Fugue for piano and Harpsichord

Voici un premier concerto pour violon - ré-écrit pour Dorico. Il comprend:

> Un premier mouvement qui impose le rythme tout en manipulant différents plans sonores contemporains.

> Un second mouvement, empreint de mysticisme et de lyrisme, qui débute et se termine dans la brume...

> Et un troisième mouvement au caractère 'marcato', qui reprend qui reprend certains thèmes des deux autres et se termine d'ailleurs dans une atmosphère semblable au second.

Violin Concerto no 1 - Dorico

Nininho Vaz Maia & Cristiano Maia - Gosto de ti 
#Niskens
----------
PAROLES - LETRAS - LYRICS :

Logo pela manhã
Logo pelo acordar
Saudades do meu Tano
Saudades me vai matar

Logo pela manhã
Logo pelo acordar
Saudades da minha Ionara
Volto-me doido a chorar

E vem a noite espero pelo vosso olhar
Sinto a vossa presença me fazem acreditar

Ai eu gosto de ti, e eu gosto de ti
Deus sabe que é verdade e eu gosto de ti
Ai eu gosto de ti Deus sabe que é verdade e eu gosto de ti
Ai eu gosto de ti Deus sabe que é verdade

Logo pela manhã
Logo pelo acordar
Saudades do meu pai saudades me vai matar
Logo pela manhã
Logo pelo acordar
Saudades da minha Ionara
Volto-me doido a chorar

E vem a noite espero pelo teu olhar
Sinto a tua presença, fazes-me acreditar
Ai eu gosto de ti, ai eu gosto de ti

Deus sabe que é verdade e eu gosto de ti
Ai eu gosto de ti Deus sabe que é verdade e eu gosto de ti
Ai eu gosto de ti Deus sabe que é verdade

Ai eu gosto de ti, ai eu gosto de ti
Deus sabe que é verdade e eu gosto de ti
Ai eu gosto de ti Deus sabe que é verdade e eu gosto de ti
Ai eu gosto de ti Deus sabe que é verdade


Paroliers : Avelino Abel Vaz Maia

Nininho Vaz Maia & Cristiano Maia - Gosto de ti #Niskens

This track is a compilation of fragments of stage plays, location-projects, video’s and educational projects by the Wiener Philharmoniker (Salzburger Festspiele, Wien).

Swan Symphonics Stage, Plays and Video-Medley

You can use this track for whatever you want or need.

license creative commons

I will appreciate your colaboration in my profile.

thanks 

Piano 1 ( creative commons license)

The "Tournidjaire Lemosina" (in Occitan) is a traditional dance from Limousin, inherited from a rich folk heritage where music served primarily to bring people together and celebrate. Its name comes from the idea of ​​turning, of twirling, and it is characterized by a lively and catchy rhythm, often marked by repetitive melodic phrases that encourage collective dancing. A part of intangible heritage, it is gradually disappearing from the Limousin choreographic and cultural landscape.

Transposed to the symphony orchestra, the Tournidjaire takes on a new dimension. The orchestra's varied colors and timbres support the festive and vigorous character of this rural dance: the strings provide the fluidity of the circular movement, the woodwinds translate the light and playful motifs, while the brass and percussion instruments emphasize the popular energy and rhythmic liveliness.

This rewriting does not betray the original spirit: it preserves the popular momentum, the regular pulse and the communicative joy of Limousin dance, while opening it up to the breadth and richness of sound of a large symphonic formation. La Tournidjaire thus becomes a bridge between tradition and modernity, between the memory of the land and universal musical language.
----------------------------------------------------------------------------------------------------
La Tournidjaire Lemosina (en occitan) est une danse traditionnelle du Limousin, héritée d’un riche patrimoine populaire où la musique servait avant tout à rassembler et à célébrer. Son nom vient de l’idée de tourner, de virevolter, et elle se caractérise par un rythme vif et entraînant, souvent marqué par des phrases mélodiques répétitives qui incitent à la danse collective. Issue du patrimoine immatérielle, elle disparait peu à peu du paysage chorégraphique et culturel limousin.

Transposée à l’orchestre symphonique, la Tournidjaire prend une nouvelle dimension. Les couleurs et les timbres variés de l’orchestre supportent le caractère festif et vigoureux de cette danse rurale : les cordes apportent la fluidité du mouvement circulaire, les bois traduisent les motifs légers et espiègles, tandis que les cuivres et les percussions soulignent l’énergie populaire et la vivacité rythmique.

Cette réécriture ne trahit pas l’esprit originel : elle conserve l’élan populaire, la pulsation régulière et la joie communicative de la danse limousine, tout en l’ouvrant à l’ampleur et à la richesse sonore d’une grande formation symphonique. La Tournidjaire devient ainsi une passerelle entre tradition et modernité, entre mémoire des terroirs et langage musical universel.

Composer & Pianist: Pierre Fontaine
Dedicated to composer and pianist Lucas Debargue.


Score available for purchase on pierrefontaine.composer@gmail.com
Piano solo, Piano four-hands and Symphonic orchestra)

Copyright Pierre Fontaine © All rights reserved


Tournidjaire Lemosina | Petite Orchestre Symphonique

Il Preludio dal Preludio, Fuga e Allegro BWV 998 di Johann Sebastian Bach (1685-1750) è una delle pagine più raffinate del repertorio barocco per liuto o clavicembalo. La scrittura, limpida e cristallina, mette in luce la straordinaria abilità di Bach nel fondere contrappunto ed eleganza melodica. Il Preludio, caratterizzato da un flusso continuo di arpeggi e progressioni armoniche, apre la celebre trilogia BWV 998, anticipando l’intensità della Fuga e la brillantezza dell’Allegro finale. Un brano di straordinaria profondità e bellezza, eseguito e amato ancora oggi da chitarristi, liutisti e clavicembalisti di tutto il mondo.

Baroque Resonances – Frescobaldi, Zamboni, Bach & Brescianello

Johann Sebastian Bach – Preludio dal Preludio, Fuga e Allegro BWV 998 (1685-1750)

Download: https://mikerio.bandcamp.com/track/say-what-vs-one-dance-mikerio-recreated

Download

Say What Vs. One Dance (Mikerio Recreated)

Toni Silva - Da Boa 
#Niskens
--------------
PAROLES - LETRAS - LYRICS :

Vai te apressarrrr…
pelo teu bem estaaaaaar
Teu carinhoooo
O amor não floresci
num chao de pedra não
Nem è trazidoooooo…
pelo maaaar…

vai te aprontar 
Teu amor vai chegar
mas primeiro costura 
Bem o teu coração
organiza teu chãoooo.. 
e se deita pra ver
Que o amoooooor ! 
é uma mancha no espaço
uma ave que voa
é poesia da boa
é poesia da boa
é poesiaaa, èèèèèèèè….

Que o amoooooor ! 
é uma mancha no espaço
uma ave que voaaa..
é poesia da boa
é poesia da boa
é poesiaaa, èèèèèèèè…..

 Instrumental 

Vai te apressar 
pelo teu bem estaaaaaar..
Teu carinhoooo..
O amor não floresce 
num chao de pedra não
Nem è trazidoooooo…
pelo maaaar..

vai te aprontaaaar 
Teu amor vai chegaaar
mas primeiro costuraaaa…
Bem o teu ..coração
organiza teu chãooo 
e se deita pra ver
Que o amoooooor !
é uma mancha no espaço
uma ave que voaaa
é poesia da boa
é poesia da boa
é poesiaaaaa..èèèèèèèèèè ….

Que o amoooooor !
 é uma manchaaaaaa no espaço !
uma ave que voa
é poesia da boa
é poesia da boa
é poesia…èèèèèèèè èèèèèèèè èèèèèèèèè …..



Written by: Toni Silva

Toni Silva - Da Boa #Niskens

Vivaldi's Solo Violin "Legato" (Solo) by Troels Folmann

Vivaldi's Solo Violin "Figures" (Solo) by Troels Folmann

From its dramatic opening that gave its composer “no peace,” to its sparkling finale, Mendelssohn’s Violin Concerto in E minor has been delighting listeners for almost two centuries. To open the USUO Ghost Light Podcast’s tenth season, Jeff and Carol uncover the artistic partnership behind this landmark (and revolutionary) work and consider why it remains a cornerstone of the concerto repertoire.

Episode 10.1 - Mendelssohn’s Violin Concerto

Free Download

One Dance x Say What (Behemet Mashup)

The Lansdowne Symphony Orchestra
April 6, 2025
Reuben Blundell, Conductor

Witold Lutoslawski: Concerto For Orchestra - III - Passacaglia, Toccata e Corale

Witold Lutoslawski: Concerto For Orchestra - I - Intrada

Witold Lutoslawski: Concerto For Orchestra - II - Capriccio, notturno e Arioso

Two Minutes to Midnight: Original Continuation [Violin-Piano]

Sax Tenor Feliz navidad

Born in a musical family, Gilles made his debuts on the Ottawa scene as guitar player. After some university studies in musicology and research in semiotics, his interest for descriptive music developed through his meeting with Canadian composer Robert Fleming of the National Film Board (NFB). 

After a career in computer engineering and software development, Gilles now returns to the composition of descriptive music and the pleasure of orchestral writing. Good listening!

P.S. Please use headphones for better sound fidelity.

Hailed as "The Best Orchestra of its Kind in the Universe," the Lansdowne Symphony Orchestra can be heard Right here on Earth.  To read program notes about the pieces on Soundcloud, please visit our website at lansdowneso.org.

I am a Dutch composer, arranger and conductor.
I composed and arranged for national and international choirs, symphonic orchestras (Wiener Philharmonic) and theatre and video projects.

Músico, compositor y productor de música electrónica e instrumental con medios mixtos. Sintetista y tecladista.
Trabajo con sintetizadores analógicos, digitales y software. podes seguirme en mi Instagram @francisco_nicosia_musica

Musician, composer and producer of electronic and instrumental music with mixed media. Synthetist and keyboard player.
I work with analog, digital and software synthesizers. You can follow me on my Instagram @francisco_nicosia_musica

Pierre Fontaine, born in Nanterre, France, is a composer whose taste for early-20th harmony, jazz influences, XVIIth century dances and  film music have led him to conduct and compose for various ensembles an soloist such as the Telegraph Quartet, Symphonic & Chambers orchestras, the  International Orange Chorale of San Francisco and more. As a pianist who accompanies movies with live-improvised music in theaters across France, Pierre has also signed the original soundtrack for over ten short-films.

Pierre has won prizes in several competitions such as, Highsmith Orchestral Composition competition 2025, Artisee 2024 Composition competition "Over the Classic", ERSO 2024 Composition competition, the SSO Call for Score 2022 at USC in Los Angeles, the 6th Pankonin American Art Song competition 2022, 2nd prize at the SFCM Choral Competition 2022, 2nd Prize at the SFCM Art Song Competition 2021.

Pierre is currently based in Paris, France and graduated from San Francisco Conservatory of Music with a Master’s Degree in Composition where he studies with Dr. David Conte. In addition, Pierre holds a Advanced Certificate  in Composition from San Francisco Conservatory of Music, as well as a DE (Bachelor's degree) in Teaching Pedagogy from CeFeDem Auvergne Rhone Alpes.

(my channel is not monetized)...
LIKE / SHARE / FOLLOW
Find me also on the channels below:
. YOUTUBE :  
https://www.youtube.com/channel/UCjD9L95ugeIZfWgdVwaJeXg
. AUDIOMACK :
https://audiomack.com/artist/niskens
. HEARTHIS :
https://hearthis.at/niskens/#tracks
. INSTAGRAM :
https://www.instagram.com/niskens1866/
. AMAZON MUSIC :
https://amazon.fr/music/player/albums/B0F3KJQSHC?marketplaceId=A13V1IB3VIYZZH&musicTerritory=FR&ref=dm_sh_RvLI2xmhk03K56Qve8vR6kYAH&trackAsin=B0F3L2Q7DS
. APPLE MUSIC :
https://music.apple.com/fr/album/faux-h%C3%A9ros-single/1806395312
. SPOTIFY :
https://open.spotify.com/intl-fr/track/29LuldMVQrKU6BH5DDY3Bn?si=4b1d557bc88a4603
. YOU TUBE :
https://www.youtube.com/watch?v=md03qsKn4LA&list=OLAK5uy_lPBIvIArQQJBaeyDzesufLUr2HGuOz0nc&index=2


--------
--------
Peace & Love for All
--------

The stage is dark, but the conversation is just beginning. Welcome to Utah Symphony | Utah Opera's Ghost Light podcast, a behind the curtain look into the world of classical music and opera and the artists who make it. Hosted by Jeff Counts and Carol Anderson. Produced and edited by Robert Bedont.

I love to compose and arrange cinematic piano solo's and Orchestral works when I am inspired in a movie scene in my head.

COMPOSER /  DJ

B/MGMT: behemetpro@gmail.com

IMPORTANT: BEST TO LISTEN ON A CELL-PHONE WITH DUAL HEADPHONES.

FOLLOW 4 FOLLOW, LIKE 4 LIKE, LISTEN 4 LISTEN :)

Project Los Angeles (RAGI)
Helping build fair, safe, ethical, and RIGHT Artificial General Intelligence :)

Music AI Expert/ Independent Artificial Intelligence watchdog.

WELCOME TO THE HOME OF #MUSECORE :)
Music (co)created with Music AI like MuseNet or Magenta.

Musical talent is the hardest to develop among all skills and among all art forms because it requires the ultimate hearing, and in our time we are surrounded by noise and distractions, so it is not an easy thing to do. 

My music is about content and good, harmonic melody. Production quality is secondary to me because I can't afford it anyway. My voice is also not what it used to be so please do not judge me hard for both.

God Bless!

Supported by: BlackCoffee, Stephan Jolk, Axwell, Steve Angello, Fred Again, Skrillex, Ben Sterling

Mikerio, art name of Michele Francesco D'alterio, is a talented DJ and producer of House and Tech House music originally from Naples. With a passion that dates back to his seven years, Mikerio began playing for private events, and then conquered the consoles of local nightclubs.

2021 marked a significant moment in his career with the release of his first track, "Bottle Of Jack," under the Claw Records label. The following year, in 2022, he made his entrance with the second song, "Straight The Pose," under the Pornostar Record label. In 2023, it continued to shine with the release of "Take a Ride" through the Family Recordings label. His music embodies his dedication and love of the House and Tech House scene, promising a vibrant, successful future.

Mikerio - Dinero (Sweet Milk Records)
Mikerio -Take A Ride (Famillia Recording)
Mikerio - Straight The Pose (Pornostar Records)
Mikerio - A Bottle Of Jack (Claw Records)

https://linktr.ee/Mikerio

Empowering sonic artistry: unlock limitless creativity with our rapid, free music technology.

New tracks tagged #Concerto