This song is like a futuristic version of The Beatles. Don't ask me why but it's cool!

So good song and amazing production and welk sone song all around 🔥🔥

Entropy Will Wait

It's a drums thing, it's a women talking thing...
“and there’s quite a lot of people there”

Drums Thing

Diethylamide

Hello my friends This is my new track... I hope you like it
Dreaming is free...
image.. Felipe.. https://pixabay.com/es/
best with headphones

Dreams

This painting depicts the Yoshiwara district, a licensed red-light district in the Edo period of Japan. It's a unique cultural aspect of Japan, and explaining it fully here is challenging. Interestingly, some men genuinely proposed marriage to courtesans. To some, the courtesans working here might have seemed like starlight in the night sky.

Composition and Sampling collage by Synline
Featured on the my new album 'Unstable"https://on.soundcloud.com/P2ewh

Lost Starlight

It’s really just a song about being yourself, whatever that is, all being well for the better, in the face of adversity.

Not all that on the nose lyrically, well it kind of is, however, has a few personal references here and there, so I can see what I appear to be going on about, for myself at least!  The moments I mention relate to encounters with bullies, and a tad too much bravery when young.

Shine

Shine (2021)

The North Sea was the stage for many violent battles, with lots of human losses. What would an orphan think, standing on the cliffs?

Written in French, of course. No other language offers six different meanings to the sound of "on sent la mer d'ici", all of them relevant to the situation.


** MER DU NORD **

Je suis venu de loin pour écouter le vent.
Penché sur les falaises, d'ici je me comprends.
D'ici je me comprends.
Ma mère m'a dit qu'il fallait pas venir,
qu'il vaut mieux oublier.
Ça sert à quoi de vouloir rebatir 
les ombres du passé?
Ma mère a tort. Ma mère a tort. 
Il me fallait venir.
Ici je me comprends. Je sens mon corps frémir.
De ces falaises
on voit la Mer du Nord.
Et je viens aujourdhui
pour contempler les vagues qui déferlent au vent
sous les nuages gris.
La Mer du Nord
La Mer du Nord
On sent la mer d'ici,
les cuirassés qui brulent encore,
coulés au fond des nuits,
les bombardiers touchés par les chasseurs
et piégés dans l'oubli.
La mer des morts.
La mer des morts.
Mon père était parmis
les mariniers partis au nom des forts 
et jamais revenus.
Je suis venu pour boire cet océan
et m'enivrer de lui.

Ma mère m'a dit qu'il fallait pas venir,
qu'il fallait pas venir.
Ma mère a tort. Ma mère a tort.
Ils sont tous bien ici.
La mer des morts.
La mer des morts.
Mon père était parmis
les mariniers partis au nom des forts 
et jamais revenus.
Je suis venu pour boire cet océan
et m'enivrer de lui,
m'enivrer de lui...

Mer Du Nord (based on CreaFlow Warm North Wind)

;-L’Ombre De La Lumière-;

... tiny blues attempt .... guitar* and sax improv each in one go ... photo: Anthony Torres, unsplash
... *I'm checking out my my new guitar ;-) ... and I record my guitar attempts with the (weak) hope, that I get something useful out of it :-) .. today I had a little luck :-D

Gimme a minute ... or two

The Voices of Nature - 2023 Collection

Garden of Transformation (Remix 2023)

I Know I Belong Here

I've been writing songs for ages and ages, because it's something I enjoy doing, and that's about it. 

I've added dates to titles, however, these aren't always dates recorded, mostly just dates written because the original offerings, back then, had little to be desired with consideration to production values and all that stuff!  For the older tracks some tracks have the old backing with a modern vocal (often with a lyric rewrite), the original vocal with a new backing (when I could work with the original vocal, but not the original backing), the original song newly recorded in all areas, and less often the original vocal and backing, but with a few additions, "No" is one such example.  Otherwise, most of it is newer stuff, post 2018, and is as is, when written and recorded.    

I've had to re-record some things on account of my abilities to record demos and all that being very limited once upon a time.  

In the early days I only had a Farfisa F1 workstation thing (it's amazing what I managed to do on that), later an Atari ST, with Cubase 2 probably, a Proteus 2000, and Fostek 8 track recorder thing, and now I've got Native Instruments 14, and Cubase 12, in what amounts to an astonishingly good set up compared to my earlier resources, for about the same money as that older rubbish was back then. 

I still use the microphone I've had since I was 18, though did just recently upgrade that as well, however still pick up and use the old one, as it's still good - a Sure SM58 with a dent in it! My upgraded mic is a Sure SM7B, which is great, and I see it all the time on TV and podcasts, so must have made a good choice! 

My musical chops are focused on the piano, my main instrument, and the ukulele, which I play a lot as well.  Not doing a lot of piano-orientated songs at the moment, but I do sometimes, and mostly try to get the best out of my Native Instruments stuff.  I'm barely scratching the surface with all of the NI stuff I've got.

Shine (2021)

Dirk Diamond

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Eddie Man

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MASTERING TRUE MUSIC PRODUCTIONS

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