Cool intro and instrumental parts like the ticking feel of the guitar. Your voice as a tone of the great crooners 👍

Wow Nat, That's any awesome song music & lyrics! I love it! And great lyrics btw!👍😎

Liking is easy, leaving a sincere and honest comment takes a long time and reposting is even worse. I listen to an artist, track by track in full, I like, I comment and repost depending on the pleasure I had listening - Superb work my friend, well done ❤️🕊️🙏

Wow.  Is that your voice? And what’s the story of the song if you don’t mind to tell me

Gorgeous song and melody, well done Dirk !

Remarkably well done all round. Lyrics not especially endearing but authentic and honest-sounding.

Anna Heller plays piano composition "The Bell" from piano cycle "Three haiku" by Ukrainian composer Tetiana Afanasenko inspired by the poetry of Japanese poets. Dedicated to the Prof. Tetiana Olexandrivna Roshchina. 

Read more about the composer here: https://movingclassics.tv/classicpeople/tetiana-afanasenko/


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Tetiana Afanasenko - The Bell

“ONE AFTER 909”- THE BEATLES (MARISA BETTINA COVER)








🧿🩸ᚲ

ONE AFTER 909

...for all the dead and dying.
Libretto/Lyrics (LAT/EN):

***** 00:00 Requiem æternam *****
Requiem æternam dona eis, Domine,
et lux perpetua luceat eis.
[Eternal rest give unto them, O Lord,
and let eternal light shine upon them.]

***** 07:57 Kyrie eleison *****
Kyrie, eleison.
[Lord, have mercy.]

***** 09:29 Domine Jesu Criste *****
Domine Jesu Christe,
rex gloriae,
libera animas omnium defunctorum
ne cadant in obscurum,
sed duc eas in lucem sanctam.
[Lord Jesus Christ,
King of glory,
deliver the souls of all the departed,
that they fall not into darkness,
rather, lead them into the holy light.]

***** 12:31 Lux aeternam *****
Lux æterna luceat eis, Domine,
et Requiem perpetua dona eis
[May light eternal shine upon them, O Lord,
and the eternal rest give unto them.]

******************************
Contemporary classical music for synphony orchestra, organ, choir and solo voices.

Instruments
Strings: 1. Violins, 2. Violins, Violas, Cellos, Basses
Brass: Trumpets, Horns, Trombones, Tubas
Woodwinds: Flute, Oboe, English Horn, Clarinet, Bass Clarinet, Bassoon, Contra Bassoon
Percussion, Harp, Organ & Choir (Sopran, Alt, Tenor, Bass)

Solo voices with electronic effects:
Mezzo-Soprano (II /IV) by Stefanie Holtz
Baritone (I/III) by Jürgen Krause

All lyrics taken from the christian liturgy

Created and conducted 2021-23 by Kapellmeister Krause

Requiem

Requiem (1. Requiem aeternam 2. Kyrie eleison 3. Domine Jesu Criste 4. Lux aeternam)

This solo piano piece is made with noire, partially felt, so I thought I call it Felt, because of the heartfelt melody and ambience. Hope you like it....

Felt

Written in 1997, with a 2024 lyric adjustment.  

A song about trying to remain in blissful ignorance towards what's going on around me.  NOT the original lyrics.  This was the second song I ever wrote, back in 1997, some time in October, and upon seeing those lyrics today I decided to completely change the lyrics and meaning of the song. It was an "i'll be there for you" shmaltzy horror show, a ha, suggesting I was the kind of person that would loose a body part for the best interests of someone else, however I'm a lot more closed off these days, as a 44 year old, and more inclined to protect myself.    These new lyrics are all new apart from the first three lines, which were the first three lines of the original song, then titled "From One to Another."  I might re record the original lyrics, but those will be for my own ears, then again I might add it as an extra for anyone that buys this one on something I put out in the future on Bandcamp, among a series of alternatives, after it's been refined somewhat.

Lyrics Re-written, and the song Re recorded 01/01/2024

Anyway, here are the lyrics

I know you’re in pain
I know you’re feeling sad
What is this life doing to you?
I feel it bother me
So I put down the news

You would feel lonely
If you come next to me
Denial behind my eyes
An ignorant strength inside
And if you need me
I'm not there for you

Cause life, can be, oh so hard
I’m here, to just get through
I’ve got no means, to save you from your ends
I’m not a treasure trove of gold for unknown friends

I sure have empathy
But feel it cut through me
I really don’t know why
I don’t light up inside
Give off a dim glow
For lives I just don’t know

Cause life, can be, oh so hard
I’m here, to just get through
I’ve got no means, to save you from your ends
I’m not a treasure trove of love for unknown friends

Cause life, can be, oh so hard
I’m here, to just get through
I’ve got no means, to save you from your ends
I’m not a treasure trove of gold for unknown friends

(A little observation some 8 days since posting - 918 clicks, and 11 likes, which means I've only had about 20 listens, at least I hope so, as so few likes compared to the click count would be a pity!)

Unknown Friends (1997)

Keep on dreaming

Sketch(2023) + improv 

It's a little bit selfish piece that packs my favorite atmospheres, such as the midnight waltz and the image of a labyrinth. I sketched it with the image of wandering around looking for the exit from a complicated maze…

Piano sketch 11 Lost In Maze

Just a jamming session with  some added voice

Piano Jammin

Bucherons De Gatnineau (2)

Our house in Cleveland faces a beautiful creek and is surrounded by trees. A beautiful silver Owl often, taking refuge near our house during the day. At night I can hear him sing to the moon, to the stars. I composed this song to sing with him.
Pianist: Javier Gonzales.
©2007 Pamela Illanes-Tatsuoka, All Rights Reserved

Silver Owl

I've been writing songs for ages and ages, because it's something I enjoy doing, and that's about it. 

I've added dates to titles, however, these aren't always dates recorded, mostly just dates written because the original offerings, back then, had little to be desired with consideration to production values and all that stuff!  For the older tracks some tracks have the old backing with a modern vocal (often with a lyric rewrite), the original vocal with a new backing (when I could work with the original vocal, but not the original backing), the original song newly recorded in all areas, and less often the original vocal and backing, but with a few additions, "No" is one such example.  Otherwise, most of it is newer stuff, post 2018, and is as is, when written and recorded.    

I've had to re-record some things on account of my abilities to record demos and all that being very limited once upon a time.  

In the early days I only had a Farfisa F1 workstation thing (it's amazing what I managed to do on that), later an Atari ST, with Cubase 2 probably, a Proteus 2000, and Fostek 8 track recorder thing, and now I've got Native Instruments 14, and Cubase 12, in what amounts to an astonishingly good set up compared to my earlier resources, for about the same money as that older rubbish was back then. 

I still use the microphone I've had since I was 18, though did just recently upgrade that as well, however still pick up and use the old one, as it's still good - a Sure SM58 with a dent in it! My upgraded mic is a Sure SM7B, which is great, and I see it all the time on TV and podcasts, so must have made a good choice! 

My musical chops are focused on the piano, my main instrument, and the ukulele, which I play a lot as well.  Not doing a lot of piano-orientated songs at the moment, but I do sometimes, and mostly try to get the best out of my Native Instruments stuff.  I'm barely scratching the surface with all of the NI stuff I've got.

Unknown Friends (1997)

Dirk Diamond

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