EXT041 - Bass Stuff, marks the emergence of the most recent alias “Dun Dun”, by the Portuguese producer Diogo Vasconcelos.

Essentially marked by timbral richness and an elaborate programming of percussion sounds, “Bass Stuff” draws some of its inspiration from the worlds of Gqom and Dancehall.

“Bass Uppers” and “Abambo” make up the first part, where the references to Gqom are more evident, ending up being almost like two versions of the same song, where the same elements are articulated in different ways, taking into account the tempo over which they are built upon.

“Can’t Stop” and “Get Them!”, find themselves more inspired by the slow and warm rhythms of Dancehall, without ever leaving aside the sonic palette that structures the entire album, and which is also built around a somehow dark atmosphere, and where voice samples are predominantly used as rhythmic interjections.

The EP closes with a bombastic remix by Will Bowen, aka Pluralist.  Picking up “Abambo”, he removes it from any kind of inhibitions and transforms it into a luminous bomb for the dance floor, completed with a section featuring triplet kicks. Maximum respect for this artist! Just hoping that Dun Dun’s release will be able to do you justice.

Buy Link:
https://discosextendes.bandcamp.com/album/bass-stuff

EXT041 - Dun Dun - Bass Stuff

Bass Stuff

Get Them!

Can't Stop

Abambo

Bass Uppers

Abambo (Pluralist Remix)

Buy on Bandcamp: https://tinyurl.com/4rah24s9

Follow on SoundCloud:

https://soundcloud.com/diogosvp
https://soundcloud.com/extendedrecords
https://soundcloud.com/discos_extendes

Follow Suprematic Sounds:

✖ Bandcamp ▸ https://bit.ly/3vU2JPJ
✖ Membership ▸ https://bit.ly/2E9IKCH
✖ SoundCloud ▸ https://bit.ly/2I1OW0g
✖ YouTube ▸ https://bit.ly/3nqP2DS
✖ Spotify ▸ https://bit.ly/suprematic
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✖ Instagram ▸ https://bit.ly/2MqfZc7

Buy on Bandcamp

PREMIERE: Diogo — João Botelho (O Melhor Bailarino do Mundo) [Extended Records]

After a foray into Bass Music under the pseudonym Dun Dun, the captain of Extended Records returns to the breaks and this time with his foot on the throttle! “Paranóico” is an EP composed of two Jungle- influenced tracks, deeply imbued with the spirit of rave. Booming 808s, acid lines, edgy breaks, rave stabs… and vocals from an anonymous Kuduro MC! An explosive mix always around 160BPMs!

“Bateu Bué” insists on a 4/4 beat and a progressive acid line that opens up as the theme develops. Meanwhile, a vocal in Portuguese announces that “Ele voa! [He flies!]” Who is he? You ask yourselves. Answer: “O mais louco do planeta! [The craziest man on the planet!]”

“João Botelho (O Melhor Bailarino do Mundo [The Best Dancer In The World])” is a song whose title pays homage to the most iconic dancer on Portuguese dance floors. Junglish madness, with vocals ripped from an also iconic Youtube video and a distorted 808 driving the adventure. “Ele é louco! [He’s crazy!]” Shouts a voice. “O melhor bailarino do mundo! [The best dancer in the world!] Names another one. Diogo must be crazy for this mad crossbreed! Now, the best dancer in the world, that one, we all already know who he is.

These tracks are joined by two remixes from two emerging talents on the Portuguese scene. Mandacaru signs a remix of “Bateu Bué” transforming it into a kind of Ambient Jungle dream, without any intention of recollecting the OST of Unreal Tournament 2004, produced with a mastery and elegance that is not abundant nowadays.

Carolina Miragaia, on the other hand, time stretches the breaks present in “João Botelho (O Melhor Bailarino do Mundo)”, extracting a jazzy and downtempo version from it… But this is only halfway through the song, since she immediately returns to the original speed of them to show us that she also knows what to do with breaks at 160BPMs. In the background, the vocals remain distant, reaching us filtered between many reverbs and delays.

Two remixes that take us back to vague memories of raves, with a kind of nostalgia for those who have never stepped foot on the dance floors where those took place. Without a doubt, two names to take into account for the future of Portuguese electronic music.

https://discosextendes.bandcamp.com/album/paranoico

https://soundcloud.com/discos_extendes
https://soundcloud.com/diogosvp
https://soundcloud.com/carolina-miragaia

PREMIERE: Diogo - João Botelho (O Melhor Bailarino do Mundo) (Carolina Miragaia Remix) [Discos Extendes]

READ > inverted-audio.com/premiere-diogo-bateu-bue-mandacaru-remix

Following the release of 'Asmaa' from Leese last May, Lisbon-based record label Discos Extendes line up their next dispatch 'Paranoico' from label boss and producer Diogo...Our pick is Mandacaru‘s remix of ‘Bateu Bué‘, a weightless jungle reverie for shapeshifters adrift in zero gravity. Subaquatic echoes bleed into shimmering break patterns, while crystalline piano motifs hover like half-remembered dream fragments. The track opens with disorienting underwater echoes intertwined with a shimmering pulse of jungle workout and celestial piano chords. As it unfolds, Mandacaru unveils an intricate web of crisp percussion and vaporous vocals, gradually spiralling into a moment of hallucinatory resonance, a kind of astral jungle where physical weight dissolves.

@discos_extendes
@manda_caru

Diogo - Bateu Bué (Mandacaru Remix) [Discos Extendes]

Bandcamp: https://discosextendes.bandcamp.com/album/pop-stuff
Release Date: September 5th, 2025
Info: Diogo and Nástio’s paths crossed more than 15 years ago, long before the former had ventured into music making and the latter had burst into the zeitgeist of the international contemporary art scene with his defiant and corrosive stance. The curiosity they initially felt for one another grew over time, allowing their friendship to spill over and expand into something far deeper. Nástio Mosquito is family.

The invitation for this record came about naturally. Diogo and Nástio have frequently collaborated on hybrid projects involving performance, photography, music — but, above all, community. So when the original Dun Dun record reached Nástio’s ears, the initiative for this new proposal was his:

Bandcamp

*PREMIERE* Dun Dun & Nástio Mosquito - Love Vs. Trust

Diogo and Nástio’s paths crossed more than 15 years ago, long before the former had ventured into music making and the latter had burst into the zeitgeist of the international contemporary art scene with his defiant and corrosive stance. The curiosity they initially felt for one another grew over time, allowing their friendship to spill over and expand into something far deeper. Nástio Mosquito is family.

The invitation for this record came about naturally. Diogo and Nástio have frequently collaborated on hybrid projects involving performance, photography, music — but, above all, community. So when the original Dun Dun record reached Nástio’s ears, the initiative for this new proposal was his:

- FODASSSSSSSSSSSSSSSSSSSSSSSEEEEEE!!!!!!
- BASS UPPERS A DAR SURRA NO OSSO.
- É MESMO ISSO.
- SHIIIIIIIIIIT.
- Diogo CARACOL!!!!!!!!!!!!!
- this shit is speaking to me boy
- Porra tens que me deixar “remixar” pelo menos 3!!!!!!!!!!!!!!!!!!!!!!!!!! By that I mean, place some vocal ideas… and you may put it out whenever you see fit after you have followed your initial plan!!!!!!!!! What do you say?

Of course I said “Yes”. The result will be now on plain sight.

/////

Let me be VERY CLEAR, these songs - if I may call them such things - had absolutely no need for my words and voice. I needed them...

When I first heard Diogo's DUN DUN, I had the feeling that that's exactly what pop music should be sounding like right now! There was an intensity, an organized fragmentation of intentions, and a hint of a "fuck it" kind of celebration. I wanted to be part of it...

Both the lyrical content and the delivery of these words and melodies are a gathering of visions within a disturbing scenario. Imagine if you were invited to sing, while a diarrhea outbreak is happening, in real time, all around you. You will shit your own pants today. There's no escaping it... You've got a gun pointed at your face, and you are rudely demanded to sing or die. How do you find and nurture dignity in such a predicament? Pop at its finest, if you ask me...

Nástio Mosquito

"... I judge my friends./ is it because there's a crack in my relationship with a good God? ..."

"... I wish I'd feel the taste/I wish it would not go to waste ... it ain't about love, honey... we are trading love for trust ..."

"... Get them/ ... they've abandoned the muse/ there comes space for abuse ..." 

https://discosextendes.bandcamp.com/album/pop-stuff

https://soundcloud.com/discos_extendes

PREMIERE: Dun Dun & Nástio Mosquito - Mercy [Discos Extendes]

The WIP folder is a big folder of some drafts I did for some futurs collaborations or just some solo tracks.

The goal is to share with the community for creating links.

The final versions won't be share. Just the process.
Don't hesitate to ask me the tracks as they are here, I can send for free what you want :)

Leese - Untitled [WIP unreleased]

@discos_extendes
Bandcamp: https://discosextendes.bandcamp.com/album/medusas
Release Date: November 7th, 2025
Info: After Subliminar, BLEID returns to Extended Records with EXT045 – Medusas!

If Subliminar was rooted in a steady 4/4 beat, EXT045 – Medusas locks into broken rhythms. BLEID had already hinted at these tracks, created during a breaks phase, and the first time we heard them we were instantly captivated. Creatively sampled breaks, heavy low-end, gliding pads and organic textures are constant presences throughout the record.

The EP opens with impact: 4Dreams merges broken beats with a deep sub-bass and what sounds like a dissonant synthesised trumpet, summoning the hordes to the dance floor. In Paradise Disguise ｆｒｅｅ ｐａｌｅｓｔｉｎｅ , a fractured percussion wraps itself around a chorus of young voices that insistently fight to be heard. The message is unequivocal: FREE PALESTINE! With Kerosene, the tempo rises into a roller driven largely by percussion, carrying the same urgency as the message declared in the previous track. The EP closes with It Breaks My N3ck My B4ck, a slower, more contemplative piece, dominated by layers of pads. Intricate drum programming intertwines with sliced, processed vocals, creating a somehow distant and melancholic atmosphere.

EXT045 – Medusas sees BLEID step slightly away from the aesthetic we’ve come to expect, veering closer to UK Bass culture and labels such as re:lax or Timedance. But deviation does not mean disorientation: guided by unwavering moral integrity, BLEID’s vision remains faithful to rave as a political expression of a community striving to be freer, more inclusive, and unafraid of the necessary disruption and subversion of unjustly established orders. Music with the urgency of the NOW! 

*PREMIERE* BLEID - 4Dreams

* Subscribe for more premieres: @BoltingBits
* Read more: https://boltingbits.com/bleid-kerosene-club-designs
* Listen on Youtube: https://youtu.be/MbFj6J6j0tM
* Pre-order: https://discosextendes.bandcamp.com/album/medusas

After Subliminar, BLEID returns to Extended Records with EXT045 – Medusas!

If Subliminar was rooted in a steady 4/4 beat, EXT045 – Medusas locks into broken rhythms. BLEID had already hinted at these tracks, created during a breaks phase, and the first time we heard them we were instantly captivated. Creatively sampled breaks, heavy low-end, gliding pads and organic textures are constant presences throughout the record.

The EP opens with impact: 4Dreams merges broken beats with a deep sub-bass and what sounds like a dissonant synthesised trumpet, summoning the hordes to the dance floor. In Paradise Disguise ｆｒｅｅ ｐａｌｅｓｔｉｎｅ , a fractured percussion wraps itself around a chorus of young voices that insistently fight to be heard. The message is unequivocal: FREE PALESTINE! With Kerosene, the tempo rises into a roller driven largely by percussion, carrying the same urgency as the message declared in the previous track. The EP closes with It Breaks My N3ck My B4ck, a slower, more contemplative piece, dominated by layers of pads. Intricate drum programming intertwines with sliced, processed vocals, creating a somehow distant and melancholic atmosphere.

EXT045 – Medusas sees BLEID step slightly away from the aesthetic we’ve come to expect, veering closer to UK Bass culture and labels such as re:lax or Timedance. But deviation does not mean disorientation: guided by unwavering moral integrity, BLEID’s vision remains faithful to rave as a political expression of a community striving to be freer, more inclusive, and unafraid of the necessary disruption and subversion of unjustly established orders. Music with the urgency of the NOW!

PREMIERE: BLEID - Kerosene

After Subliminar, BLEID returns to Extended Records with EXT045 – Medusas!

If Subliminar was rooted in a steady 4/4 beat, EXT045 – Medusas locks into broken rhythms. BLEID had already hinted at these tracks, created during a breaks phase, and the first time we heard them we were instantly captivated. Creatively sampled breaks, heavy low-end, gliding pads and organic textures are constant presences throughout the record.

Label: @discos_extendes
Buy: https://discosextendes.bandcamp.com/album/medusas

PREMIERE: Paradise Disguise ｆｒｅｅ ｐａｌｅｓｔｉｎｅ [Discos Extendes]

After a whole month of silence, 40% returns with DJ Doggo (aka Diogo from Disco Extendes) and the double single "Ésselou / Latido Ao Luar."
The result is a pair of shuffly garage / 2-step cuts that bounce with fluffy, heavenly chords, drop for the glued sub, and a punctuated, low-slung, octave-doubled bassline that keeps tails wagging and heads nodding in sync.
As always, the magic lies in the bark... and even when the Doggo says the track is wrong, you can’t help but think the production is just right.

🛒: https://40porcentofodabarramaneirissimo.bandcamp.com/album/sselou-latido-ao-luar
youtube: https://youtu.be/Qy0alfFrSRM

https://soundcloud.com/40fodamaneirissimo

follow Social Club:
youtube: www.youtube.com/@44100HzSocialClub
instagram: www.instagram.com/44100hz_social

PREMIERE | DJ Doggo -Latido Ao Luar

Discos Extendes is the (not so) mature form of @extendedrecords from sunny Lisbon. 🔥☀️😎

Can't Stop

Discos Extendes

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