Superbad MIDI Breaks is a Japanese hardcore organisation founded in 2003 by Kousei Muraki. They have a label, host parties and recently have started an agency for the crews DJ's. The crew consists of Kousei Muraki, ADAM, SHINYA, SHOJI, INUGAMI. The "TOTAL DESTRUCTION" party is the only party in japan that is hosting such big underground artists! The hardcore state on mind in the crew is what makes everything possible!

Not your run-of-the-mill working-class Eastern European non-binary DJ. The producer, vocalist, but also visual and digital artist strives for innovative sound design and visceral body response, despite (or maybe coupled with) raw emotion that permeates their musical output. They’re a proud member of the Ciężki Brokat crew (with whom they run the annual Warsaw Pride official afterparty), co-creator of Radio Kapitał, Polish ambassador for Keychange and SHAPE Platform 2021 resident.

Their own music has morphed several times throughout the last 15 years – from industrial or purely synthetic timbres, through polyphonic singing with Pleśni to a perplexing fusion of rhythmically and sonically jagged compositions, bass-heavy club tracks on their EPs, 'Gusła (Human Rites)' on Tańce, a limited vinyl release on London-based 51-53 Records, 'Doolska' and the latest, more experimental 'Lamenty' EP.

They presented their music during numerous festivals (Unsound, CTM, Schiev, Up To Date, Tauron Nowa Muzyka, Les Siestes Electroniques, Audioriver) and an assortment of clubs (including the legendary Berghain) in Poland and abroad (Berlin, London, Prague, Oslo, Copenhagen, Ljubljana). They remixed tracks by Kamp and Baasch, recorded mixes for Resident Advisor, DJ Mag, HӦR and CRACK, composed and created impromptu live music for interactive theatre plays: Method of National Constellations, quadraphonic sound for Jawić się, music for a Women’s Strike street theatre Manifesta and original score for Ideologix, a US-written and directed queer opera.

In the club their seventeen-year experience of supporting queer, anti-fascist and underground scenes results in an almost annoyingly disparate selection of the most forward-thinking sound offered by today’s scene. In their series of DJ-sets and club nights they blend unusual rhythmic patterns kicked up a notch with their improvised vocals.

Legowelt
♫ ♫ ♫ Renegade of a New Age ♫ ♫ ♫

http://www.legowelt.org
Bandcamp:  https://legowelt.bandcamp.com

for International bookings contact: 
rene@octopus-agents.com
https://octopus-agents.com/legowelt

Other enquiries mail:  info  (AT) legowelt . org

Francesco Sannicandro AKA Loba is an Italian music composer and musician.
Born in south of Italy, Loba started his career as percussionist, subsequently he learned how to play piano and how to use professional software for music production. 
This extensive music knowledge gave him the opportunity to create songs from scratch: from raw riddims to sophisticated melodies, utterly a 360degree approach.
Hence, what was at first only a hobby by the time has grown into a real and strong passion.
His music style is a mix of Dub-Stepper combined with strong influences from the French Dub. He created his own original style by combaning innovative electronic sounds mixed with energetic and tribal riddims. Take all this components and add some cool madness in it and here you go: a music style unique, boundaryless and vanguardist.
#Lobadub

For booking and info please contact : cicciosunny@gmail.com

"People tend to assume that because a music is hard or abrasive that it is somehow less intelligent than something that is not as confrontational. I've always believed that an integral part of being provocative is provoking people. "

ZENITH DE PARIS 21/11 : https://shorturl.at/FdO7t
Everything about IRENE DRESEL : id.fanlink.tv/bl

LIVE @ ARTE PASSENGERS
https://www.youtube.com/watch?v=FjYA6i86RcA
LIVE @ VIEILLES CHARRUES FESTIVAL
https://www.youtube.com/watch?v=6gcuQxjiaqk
LIVE @BEAUREGARD FESTIVAL
https://www.youtube.com/watch?v=wnTFQTOj8WU

mgmt/ Boris Vercher - boris.vercher@gmail.com
promo/ Melissa Phulpin - mel.p@tomboy-lab.com
booking/ Audrey Chouikh - audrey.chouikh@atlasartists.com

In the world of French electronic music, Irène Drésel is an anomaly: a polymorphic artist whose techno breaks from the norm with sophistication. Her incisive rhythms and incorporation of distinct sounds – including bells – produce a hypnotic audioscape attached to a distinct, dynamic visual universe. On stage with Sizo Del Givry, her percussionist partner, Irène's live shows are like a pagan ceremony in a rose-tinted secret garden.

 

Her first two albums, Hyper Cristal (2019) and Kinky Dogma (2021), were beloved by critics and audiences alike. A sold-out show at The Olympia in Paris, followed by her performance at the Stade de France at the closing ceremony of the Paris 2024 Paralympic Games, launched the illustrious tour for Rose Fluo (2024), her third album, which translates a color into a state of mind. The Rose Fluo tour will culminate in a concert at the Zénith in November 2025.

 

Endlessly versatile, she is also a film composer, winning the César for Best Original Music for Eric Gravel's critically acclaimed film, A Plein Temps (2021).

FLAUTA is a collective based in Warsaw, cycle of electronic music parties and a label focused on finding new qualities in electronic music genres, supported by a strong and analog-only visual aspect. With a spirit of a grassroot activism, FLAUTA collects money for NGO’s and other social organizations providing assistance to immigrants in Europe.

www.phatrax.bandcamp.com
ig: @phatrax
FLAUTA / SIDEONE / MUWMENT / ASTROPHONE RECORDINGS
bookings/contact: djphatrax    gmail.com

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