A red yeti song collaboration

dubstep, rock whatever. 

As mentioned before somewhere, Red Yeti came by my place when I was living in Hangzhou. He was going thru a rough time, and we found some peace in music together.

Before he left, he dropped a bunch of mixes on my hard drive. Track # seven had this great ambient sample which became the start of this track.

Now its called 'it is r*%#'

sample of girl talking via mayi @mayi-1

Hey Red Yeti, lets make some more new music soon. Cheers.

it is r.o.c.k. (with red yeti)

Questa canzone è dedicata a mio padre Dino Salvatori.
https://dinosalvatori.weebly.com

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La realtà somiglia ad un fiume che scorre incessante nel mare dei ricordi. In quell'accumulo invisibile che chiamiamo memoria, spesso andiamo in cerca delle nostre cose più care, nell'inane tentativo di non perderle per sempre. È questo il tema di un dialogo immaginario tra due amici che provano a trovare un senso allo scorrere inesorabile del tutto.


Ricordi 

A un tratto sei partito
Dal porto il tuo veliero 
Andava via leggero
E non ti ho più sentito
Ferito ti ho inseguito 
Ma il tuo volto si allontana
Sempre più sbiadito 

Tu lo sai quanto segno 
Hai lasciato tra noi
Che sei stato un gigante
Un condottiero/guerriero
La tua spada era sempre 
E soltanto pensiero 

Amico mio 
La vita scivola
In un rapido istante
Già andato, finito
Se vai nei ricordi
Lo troverai (lo troverai) 

Allora forse
Ho capito dici che
Se la vita è perduta
In un lampo in un minuto 
Ciò che abbiamo vissuto 
Non scompare all'istante 
Come avevo temuto 

Del tempo compianto
Grumi di istanti di vita
Come per incanto
Si addensano in memorie
Più vive delle storie 
Senza alcun rimpianto 

Amico mio 
La vita scivola
In un rapido istante
Già andato, finito
Se vai nei ricordi 
Lo troverai (lo troverai)
E non saremo mai troppo distanti
Se la memoria di una vita 
È un sole che arde dentro di te 

Se vai nei ricordi
Nei ricordi 
Se vai nei ricordi 
Lo troverai


Copyright 2023 All Rights Reserved

Ricordi

Aucuns samples tout make maison
2 Guitar avec effets quintessence TC electro,ic
Piano Cubase instru
bass sans effets
drum composé une partie a la main et autre en grille daccords

caramel beurre salé

Caramel beurre salé 🎧

U'r fire is wild

4th single from my new album NEST! Will be happy if you check it out and tell me what you think of it!

Video - https://www.youtube.com/watch?v=inTv59W9sSE&list=OLAK5uy_mjMtKPl5Pn8NjkxkJIk-Nx9nz0EN1LKZw&index=3

Virsotnēs // Mountain Peaks

Lyrics
Well, your folk rocks
Pristine
Just over the channel
Brightoned two sheen

Salt Fire looped by the hour
Teachers of tuned tone harmonious flower
Guitars for me cornered still
Their voicings will tend to your will
New musical pathways the pill
Everytime, ears getting that fill

Salt Fire go hear their higher
Salt Fire Lo-fi classical attire
Salt Fire Go hear their higher
Acoustic crumbs of grandeur
Harmonies. The biggest aliens have landed...

So come, let's all fly away in a song
We do it cause we are it
This is where we belong
Good tempered bones
Some tension tones
Utopian homes
Fly away in Salt Fire song
Good bye dystopian drones
We're aligned 
Our staves are long

This song is about the artist Salt Fire across the pond in Brighton. Superb music worth a permanent rabbit hole & I think worth more ears...

Check out Salt Fire on #SoundCloud
https://on.soundcloud.com/MVWEVjwQKrcNBTCGA

Ok so track filled. Added Celtic Harp, Classical Guitar and strings via Keyboard 

Theres a nice point here. So I used the phone recording, imported to the daw and it became the base and click track for the song. It's a nice way of locking in your human time but still filling over it and getting a full tune with more instrumentation. For those ideas your not at the studio and plugged up... 

Android I end up with an m4a - convert to wav for free online (usually fixes bitrate issues) - import to daw audio track - turn off tempo and click track - Your jam just became the click track. Playing to this only then allows you to lock into your feel again as opposed to recreating the whole thing to a click track from scratch...



On the human time... I was chatting with my best friend Anto the other day. He's a fabulous photographer. He shoots only film and uses an eye piece view finder still. He says it feels more instinctual to him. I feel similarly recording things on the spot in random places... You're playing to your instincts which can be spiritually way more creative I think then sitting down and doing it by sums. Both have their merits but starting more regularly in the former more natural way may offer more instinctual goodies. The method part of the process can always iron out and perfect the unusual things you find instinctually in hindsight when further along the process and it's all getting stitched.


To give the phone recording sufficient presence I add reverb 80%20%/compressor for acoustic guitar/EQed for Vocal/Light Stereo Spread for LF & HF. Then I double tracked it each panned slightly either side. The difference is actually a pretty cool example of cleaning something up for use. Recording wasn't changed aside from the dynamics

Salt Fire (Session #2)

This is now the extended and collaborative version with Roberto B  (@2roberto2), under the title of  "Transience (Extended Collaborative Version)", combining creatively my recent track, "Transience (Piano)", https://soundcloud.com/alexander-mihailov-96713983/transience-piano, in my work-in-progress album "Again" (2025), with his recent track "Suspense 6", https://soundcloud.com/2roberto2/suspence-6, that appeared on SC on 30 January 2025. My piano track was composed spontaneously in GarageBand iOS in the evening of 28 January 2025. There is also a version for synths, https://soundcloud.com/alexander-mihailov-96713983/transience-synths, as well as a version for strings, https://soundcloud.com/alexander-mihailov-96713983/transience-strings. "Transience (Extended Collaborative Version)" was arranged and mixed in Logic Pro by Alex M on 11 February 2025 and released on SoundCloud in the late evening (in Europe) of 13 March 2025.

The artwork cover for the album and all tracks in it uses a painting by Roberto B titled "Horloge - Le Temps" of 20 November 2024 annotated by Alex M in Mac OS Preview on 21 February 2025 - in coordination and agreement with Roberto B.

Duration: 7:10 minutes

Transience (Extended Collaborative Version) - Roberto B & Alex M

classical guitar gone crazy

I wrote and posted a similar song ....
Never mind what they throw at you ......still rising!

Rising

This mix is all about Techno, 130 - 150 bpm
Here are some links to the labels and artists, who's tracks I have used!

https://wideriver.bandcamp.com/music

https://flo-t.bandcamp.com/music

https://ozonerecordings1.bandcamp.com/music

https://nicolacruz.bandcamp.com/music

https://monarecords.bandcamp.com/music

https://djgabofigueroaa.bandcamp.com/music

https://magicalhackerz.bandcamp.com/music

Not For Lightweights  😜  DJ Mix

Your Fool by Keri Johnson

photo/credit "Danny G" Unsplash
Album cover design: Judy Thang

There's a smoke signal rising in the night sky
should've listened to the voice warning me inside

No, I never stopped believing in your light
something I could not imagine, it was blindsight

You're a liar- and I'm your fool

You're a liar-and I'm your fool

Caught up in your web, believing what I wanted to
slowly dying every day that I deny my truth

Now I'm picking up the pieces all that I been thru
kept me tied, I'll never go back tho you ask me to

Keri Johnson's Album

Your Fool

Hi! I’m a singer-songwriter. Some friends call me Dirt, some call me the dirtstar. Sometimes it’s Dirt Star. I am always looking out for new music, and creating some playlists featuring artists in SoundCloud. Made a little EP with Steevee Rey, and new songs in Mandarin and English on the way.

Rock and roll. 🤘🏽