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BACH: Prelude and Fugue 12 in F minor, BWV 857 (BOOK 1)

Federico Guglielmo violin I & concertmaster 
Pier Luigi Fabretti oboe (Concerto no.6)
L'Arte dell'Arco
Francesca Bonomo violin I  - Carlo Lazari violin II
Mario Paladin viola - Francesco Galligioni cello - 
Paolo Zuccheri violone/double bass -
Roberto Loreggian harpsichord/chamber organ - 
Ivano Zanenghi theorbo

Recording: 31 March-2 April 2014, Abbazia di Carceri d'Este, Padua, Italy
Producer, recording engineer & editor: Fabio Framba

cd Brilliant Classics (2014)

Vivaldi: Concerto Op.11 No.4 In G RV 308 (violin, strings and continuo)- 3.Allegro

Ensemble Inégal - Jan Dismas Zelenka - In exitu Israel ZWV 83 - first part

D.Castello -  Sonata seconda a Sopran solo from "Sonate concertate in Stil Moderno, Libro secondo", Venice, 1629

Katarzyna Solecka - baroque violin
Rossella Policardo - harpsichord/ organ
Giovanni Bellini - theorba

Live recording, 29.04.2016
Church Santa Maria in Valverde, Palermo

D.Castello -  Sonata seconda a Sopran solo

50 Classical Music Hits - The Best Classical Music Collection

Piano Sonata No. 9 in E, Op. 14, II. Allegretto

Piano Sonata No. 4 in Eb, Op. 7, I. Allegro

Piano Sonata No. 15 in D, Op. 28, I. Allegro

Frederic Lamond plays Franz Liszt: 'Un Sospiro', Grand Concert Etude no.3, in 1928 on Duo-Art A-54.
Recorded  21 Feb, 2017 by VViljanen (by permission)from the digitized copy of the original reproducing piano roll.
ANY KIND OF COMMERCIAL USE PROHIBITED.
Photo: Frederic Lamond 1868-1948, was a Scottish classical pianist and composer, and the second-last surviving pupil of Franz Liszt.
(..to be continued below...)
The basic info of the original piano roll:
Un SOSPIRO (A Sigh), No. 3 in D-flat from "Grand Concert Etudes" (annotated by Basil Malne)
Roll Number: 54, A-54
Composer/Creator: Liszt
Pianist: Lamond
Roll System: Duo-Art
Country: US
Date: January, 1928
Category: audiographic, classical
Original Price: n/a
Continued about Frederic Lamond:
Lamond was born in Glasgow, Scotland. After exhausting the resources of his home town, he continued his musical study abroad in Germany under Max Schwarz and Hans von Bülow. He studied with Franz Liszt at Weimar and Rome in 1885, and in London in 1886. In 1886 Lamond also met Johannes Brahms, who coached him in his own works. Lamond also became acquainted with Anton Rubinstein in Germany, hearing him conduct and play many times there, and later in Russia in the 1890s.
In addition to becoming one of the early champions of Brahms' piano works, Lamond was considered the primary authority on Beethoven's piano music before Artur Schnabel, and Breitkopf & Härtel published his edition of the piano sonatas. In 1893 Lamond was invited by Vasily Safonov to Moscow to play Tchaikovsky's First Piano Concerto in B-flat minor, Op. 23, at the request of the composer. While in Russia, he met Alexander Scriabin, whose Second Sonata, Op. 19, Lamond later played. In the 1920s and '30s, Lamond recorded many works of Beethoven (including an acoustic recording of the "Emperor" Concerto complete under Eugène Goossens, for HMV) and Liszt, as well as a scattered assortment of smaller works by other composers. While not the greatest of technicians by the time of his recordings — reviews from his youth praise his accuracy and bravura in such taxing works as the Brahms Paganini Variations, Op. 35 — his graceful phrasing and singing tone are quite remarkable (Wikipedia)

Mozart Violin Concerto No. 5 in A major Allegro Aperto

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