#001 Entspannende Musik zum Beruhigen, Einschlafen und Meditieren

Hinreißende Energie

#001 Entspannende Musik zum Schlafen, Erholen und Träumen

Ich lasse los im Tal

The main theme is another one from my distant teenage years, written on a small keyboard as a flute tune. 
My friend like it, so we fooled around with it and even recorded a song called ''Field of Dew'', as a satine of folkish/radio friendly love songs popular in Dalmatia, that alone probably influenced me to use the theme for a romance-like composition.
Sentiment and content wise, it is very personal, filled with melodies reminiscing all of turmoil one can experience in love, from happy moments like the first glance in the shared with one another in a crowd during a Metallica cover band concert, strolling through the sun bathed forest of Gorski Kotar, and many more, both happy and unhappy. 
This piece is dedicated to Vanja Kalemba, the mother of my son and also the author of many paintings I use as a art cover of my compositions.

Romance For Piano, B-flat Lydian

This piece will be performed at the Mostly Modern Festival next June by the American Modern Ensemble. This is a Work in Progress Mock Up before the Premiere.

Program Note:
This chamber piece delves into the vibrant musical traditions of Morocco, particularly those of the Amazigh people, the heart and soul of the Atlas Mountains. The earthquake of September 8th, 2023, cast a long shadow, especially in these mountainous regions where many Amazigh people reside. While the loss of life across Morocco was significant, the music itself transcends sorrow.

It explores the transformative power of music in the face of loss, reflecting the Amazigh belief in celebrating life even after a period of mourning. In their culture, grief eventually gives way to music and dance, a beautiful way to honour departed loved ones. This spirit of resilience and celebration infuses the very essence of this piece.

The evocative melodies of the High Atlas, often accompanied by unique percussion wind and stringed instruments, become a testament to the enduring spirit of the Amazigh people.  This work serves as the first movement of a larger suite exploring the rich tapestry of Moroccan music. It's a personal interpretation, where the threads of tradition and contemporary influences are intricately woven together.

While this piece aspires to offer a humble tribute to those lost in the earthquake and celebrate the enduring strength and vibrant cultural heritage of the Amazigh people and Moroccans in general, it ultimately seeks to foster a cross-cultural conversation. This creative interplay, however modest a contribution, seeks to transcend borders, enriching the global artistic landscape and building bridges of understanding across diverse cultures. Ultimately, this composition is a celebration of life, resilience, and the unifying power of music.

Moroccan Dances - 1. Hight Atlas The Majestic (Virtual Pre-Release)

Verse 1:
Fast asleep, you lie in your bed. He’s not in your closet, he’s in your head.
Try to escape, but it’s too late. He’s coming for you, it is your fate.

Pre-Chorus:
He wants you dead, he wants your soul, it’s not up to you, it’s out of your control.
Spare my life, oh please, god no!
(Attempt to leave; you may try, but you must remember I’m right behind)

Chorus:
Take me home, please god, no, and I don’t want to die today.
Take me home, please god, no, and I don’t want to die today.

Verse 2:
Now you try to run away, you think you’re safe, but you’re here to stay.
Keep on running, it makes him smile. He’s two steps away, you foolish child

Pre-Chorus:
He wants you dead, he wants your soul, it’s not up to you, it’s out of your control.
Spare my life, oh please, god no!
(Attempt to leave; you may try, but you must remember I’m right behind)
Chorus:
Take me home, please god, no, and I don’t want to die today.
Take me home, please god, no, and I don’t want to die today.

Coda:
One, two, he came for you.
Three, four, should have locked the door.
Five, six, here’s your crucifix.
Seven, eight, it’s too late.
Nine, ten, I’m comin’ again!

Chorus:
Take me home, please god, no, and I don’t want to die today.
Take me home, please god, no, and I don’t want to die today.










Fair Use Disclaimer

All music and lyrics are written and composed by Jerry Berry and performed by Victis Honor. These works are protected under copyright law. Unauthorized use, reproduction, distribution, or modification of this material is prohibited unless expressly permitted under fair use provisions.

Fair use allows limited use of copyrighted material without requiring permission from the rights holders for purposes such as criticism, comment, news reporting, teaching, scholarship, or research. Any use of our music and lyrics should comply with these fair use guidelines.

If you wish to use our material for purposes beyond fair use, please contact us for permission.

A Nightmare on Elm Street (2024 Single)

Victis Honor (2024 Remastered)

[demo] Tears For An Imaginary Time

Dropouts

While I was composing my F-sharp minor Fantasy, I found myself stuck on a particular middle section, struggling to find the right variation to complete the piece. Eventually, I succeeded, but before that happened, I wrote numerous segments that didn’t quite fit into the piece.

Fortunately, some of these discarded variations began to resonate with each other, leading to the creation of smaller pieces that I grew very fond of. The first of these became my Prelude in F-sharp Minor, and the second, the Moment Musicaux in A Major.

These two compositions share some motivic figures down to the note, yet in feeling and meaning, they couldn’t be more different. Despite the brief scope of the Moment Musicaux in question, I believe there is much to discover within it, with every new small section providing something unique and unexpected.

Moment Musicaux for Piano, A Major

Samples Intrada 5 in D Major (Anonymous, 1786)
Samples One Last Time (Ariana Grande, 2014)

Exchange

Mid-Century Modern

A first test of solar panels used as drone oscillators to create ambient soundscapes with photon energy.

The second phase is the development of more advanced solar oscillators with a built in FX system. 

Solar oscillator ambient test.wav

Crazy (Single Version)

#Psychedelic #indie #relatedsongs #soundcloud #algorithim

Purgatory / No way out

Immerse yourself in the dreamy electronic sounds of Mago "Electric Dreamscape". The intricate layers of synths and hypnotic rhythms transport you to a retro-futuristic realm where anything is possible and the mind is free to wander...

Buy!

Electric Dreamscape

Saudações de Berlim...Elaine Katoy... https://soundcloud.com/elaine-katoy

BERLIM KATOY

Singularity

"Blue Clarinet" is one of Eryk Sowa's finest compositions, a mesmerizing concert dance piece celebrated for its sophisticated melodies and vibrant energy. This remarkable work highlights the clarinet's expressive potential, weaving intricate solos with dynamic orchestral arrangements. The definitive recording on the "Ariola" label features Kurt Henkels' orchestra, with the legendary clarinetist Rolf Kühn delivering an exceptional solo performance. "Blue Clarinet" remains a standout piece in Sowa's repertoire, captivating audiences with its rich, evocative soundscapes and masterful musicality.

Sheet music available, please contact us by Email = info@edition-sowa.de

Blue Clarinet (Orginal)

Eryk Sowa - Blue Clarinet (Orginal)

A poolside jam on a hill looking out onto Lake Michigan, in Michigan.
This is the second and last recording of this 1981 series.
A good time was had by all.
This was recorded with a boombox.

Ted Nugent COVER Jam STRANGLEHOLD - LIVE 1981 (Michalski-Snyder-Berg-Steele&Co)

Follow and listen to my beats on other platforms here: bit.ly/dopebeats-chillbro

🎶StreamLinks🎶

Chill bro (For Collab)

Eva Theme ( Performed By Alisa Wunder )

Blue Room (observatory)

Follow me

https://www.instagram.com/ST4N1_AV/
https://open.spotify.com/intl-fr/artist/1tBHqpMvKKRKdyFOiYRTTx?si=0PijAY2SRcCQGTrAhC583w

Dark Throne

Stream

Ghost in the Beat

9 Dash Line by The Jeremias Langsämmer Ensemble is a striking example of contemporary chamber music, blending piano, harp, cello, and strings to explore complex emotional and thematic landscapes. The ensemble utilizes intricate harmonies and dynamic contrasts, balancing tension and serenity throughout the composition. This piece highlights the modern approach to chamber music, where minimalist structures meet expressive, avant-garde techniques. The interplay between the instruments creates an immersive sonic journey, emphasizing texture, mood, and fluidity. 9 Dash Line is a bold, thought-provoking addition to the contemporary chamber music repertoire.

9 Dash Line by The Jeremias Langsämmer Ensemble [Contemporary Chamber Music]

Orange Room (reading)

New York Stories (Piano/vocal)
Music by Robert Paterson | Libretto by Sokunthary Svay
Written: 2024
New York Stories Duration: ca. 60'
Chamber Ensemble Version Instrumentation: soprano, baritone, and chamber ensemble (flute, oboe, clarinet, percussion, piano, violin, viola, cello), or soprano, baritone, and piano
Percussion Instruments Needed for Chamber Ensemble Version: small drum set (snare drum, bass drum, hi-hat, crash cymbal, ride cymbal) vibraphone, glockenspiel, bar chimes, temple blocks, medium wood block, high wood block, medium triangle, small triangle
Librettos for five scenes commissioned by Robert Paterson. Crossing The Hudson (lyrics and piano/vocal score) commissioned by the Five Boroughs Music Festival
World Premiere (Piano/vocal Version): 
World Premiere (Chamber Version): Mostly Modern Festival, Modern Vocal Projects, Skidmore College, Arthur Zankel Music Center, Saratoga Springs, NY, June 16, 2024.
World Premiere (Piano/vocal Version): American Modern Ensemble, Opera America, Marc A. Scorca Hall, New York, NY, May 24, 2024.
Publisher: Bill Holab Music
Piano/vocal Version Video Playlist: https://youtube.com/playlist?list=PLUOHtooUK6OjL8UP6SAsfZhKWhxYS3mKO&si=0c5BaBXoShH1zVvY
Chamber Version Video Playlist: www.youtube.com/playlist?list=PLb…AlaPLl69TU_ffF2cd
For More Information: robertpaterson.com/new-york-stories

New York Stories - River Park (Piano/vocal)

heard this tune after it dropped (i'm late i know) and had to flip it!!
hope you enjoy it as much as I had fun making it !! 

Free Download

KOMPANY & IVORY FT. RAXDFLIPNOTE - JACKPOT [ADVM BOMB FLIP]

Too Sweet (Scafetta Remix) FREE DL

RED2

A Quiet Man, A Tired Woman

The concept behind “Paradise + Hell” revolves around the idea of creating two distinct worlds, reflected in the two drops of the track. 

The first drop, with its melodic and uplifting tone, evokes the feeling of Paradise, while the second, darker and more intense, represents Hell. This duality aligns perfectly with the title.

The artist also aimed to merge an old-school vibe with modern production techniques, striking a balance between nostalgia and innovation.

Paradise + Hell

About what happens after the main event is over

Gary McDowell's Album

The Aftermath

A self-taught composer, who has found his voice in older and traditional forms and styles of music.
Currently mostly composing for piano, but I have grand ambitions for writing chamber music and symphonies.
My music has a lot of variety in a way that expresses all kinds of sentiments, both intrapersonal and extrapersonal, kept in a cohesion by an underlying narrative; every composition is its own journey or a adventure, and I invite any guests who stumble upon my page to take part in it. 
All my music so far is written in Sibelius 7 (recordings of live performace coming down the line)
My music is available for purchase on Bandcamp: https://dinoljubi.bandcamp.com/music
Sometimes I might write an essay or two:
https://renewalcollective.substack.com/p/beethoven-through-suffering-towards
For inquiries: dinoljub89@gmail.com
Also a father to an awesome little boy.

Romance For Piano, B-flat Lydian

Dino Ljubić