This is a great song Nathan - gonna take a peek at the other mix :)

A magnificent song with a great vocal and instrumental performance!

Nicely orchestrated track.  Great vocals and lyrics.

a good set of lyrics in this fine production

Beautiful song ! 😍 🙏 🍀 🎶 🎧 

Forgive What You Cant Forget

Rime On Trees

2/2 2022

Synthesizers:
Behringer ARP 2600   --- dripping sounds
Novation Summit
DeepMind 12
Roland TR8


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Purple twilight

Omicron is prevailing and has kicked out Delta. Some countries are changing their attitude against COVID-19. As a medical staff, I also think it’s reasonable to lighten the restriction because Omicron proved to be an attenuated strain.
But, woops, in Japan, the government begins to restrict our activities again! considering only the number of people who catch it while death toll is very small.
How many more times will we have to be confined!?
After cancelling our gigs, I elaborate on this new song.I wanted to make this song to free myself from feeling of despair, like going out to space.

Eternal Voyage

Originally written and recorded in 2002.  The vocal here, and most of the backing, is still 2002, as it was, only there is a 2022 lyric adjustment in this mix that I think I've been able to get away with, in that I think it's indiscernible - the vocal difference I mean - at least to some extent with a voice that's 20 years older!  There are also a few additional instrument layers on top of it, which I think helps make the original backing sound much better.   

It's about how I think I saw myself as a friend, at the time - and at that time I don't think I was much of a friend to myself, in that I directed attention towards the needs of others in a way that was quite unhealthy for me - in quite a dysfunctional way when I think about it - a senseless, more often than not drunk, idiot!  Still, the sentiments here remain quite nice - only my boundaries are somewhat better defined these days!

I'll See You Fine (2002)

Shell/Fox Ears

Glimmer

Poverty
The "Schwabengehen", which finds its first mentions already in the 16th and 17th century, experienced its peak in the 19th century. It is estimated that at that time five to six thousand children worked annually on farms abroad as herd boys, maids or as farmhands. The background to this was the extremely low soil yields in the alpine regions and the associated poverty, which drove parents to send one or more of their numerous children abroad.

The Ways
The ways from Tyrol and Vorarlberg or from Switzerland to Upper Swabia were long and arduous. For some of the children, most of whom were between 5 and 14 years old, it led over mountain passes such as the Arlberg, which were usually still covered in snow in March and which many had to overcome with poor shoes and scanty clothing. Usually their companion was an adult, sometimes a priest, who made sure along the way that the children could settle down to sleep in warm stables and who negotiated prices at the markets. The construction of the Arlberg railroad in 1884 made the journey easier for the Tyrolean children.

The "children's markets" in Upper Swabia usually took place around Josephi (March 19). At Simon and Juda (end of October) or at the latest at Martini (November 11) they went back home. In the luggage were then the so-called "Doppelt Häs" (a double set of clothes from the headgear to the footwear) and, depending on the age and the negotiated price, a few guilders.

The Hütekinder arrived at the port of Friedrichshafen by ship from Bregenz. Since 1891, the central market place for the Hütekinder was in Karlstraße in Friedrichshafen. The children who were not placed traveled by train to Ravensburg to be placed there.

The work
In their homeland, Swabian children were exempted from compulsory schooling every year, and in the Kingdom of Württemberg the compulsory schooling that had existed there since 1836 did not apply to foreign children. The politically repeatedly demanded extension of compulsory schooling was prevented until 1921 by an Upper Swabian farmers' lobby.

Schwabenkinder (Swabian Children)

Sakkara

Et, comme un long linceul traînant à l’Orient,
Entends, ma chère, entends la douce Nuit qui marche.
Charles Baudelaire, Les Fleurs du Mal

Sensual Theorems

Piano Impro #11 - Entends la Douce Nuit Qui Marche

Piano Impro #11 - Entends La Douce Nuit Qui Marche

Paul King - All vocals
Peter Burridge - Drums
Peter Carney - Bass guitar
Jim Burridge - All other instruments and production

Love Hurts

Please come and find me here on Bandcamp if you like the sound of anything I've created and uploaded here! 

https://dirkdiamond.bandcamp.com/album/human

I've cancelled my Soundcloud subscription, doesn't work for me anymore, meaning I've had to delete a ton of stuff, and now I'm aiming to ensure I've got only a few golden previews of music here, signposting to other listening avenues for anyone willing to take a look!

I'll See You Fine (2002)

Dirk Diamond

Recent comments

idematoa

Ancient Mysteries

Larry Collen

🅼🅾🅾🅳🆁🅰🆈🆂

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