03/10/2022
sankirtan soundsystem
el taller
san marcos, lago atitlán
guatemala

00:00 padre del bosque — ahau, arkay koo
05:19 isha — zuma dionys
11:29 tristeza, mar sem fim — pablo nouvelle
12:56 puma punku — israel vich, zuma dionys
17:20 somos — lemurian, j.pool, aiwu
22:15 chatram — evalinanatali, mi.la, a4ria, chris idh
28:52 quiribi — rosalinda de la espada, yamil
33:53 the forgotten people — behrellips, crazy white boy
38:32 tankwa town — oliver koletzki
41:02 jimmy jimmy jimmy aaja — parvati khan
43:50 taneghil n'aïr — watt the fox, omar ezza
49:33 together onetime — dole & kom
53:26 eternal moment — tot
59:08 lua — djamou sangare, idd aziz, pippi ciez

♡︎

sankirtan soundsystem 𓁹 el taller, lago atitlán, o3/1o/2o22

Flussi (out now on bandcamp)

BUY OR LISTEN: https://fanlink.tv/ALAE017

Support and follow Kraut:
@krautmusica

Instagram
www.instagram.com/kraut_musica/
www.instagram.com/danielzuur/

Facebook
www.facebook.com/danielzuur
www.facebook.com/krautmusica/

Mere days before the release of The Seed of Life, the sad news reached the world that the great artist, beautiful soul, and loving person, Daniel Zuur had passed away. He left our dimension to become one with the universe. This release is produced as his alter ego KRAUT and is released on Alae Records.

This album creates an incredibly safe and therapeutic space for listening and deepening the soul. It’s an essential part of his lifework and was the last piece of work he managed to fully complete on this earth.

The Seed of Life is a universal symbol of Creation. The name of this pattern instantly offers insight into its deeper meaning and purpose. Found at the heart of an ancient pattern called the Flower of Life, there is an entire cosmology of consciousness encoded into this singular geometric seed.
The Seed of Life is formed by six circles spaced within one. In fact, six circles ALWAYS fit exactly within the 7th circle of the same size. 

For the title track KRAUT took a 360 degree-circle as a basis - KRAUT replaced the degrees by Hertz, so he could draw the circle using frequencies. To get there he had to detune the standard tuning of A=440 Hertz to A=432 Hertz. Then a complete new world of frequencies unveiled.

Each circle fits into this pattern like a key in the lock, forming a dynamic field of possible geometric relationships which reveal the most fundamental shapes of Creation.
These 7 circles mirror our chakras, the colors of the rainbow & even musical scales! It forms a basis through which the infinite, fractal nature of life can be understood.
In order to unlock the deeper information contained within the Seed of Life, one must begin with connecting the dots, like KRAUT did for this magical LP.

LISTEN/DOWNOLAD

Confianza (432hz)

Queen of the Forest (raw)

This is the very first EP from Wadhom (spelt Wadohm then). It was never published online and I thought that some of you may enjoy it. 

Sample Sylvain's handpan music here or listen to full album at sylvainpaslier.bandcamp.com

Buy Full Album

Luna

Download

Remember (Breathe) (ft Szara)

Coyote Oldman Tear Of The Moon

@kaleema_ba

It was in September 2016 that Basy Tropikalne began operating as a netlabel and the first release came in a form of a Latin American compilation. Following the success of that album – which was featured among others by Indie Hoy, Cassette Blog, Sounds and Colours and tropicalbass.com - now it is time for a second installment which brings as many as eighteen previously unreleased tracks by a mixture of already recognized and rising and promising producers from all over the continent.

This massive compilation starts with Cigarra who has been doing an amazing work promoting female producers from Latin America with her work as the manager of Hystereofônica platform. Her uplifting track is followed by extremely talented Di Laif from Guatamela who came up with a deep and ominous composition called ‘Ominous’. Next up are the wonderful minds of Rafa Caivano and Lisandro Sona for whom this may actually be the last song in a long time under the alias of Klik & Frik as their big comeback with the Frikstailers project is planned for the next month. Right after them there are two fellow Argentinians – Maich presents delicate ‘Verde’ with a Caribbean touch whereas Kaleema turns to Africa and focuses her production on field recordings from Kenya.

Another remix and at the same time the longest track on the release comes from Liman producer Renzo Zong who has tried his chances on ‘Niña Salvaje’ by Jorge Mestanza and María Cristina Simon and changed it into something more profound. Subsequent track belongs to Inti Kunza, Santiago de Chile underground legend and one of the La Chimba Discos founders who jumps in with the hypnotizing ‘Peuma’. ‘Balada de Aventurança’, in turn, is delivered by Brazil’s Projeto Mujique who once again proves his skills in mixing the guitar sounds with electronic music.

Moving on we bump into a magical moment of witnessing the first ever collaboration between some of Costa Rica’s finest artists: producer Nillo and vocalist Javier Arce who created a masterpiece titled ‘Lamento de Aïa’. Then we are treated with back-to-back tracks from Buenos Aires-based acts as hard-hitting Camanchaca duo’s ‘Seneca’ is followed by a decent song from Uruguay-born Xanducero (just listen to this wonderful drums in the second part of ‘Aguilucho en mi Ventana’…).

After that there is the fastest track on the whole album with Ecuador’s Ataw Allpa remixing last year’s ‘Candirú’, the effect of collaboration between himself and Brazilian DJ Nirso who also appears on ‘Basy Tropikalne # 2 (Latin America)’ just few tracks further into the release. Brazil is also where ElPeche hails from and his major contribution to the compilation was not only mastering it but also handing over his own composition called ‘Cuicwah’.

‘Daisukidesu’ is a work by Argentina-born Germany-based Kumbale Records founder Pocho who created a kind of cinematic cumbia song sampling anime – hence its Japanese title. Ore Rüb , the name of the next project, may sound mysterious but the producer behind it is no other than Andreh Torres, previously known as Nacho Libre. It is a great honor to present the debut track of his new alias in the Basy Tropikalne release.

Beautiful and melodic ‘Renjasé’ by Mr. Toé of Konn Recordings perfectly introduces the true gem that is hidden at the very end of the compilation. Colombia's Cerrero and El León Pardo once again reinterpreted one of the Afro-Colombian legendary groups to create a magnificent dub remix of a classic song.

Mukunguni - Mwanzele (Kaleema Remix)

This project was manifested by your Higher Self to help assist you through the turbulence within your universe. Enjoy the ride.

Warning

Beyond the desert mesas and dust-stained prairies of the open range, hidden away from the dark clouds and echoing roars of expansion, the ancient cliffs of the interior resound with the beguiling melodies of ‘Peyote Canyon.’ Casting the mystery and romance of the western borderlands through a visionary lens, Liquid Bloom and Poranguí’s flowing deep house tale marries panoramic acoustics with steadfast electronic beats to paint a mesmeric and uplifting portrait of the electro-mystical frontier. Embellished with deep tech, psychedelic, downtempo, and ambient remixes from Uone, Wolf Tech, Ekorce, Ancestral Elephants, and Tylepathy, ‘Peyote Canyon’ offers listeners a vast and fully-realized journey into the sublime wilderness both outside and within.

DOWNLOAD

Peyote Canyon (Tylepathy Ambient Remix)

Out Now: New Album "Crux"
🎧 http://dirtwire.fanlink.to/crux 

As 2020 comes to close we are taking stock of life as it compares to a year ago. Nothing was as it seemed then, and likely nothing is now either. We are all deep inside a massive collective psychedelic journey. Good trip bad trip, all our paths overlap. 

On our new album, out now, we explore the idea that we are at the crux of a significant leg of this journey.  Like that moment in most every trip when you are faced with a fear or anxiety and must make a decision on how to proceed, the crux presents both crisis and opportunity.

The featured track here, "Common Ground” is about finding a place for us all to meet in these divisive times in hopes that we can unify and find a path forward.

Cooperation, communication and dialogue are key to unity and resilience.

On the Crux album we are taking musical chances. Some of the most personal songs we’ve written mixed with raw sketched out ideas, to full blown improvised compositions. This is our way of processing the radical changes that have become routine for all of us. This album represents our subconscious hopes and fears for the time ahead. Check it out, and thanks for listening!  Sending our love to you all in these transformational times.

INSTRUMENTATION & CREDITS

HEY THERE
David Satori: Vocals, banjo. violin, drum kit, fiddle bass, theremin
Maya Dorn: Vocals
Evan Fraser: Backing vocals, harmonica, megaphone, bass synth
Emma Lucia: Backing vocals


SALLY MAY
Mark Reveley: Vocals, guitars, combs, jaw harp, harmonica, whamola bass
Evan Fraser: Backing vocals
Emma Lucia: Backing vocals

SOLI
Evan Fraser: Dobro, Harmonica, Bass ngoni, Kamale ngoni, Zabumba, Brekete, Percussion
David Satori: Fiddle

RAIN GONNA FALL
Evan Fraser: Vocals, Cigar box, Lapsteel guitar, Harmonica, Bass synth, Percussion
Mark Reveley: Tenor Saxophone

BREAK THE SURFACE (ft. Emma Lucia)
Mark Reveley: Vocals, kalimba, percussion
Evan Fraser: Guimbri, kalimba, clock chimes

COMMON GROUND
Evan Fraser: Dobro, Harmonica, Lap steel ebow guitar, Megaphone, Kalimba, Bass ngoni, Percussion
David Satori: Banjo

UNTIL ITS OVER
Evan Fraser: Bass ngoni
Mark Reveley: 12 string guitar
David Satori: Drums

CATTLE CAR
David Satori: Vocals, banjo, drums, theramin, fiddle bass
Evan Fraser: Organ, harmonica

JUPITER
Mark Reveley: Cigar box guitar

GHOST CITY
Evan Fraser: Vocals, Bass synth, Keyboard, Harmonica, Lap steel, Megaphone, Zabumba
Sunru Carter - Percussion
David Satori - Drums, Melodica

AXUM
David Satori: Drums
Evan Fraser: Synth
Mark Reveley: Whamola bass

GOD SONG (ft. Emma Lucia)
Mark Reveley: Vocals, guitar
Emma Lucia: Vocals

SAIN REIGN
David Satori: Banjo, drums, violin, Percusion
Mark Reveley: Whamola bass, bowed whamola
Emma Lucia: Backing vocals

THE GAME OF LETTING GO
David Satori: Vocals, Nylon string guitar

CAMANO ISLAND
Evan Fraser: Ngoni
Mark Reveley: Slide mandolin

BABY WHAT TO DO
Mark Reveley: Vocals, banjo, percussion
David Satori: Bells, percussion
Evan Fraser: Harmonica

LAST WALTZ
David Satori: Banjo, Tommy’s toy piano

FOLLOW DIRTWIRE 
https://dirtwire.net
https://www.facebook.com/dirtwiremusic
https://twitter.com/dirtwire
https://www.instagram.com/dirtwire/
https://www.youtube.com/Dirtwire
https://spoti.fi/2xn9IY4

The Game Of Letting Go

Dirtwire is a traveler’s collage of Earth-borne instruments and electronic sounds foraged from Electric Forest to the mountains of Tuva. From their home on the west coast of the United States to far-flung destinations all over the world, these troubadours are welcomed for speaking the most unifying language there is: music.

Every live set is a magician’s surprise show, an invitation to experience instruments that are usually heard only as samples in electronic music. It is a celebration of the art of the instrument, not just the sound you can record from it. Future revival, swamptronica, spaghetti-step, electro-twang — whatever you call Dirtwire’s music, what matters is that you can dance to it, as sure as a lizard dances in the desert.

Dirtwire, comprised of lifelong friends and musicians Evan Fraser, David Satori, and Mark Reveley, are touring now in support of their new record “Road Goes All Night”. The road goes further yet, friends. Come see where it leads at a show near you.

Visit http://dirtwire.net for more info. Email MRunner@paradigmagency.com to have us over to your neck of the woods.

Big love and thanks for the reposts, favs, and share love. 

David Satori & Evan Fraser & Mark Reveley