Bombay

Montoya  "Carry oceans" - homemade single, 2014
(mix by Samuel Nomdedeu)
Available on iTunes : http://bit.ly/1DXr73s

http://www.yomontoya.com

Carry Oceans

Human Heat - "Fever (feat. Tei Shi)" from the new Human Heat EP.

Fever (feat. Tei Shi)

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London, 1888. The city was split open by fog and fear. In the alleyways of Whitechapel, whispers traveled faster than the police, a woman with violet gloves and dark, unblinking eyes had been seen near every killing, always vanishing before the screams.

Her name was Alice Harrow, though no census ever listed her. She appeared in society papers once, briefly, a portrait dated 1885, taken at a private salon for the avant-garde. She wore a crimson dress and a faint smile. Three months later, the painter who hosted the event was found dead, his eyes missing.

The tabloids called her The Woman in Red. The police called her myth. But those who lived in the underbelly, the poets, whores, and night drifters, swore she was real. They said her eyes didn’t reflect light like normal eyes; they absorbed it. That when she stared at you long enough, your mind filled with sounds that weren’t your own.

A detective named Jonathan Merrin claimed in his private notes that Alice was tied to a series of ritual murders predating Jack the Ripper by at least five years. He traced her lineage to an occult circle known as The Nocturne Society, a group of artists obsessed with transcending death through vision and sound. The final entry in Merrin’s notebook read:

> “I met her in the reflection. Her eyes were not eyes, but openings. I could hear the sea.”



He disappeared two nights later.

In 1890, a phonograph cylinder surfaced, supposedly recorded by Alice herself. It contained no discernible words, just a droning hum, and beneath it, a faint heartbeat. When played backward, the tone forms a melodic phrase eerily similar to the hook of “Dark Eyes.”

Over the next century, that melody reappeared in strange places, an old lullaby collected in rural Romania, a coded broadcast intercepted during World War II, even a police audio file from the 1960s tied to an unsolved London homicide. Always the same progression. Always labeled Alice’s Song.

The modern recording known as “Dark Eyes” was pieced together from fragments of that ancient melody, supposedly from an acetate disc acquired by a private collector in 2018. Those who’ve analyzed it claim there’s something wrong with the reverb: the reflections in the sound don’t behave naturally. When viewed through spectrogram analysis, her silhouette appears, a woman’s face, eyes wide open, staring back.

And here’s the part that chills scholars — in the last second of the track, if you isolate the left channel, a whisper surfaces:

> “I’m still watching.”

Dark Eyes

Words

Body Needs

Second single

Revolutions Are Best Before Initial Inception

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RABBII - Hang Us High

LYRICS:

[Verse 1]
I feel it rising, deep under my skin
A fire untamed, it pulls me within
Every touch a spark I can’t contain
A secret hunger calling my name

[Pre-Chorus]
I chase it through the city lights
Silent roads, endless nights
I need it closer, feel it near
Every heartbeat knows no fear

[Chorus]
I want it, I crave it, I can’t resist
Draw me closer into the abyss
I taste it, I need it, it won’t let go
Burning faster than I’ll ever show

[Verse 2]
Eyes on the edge of desire and sin
Every thought’s a battle I can’t win
The air is heavy, thick with the pull
I follow it, reckless and full

[Pre-Chorus]
I chase it through the city lights
Silent roads, endless nights
I need it closer, feel it near
Every heartbeat knows no fear

[Chorus]
I want it, I crave it, I can’t resist
Draw me closer into the abyss
I taste it, I need it, it won’t let go
Burning faster than I’ll ever show

[Bridge]
Every secret, every hidden line
Draws me further, pulls me inside
I lose myself, but I feel alive
This fire is all I have tonight

[Chorus / Outro]
I want it, I crave it, I can’t resist
Draw me closer into the abyss
I taste it, I need it, it won’t let go
Burning faster than I’ll ever show

Into the Abyss

Music video: https://www.youtube.com/watch?v=aHlvKZeL-zE

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Flock

Disa is the musical universe of Icelandic native Disa Jakobs. 
The music is driven by the cold, electronic production and Disas warm and ethereal vocals. Disas Music shares the qualities of her native country. It is cold yet compelling and you always sense an underlying risk of eruption. 

Disa is the solo project of singer and songwriter Disa Jakobs who left Reykjavik to live in Copenhagen and is now signed to Danish label Tigerspring. She has formerly played live with a wide range of known and unknown artists, and now the 25 year old is ready to release her own material as a solo artist.

Disa is about exploring and expanding the boundaries of pop music. She finds inspiration in the wild, Scandinavian nature but also in the likes of fellow contemporary and alternative artists Rahat Fateh Ali Khan, Brian Eno and Fever Ray.

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Press Contact:
Beth Martinez
beth@dangervillage.com

LABEL:
Tigerspring Records
http://tigerspring.net/
info@tigerspring.net

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DíSA