Long lost (or so I thought!) album, one of the first things I ever made! I thought it was long gone, but recently moved and found the files while going through old hard drives! Ages ago, when I used to go under the name 'v.impel'!

02 Music Will Teach You The Horror and Beauty of the World

Seventeen
(T. Simone, S. Nichol, S. Taylor)
Prod by. Tamera Russell + McCallaman
Engineered by: GC. Garlow at RPM Studios Inc.

SYDANIE'S VERSE:

Waking up on my g-day in open custody knowing no one was gonna show no love for me
I was on my own hustlin, smokin all the profit, smoke it to the zip man 
I used to be a profit, 
My soul is depleted, from all the long nights days,
I was holding so much rage, 
bun 'nough trees and I cut 'nough keys push doors, seventeen living free imma G' 
Furthermore, 
young mind so I fiend the allure, 
PK corner the BK for sure, 
bad youth but i was never no bad mind, 
I better go grab mine, 
niggas pullin triggers for figures its that time concrete jungle I must path find, 
seventeen and I'm hungry, 
one time triple 9 its so ugly, ahh.

LYRICS:
Now if I decided
To take you on this ride, bitch
You wouldn't like it
I see you all the time and you keep tryin it
Lord have mercy it's the truth
You step to me, I step to you
You swing on me, I swing on you
Nigga if you act right
You'll never get no trouble from me
Nigga if you act right
You'll never get no drama from me

I am a Queen
I'm in the scene
I am a bitch
I'm Seventeen
Just know that
Just know that
I'm on my own
I speak freely
I got fire tenacity
Just know that
Just know that

Now does my reaction
It bothers you because I'm not reacting
You take me to this place boy and I can't control my mind
And we stay cussing all the time
Who woulda thought that this would be that you would put your hands on me
Now nigga if you act right, ya
You'll never get no trouble from me
Said nigga if you act right
You'll never get no trouble from me

I am a Queen
I'm in the scene
I am a bitch
I'm Seventeen
Just know that
Just know that
I'm on my own
I speak freely
I got fire tenacity
Just know that
Just know that



SEVENTEEN (ft. Sydanie & Tamera Russell)

Grace ft. Shi Wisdom
(T. Simone, S. Wisdom)
Prod. by TiKA & McCallaman
Engineered by GC. Garlow at RPM Studio Inc.

GRACE ft. Shi Wisdom

Claire McCann's Album

Cicada

Age Maze

Live on Art of Beatz Radio

Performed live at The Music Gallery (Toronto)
September 17, 2016
Recorded and mixed by Paul Hodge

I Made A Mess

Floating Rumble

02 Floating Rumble

Track list:

Kassem Mosse: Disclosure- Purple Graphene
St Plomb: Complex Textures- Hoxton Square 94 (Original Mix) 
Robert Hood: Moveable Parts Chapter 2- The Grey Area
Solee: Phoenix (Johannes Brecht Remix)
David August: Epikur (Original Mix).
Mark August: Warm (2006) by Curle Recordings
Pearson Sound: Thaw Cycle- Freeze Cycle
Spirit Catcher: Loving System Original Mix

Maria Chavez for FURFUR

I wanted to touch on the fact that no matter what is happening within our world, Black Womxn do not get the permission to heal before enduring triggering + racialized experiences that fuel ongoing trauma.

I hope this song inspires the Indigos of the world to continue creating, fighting, speaking, and loving one another.

'You can't help it. An artist's duty, as far as I'm concerned, is to reflect the times.' - Nina Simone

I'm free. We're free.

#BlackLivesMatter. Always.

- TiK▲

Produced + Engineered by: @HMLTLive 
Graphic by: Christian Bortey
www.tikathecreator.com

All Day All Night x HMLT

Vancouver producer, MI DI, offers up a superb 2 track taster of introspective, analog, deep house rhythms.

Beats: https://soundcloud.com/midi5104
Photography: https://soundcloud.com/bmcgr
Pre order here: http://adsrmusic.ca/album/eve

Bandcamp

MI DI- Eve [ADSR006] (clips)

Dirty Inputs is Aaron Dawson, a musician and VJ based in Toronto, Canada. Dawson was part of the ambient drone collective Off The International Radar and has shared the stage with the likes of Holy Fuck, A Place To Bury Strangers, Junior Boys, Hauschka, Quintron, Expo 70, Nadja and many others.

Having grown up in a small town in the Rocky Mountain foothills of western Canada, moving to the continent’s fourth largest metropolis has produced conflicting desires for nature and technology. Dirty Inputs’ euphoric synth-driven soundscapes search for the beach between these desires, between the beautiful and the terrifying. This focus has created a body of work that is often dark and brooding, and other times joyful and emotional. It is an attempt to strip away the hype and rhetoric in society to reveal the plain truths and humble existence of humankind staring into the void.