Booking Worldwide:
info (at) miyagi.de

Labels:
Do Not Sit On The Furniture
Supernature
Einmusika
Katermukke
Bar25
Dantze
Lost Diaries

@slashlabel 
@spielraum-amsterdam resident 

mgmt: sarah@goodlife-management.com
bookings: kikitours@teamwass.com

Bookings - International/Rest of the World 
roman.trystram@caa.com

Soulful Techno is a record label that represents home to authentic and emotional music from any techno genre. 

Demos, infos and hearty thoughts: 
demo@soulful-techno.com

BOOKING:

World: louis@muzocreative.com
Portugal: pm@match-attack.com

Management: andres@paperclip.no

Bios are hard to write. 😅 And I rather do something else. But here's some stuff my bio would include:

- Music is both my hobby and my job.

- I'm a musician, DJ, Producer. 

- I'm an ex amateur Skateboarder. 

- I founded a label and collective called Discotexas / DTX with my friend Moullinex. It's been a while. 

- I'm grateful I've collaborated with a ton of artists that are also my idols. Name dropping time? ok: 
Moullinex, Vaarwell, Rampa, WhoMadeWho, Lazarusman, Gisela João, AWEN, GPU Panic, Sinego, Meta_, DJEFF, SKALA, Joris Voorn, Adana Twins, Acid Pauli, O Terno... I'm lucky. 

- I've released music on Discotexas, Anjunadeep, Cercle, Moblack, Monaberry, Frau Blau, Deutsch Gramophone, TAU, Watergate...

- 3 albums, tons of EPs, Singles and remixes. Some movie soundtracks. And I've never been nominated for a Grammy :(

- I'm still in love with Punk and Hardcore music and ethics. A big part of me and of my inspiration come from these styles of music / ways o living. 

- I'm a skeptical utopian.

- I suffer from mild tinnitus. Please protect your hearing. 

- I have no idea where I see myself in 10 years.

Live/DJ bookings: niels@parachute-booking.com

Already making serious waves with productions on labels like Rebellion, Crosstown Rebels, Saved and Bedrock  Alex Kennon has always been surrounded by great music. As a child, he was classically trained on the Spanish guitar and was, by his own admission, “really good!” Playing for ten years, it not only made Alex focused, it also allowed him to be disciplined because he would play at least two hours a day.  Alex was inspired by powerful songs from The Eagles and Led Zeppelin alike. Similarly, the influence of Alex’s father cannot be ignored, not only was his Dad a fan of classic American and English rock bands, he was also introduced to sounds of the era: from Phil Collins and Depeche Mode to Massive Attack. But the biggest influence from his father was soul.   “His first love was Earth, Wind and Fire, funk groups with fifteen elements!” Alex also breathed in fumes from his father’s vinyl collection, which was mainly English rock and new wave. It’s a collection he still has today. “I have a lot of vinyl,” he smiles. “My father used to travel and work with military pilots and would bring records back home. For example, he brought back ‘Disintegration’ [by The Cure] and it was my first electronic love. It shook my brain with music and image.”   
 That emotional, powerful music soon lead him to the house and techno he lives and breathes today: thanks in part to his father’s funk and also down to his own passion for New York and Detroit scenes. Soon, Alex was presenting a show in his own hometown. “As well as Laurent Garnier, I was a lover of New York music and also Detroit, I loved records with acid sounds inside. This is when I discovered Giorgio Moroder.” Alex’s father told him Giorgio was an Italian who was one of the best producers of the 70s, “which is why I admire him. But I also think everybody is a fan of him!” 
And it’s that same Morodor-ish passion that drives Alex Kennon now. Having played at some of the best clubs in Ibiza where he lives (from Ushuaia and Pacha to Destino and Privilege) and like a real globetrotter all around the world, this year Alex’s key releases will see him take everything to a whole new level. And not just in Ibiza, but at festivals across Europe and into America and across Brazil. So far, his productions have been supported by Nic Fanciulli, Kölsch, Solomun, Steve Lawler, Damian Lazarus, Matthias Tanzmann and Tale of Us alike. He’s also been picked up as a producer to watch by Mixmag, who gave Alex’s Crosstown remix of ‘Lay Your Weapons Down’ by Raw District & Fabrice Lig a premiere midway through March, ahead of Alex’s debut for Damian Lazarus’s infamous Get Lost party. A release for Lazarus on Rebellion with Pirupa called ‘Vision’ will also be everywhere by the time you read this.  Finally, we have to mention Alex’s Best Breakthrough win at the 2018 DJ Awards in Ibiza: it was an important acknowledgement from the DJ community, and Alex won in a room alongside superstar winners like Jamie Jones, Adam Beyer and Sven Vath. As for Alex’s sound, that Crosstown Rebels remix really points the way: Alex likes vocals and he likes the sweet spot between house and techno. Not too hard, always groovy. “Between house and techno,’ he nods. “I like the groove. Sometimes I take the risk, we are not like robots. Most of the time I never prepare a DJ set, I try to build a track selection in the moment. Every DJ needs to do that. I always say you should have fun with the crowd.”

www.simondoty.com

Simon Doty’s origins from Canada’s Western wilderness to a college basketball shooting guard may seem like an unlikely path for the emergence of a finely tuned electronic artist. A self-taught gear master ‘whiz kid’ with a profound understanding of musical composition and engineering, Simon has earned the ear of his peers and heroes alike.

After years mastering his sound and ascending the ranks of the underground circuit, Doty’s breakthrough debut LP ‘Universal Language’ on Anjunadeep was released in 2023 and supported by a world tour featuring over 60 dates.  Marquee performances at electronic music’s top venues including Brooklyn Mirage, Red Rocks Amphitheatre, The Gorge Amphitheatre, Savaya Bali and Fabric London highlight a year of  live milestones for the Canadian talent.  The momentum continues with the inception of his new imprint Recess, remixes on choice labels, and a follow up album in the works.  

Characterized by gritty analog synthesis, evocative melodies, and powerful driving grooves; his signature sound has earned Simon a bonafide spot among the industry’s most respected producers.  An increasingly coveted remixer and engineer, Doty continues to showcase an elite command of his craft and a steadfast pursuit of progress.  Industry icons Pete Tong and Danny Howard have taken notice, with regular first plays and support on their BBC Radio 1 programs.  

Simon approaches music with the same quiet confidence as basketball; letting his music (or his jumpshot) speak for itself.

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Bookings: john@analog-a.com 
Mgmt: drew@rhetoricalmusic.com

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www.simondoty.com

Dirk Eijk is following