https://pro.beatport.com/artist/bmv/102619
www.facebook.com/bmvproductions
www.facebook.com/grimeygroovesrecords
www.grimeygrooves.com

Koast Radio 106.6 FM And Vibe Nation Radio

Record Label. Club Brand. Events. Radio Show #MusicIsTheAnswer

Submit your demo to demo@ltbh.co.uk

Anthony Carey is a British singer/songwriter. A powerhouse voice which is both captivating and ethereal. Born in London, Greenwich. Music was always present in Carey's life beginning in his childhood. He would listen to soul albums that his parents owned, and eventually began to show an interest in the music scene.

Carey taught himself to sing at a young age and often cites Brandy Norwood and Boys II Men as major vocal influences.

He has collaborated with Urvin June, Eat More Cake, Bonetti, DJ Thes-Man, Trevor Gordon, Platzdasch & Dix, Deep Mayer, Fran Mahema, Pinto (NYC) and Austin Leeds.

He has had releases on Toolroom Records, Cut Rec Promos, OhYea Muziq, Piratrip and King Street.

“So Close to You” was released by Toolroom records in March 2017 and was premiered on YouTube channel “selected”. The track has amassed over 380k accumulated views over sites YouTube, Spotify and SoundCloud.

“Summer Heat” when released by Cut Rec Promos Peaked at No 19 on the Traxsource Nu Disco/Indie Chart and spent 29 days in the top 100 charts.

“Summertime” was released by Piratrip on the 1st January 2018 and has accumulated over 224k Views over sites YouTube, Spotify and SoundCloud.

 “What You Want” was released independently on Goldring Records in June 2018 and is the official remix version by Austin Leeds. The track amassed over 120k views in its first week of release across streaming platforms and is of special significance to Carey, as the release assisted in him achieving the number 1 R&B/Soul artist spot on Reverbnation.

Carey is currently working on collaborations and is also working on his solo artist catalogue in 2019.

Contact for DJ bookings and remixes: hpvince@planet.nl

Bio;
HP Vince brings decades of experience to the table. Active in the scene since the early nineties, he was a key figure in the famous P.I.M.P. project on Touche records. Since 2017 he is fully back in the discohouse and house scene and has released on a plethora of esteemed labels including Groove Culture, Peppermint Jam, Simma Black/Defected, Fool’s Paradise/Toolroom, Salted, Phoenix and more. His versatility across house and disco house is legendary, and his collaborations with artists like Laidback Luke and Jamez and more recently Richard Earnshaw, Discotron, KPD and Dave Leatherman underscore his enduring influence. For years now he is a top 100 Traxsource Artist and a top 10 Nudisco Artist Alltime on Beatport.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Original Renaissance Resident 1992-2001
Founder and resident DJ @ Downtown Disco

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