Abby Lee Tee (Fabian Holzinger, b. 1987) is an Austrian producer and DJ whom we once described as being more playful than an otter. His ever-evolving solo material has drawn on a wide range of influences from beat tapes to ambient, utilizing field recordings and unusual instruments. Abby Lee Tee’s work has shown up recently in Giovanni Lami‘s Tapeocracy mix as well as the Dinzu episode of the Sound Propositions podcast. He has produced a bunch of Guest mixes over the years, including Cold Spell Days & Hesitant Yearlings around this time two years ago.  We’re very pleased to share his second mix for ACL, young frogs & golden lakes. His first mix was "a laid back mix of beats and ambient sound composed while overcoming a cold during the recent transition to Spring," so this is the perfect moment for a sequel. Enjoy!

Read more at www.acloserlisten.com

TRACKLIST

01 bolet blafard – audio 1-4 B
02 alena koroleva – lisi lake
03 francesco covarino – luce I
04 mariam gviniashvili – allotropy
05 pauline oliveros – time perspectives
06 hideki umezawa & andrew pekler – dokkyaku
07 unwavemenot – train to go, train to stay
08 the matthew herbert big band – fish and chips (brexit edition)
09 dim grimm – ronrol III
10 philip sulidae – figure by stairwell
11 kirk barley – cradle
12 manja ristic – 0217
13 jez riley french – deer, nara
14 pantea – jar & nuPg
15 bruno duplant – la nuit inquiète (part 1)
16 melissa pons – geres
17 abby lee tee – hausberg IV
18 hideki umezawa & andrew pekler – anami remote extension
19 izabela dluzyk – golden melodies
20 meitei – oiran II
21 red astaire – ghetto hell instrumental (abby’s scratch break)
22 artifacts – wrong side of da tracks (instrumental)
23 lootpack – whenimondamic (instrumental)
24 fred jüssi – metsis
25 blacklight chameleon – young summer
26 square one – state of the art (instrumental)
27 the beatnuts – originate (instrumental)
28 quasimoto – busride (instrumental)
29 yaffle – each other
30 christina vantzou – wild beast research
31 chemiefaserwerk – detuned strings & dictaphones
32 claire rousay – both
33 kirk barley – lake of gold
34 digable planets – it’s good to be here (intro)
35 dntel – kelp & current
36 manja ristic – 1113
37 jonas gruska – brusky
38 mytrip – 16 hours in between (live)
39 meitei – otojiro
40 daphne x – first the mouth
41 julius ménard – V
42 dntel – restart
43 jez riley french – village frogs, matsudai
44 patricia wolf – position from the sun
45 mieux – params
46 olli aarni – solulima
47 mariam gviniashvili – flux
48 julian sartorius – beat #6
49 cait foran – 3
50 ludwig berger – kin
51 francesco covarino –mantello I
52 teebs – atom song

Abby Lee Tee presents 'young frogs & golden lakes' [mix]

Sodalith

Souffle court a été à l'époque ma première composition, elle date de 2017. 
Elle exprime ce que les mots ne disent pas, quand le souffle n'est pas suffisant

Souffle court

Recorded with Handy - with Schimmel Piano

Heaven Bells

A foolish variation and tribute on legendary Bill Evans "My Foolish Heart".

Thanks to Laura & Jimmy for endless support, Alexandre for technical support and kindness, Rachele for belicing in me since day 0 and ChicchoFish for turn me on on great music when I was a kid.

My Heart (foolish variations on Bill Evans)

Skøgen - My Heart (foolish variations on Bill Evans)

From the upcoming Album "Vegetal Negatives"
Release Date 29 March 2019
Hallowground.com
HG1901
Vinyl / Digital

”Let us unfold the animal outward: the bronchia will become a thick foliage, keeping its respiratory function, but in reverse, naturally (CO2 absorption), reversed also concerning color, from the tint of calves’ lungs to its complementary cabbage green. The digestive system will become roots, maintaining its role of drawing in nourishment from the outside environment. […] for each animal form there exists a corresponding vegetal form. The man who would find his vegetal negative and unite with it would restore the integrity of the cosmos.”

Vegetal Negatives is a game of sonic mutations, mimicry, inversions, and association inspired by a text called "On pataphotograms", by the French writer René Daumal – a quasi-metaphysical essay that toys with breaking the conceived separateness of natural forms through poetic imagination.

Marja Ahti (b. 1981) is a Swedish-born artist living and working in Turku, Finland. She has been an active part of the Finnish experimental music scene for more than ten years. Now arriving at her debut LP under her own name, Ahti explores a new formal language and sonic palette that ventures far from the path of her earlier work.

The four electroacoustic compositions on the album combine and arrange field recordings, electronic feedback, Buchla and ARP synthesizers, bowl gong and harmonium, textures of detailed acoustic sound, and sustained tones with gentle microtonal beating into a precise musical narrative. She juxtaposes recordings of rooms and empty vessels, natural and artificial climates, spontaneous and staged events. Ahti draws upon Annea Lockwood's ideas about associative movements between sounds based on shared characteristics and sonic energy. Her approach to field recordings is neither diaristic, documentaristic, nor purely acousmatic, but rather it starts out from somewhere in between these notions: the sounds hover between abstraction and the deeply familiar, moving into a realm of poetic metaphor where they are set in relation to each other, fleetingly mirroring or shadow-dancing. Acoustic environments mutate into synthetically derived shadow forms.

The opening track, "Coastal Inversion”, moves from a seemingly familiar seascape into an ocean of wavelike synthetic staccato patterns, turning itself inside-out on the shore, before diving back into a sea of resonance. ”Rooftop gardens” arranges a series of largely unprocessed field recordings into a dream-logic sequence of upward movement towards the clouds. On the other side, ”Symbiogenesis” brews a slow evolution of wet, airy and earthy sounds and resonant friction. The closing track, ”Chora”, imagines a meditative space of breath: filter resonance posing as organ pipes against a backdrop of breezy industrial hoovers merges halfway with a harmonium improvisation that foregrounds the frictions of the wooden instrument itself, just before filtering out into resonant harmony.

Tracklist:
A1) Coastal Inversion (12:14)		B1) Symbiogenesis (07:22)
A2) Rooftop Gardens (05:44)		B2) Chora (10:47)

Credits:
Marja Ahti: composition, production, field recording, Buchla 200 and ARP 2600
Recorded at EMS, Stockholm, WORM, Rotterdam, and on locations in Greece, Alaska, Finland and Sweden.
Mastered by Giuseppe Ielasi
Designed by Ruth Stofer

Vegetal Negatives

BUY VINYL/DL

MARJA AHTI - Symbiogenesis (HG1901)

https://noodsradio.com/residents/nice-strangers

NICE STRANGERS/NOODS RADIO: J. TRIPP (GEORGIA) Mix

Echo of Species 13 - Felicity Mangan

@felicity-mangan
_ _ _

This episode - ‘Marsh’aphonics - features selected tracks by Pauline Oliveros, Knud Viktor, Olli Aarni, Vlad Dobrovolski, Heidrun Schramm, Native Instrument (@native-instrument), Marja Ahti (@marjaahti), Andrew Pekler (@pekler), Lag Os (@lag-os), HMOT (@hmotology) and Tomoko Sauvage(@tomokosauvage).

_ _ _

Felicity Mangan's words:
"Wetlands such as small ponds, marshlands, swamps and lakes provide habitats for many of the
world's existing, new and endangered aquatic and terrestrial species.
During the recent lockdown situation l have taken long bike rides inside of the Berlin borders
discovering many tracks along canals, rivers and wetlands inhibiting an amazing biodiversity of
lush flora and fauna during the spring season. I also recently discovered that the name Berlin
roots from previous West Slavic inhabitants berl-/birl- "swamp".
Inspired by these local biotopic explorations I have created a mix featuring my own music that is
influenced and populated by wetland species while including many other artists I have
discovered who have created music inspired by aquatic phenomena or the voices of species
that habitat these wet landscapes."
_ _ _

To know more about Felicity Mangan:
Felicity Mangan is an Australian sound artist and composer based in Berlin, Germany since 2008. In different situations such as solo performance, collaborative projects with other musicians or installation, Felicity plays her found native Australian wildlife archive and other field recordings, either through a stereophonic system or often via hand-made speakers made with piezo transducers and found objects – exploring the timbre and forms of found and self-recorded animal voices while mimicking biophonic patterns to create minimal quasi-bioacoustic environments. 

Felicity has recently played in collaborative projects Native Instrument (Shelter Press, Entr’acte) presenting electro-acoustic bug beats with vocalist Stine Janvin Joh and Plants and Animalia with Christina Ehrl Shirley – grafting live and pre-recorded drones produced by remnants of plant biochemistry together with modified animal voices. Felicity has also released a solo publication on Longform Editions titled Stereo’frog’ic, a play on the word stereophonic –  presenting a sound piece, crafted from found recordings of frogs, insects and other ‘vocal’ animals wavering about in a stereo field. Felicity has presented projects in many different settings from galleries, gardens, clubs and festivals throughout Europe. Including National Gallery Denmark, Technosphärenklänge CTM/HKW and Sonic Act Academy 2020.

You can support the artist here: 
www.felicitymangan.org

🌳1x tree has been planted to balance the carbon footprint of this upload (Project Povo da Floresta).

Echo of Species 13 - Felicity Mangan

'Ray' is Ashley Paul's bright, sensual return to Slip: a lifting, delighting suite of yearning winds, loose beats, and cocooning, humid bass coming together and falling apart as songs. 

The LP airs Paul's new trio, alongside bass clarinettist Yoni Silver and bassist Otto Willberg, who fatten out and shine light on her singularly intimate, multi-instrumental with mystery and grace. 2018's 'Lost In Shadows' wrote into the bewildering ecstasy of recent motherhood with a tingling resolve. On 'Ray' - recorded remotely during lockdown - Paul's deliciously hesitant songcraft is an outpouring and an anchor in freshly tumultuous times. 

Says Ashley:

"Over the past six months I’ve found myself needing music in a new way, a way of coping. I found again albums I had loved in the past, full of melody and humour, to cancel out the barrage of terrible news happening outside. I think this album is a reflection of that need. There is the playfulness of spending my days with our four year old, and the hours spent tending to plants in the garden and examining bugs, and also the pain of missing family and friends. It’s hard for me to fully comprehend the breadth of emotion I've felt recently but maybe this is a small window.
The trio idea had been formulating in my head for months, and then lockdown happened. At first I was very disappointed and thought I'd be waiting forever to finally make it a reality, but time passed. I started working on a new album and could only hear it with these guys. We recorded remotely. I sent material in a variety of ways; written, aurally and verbal ideas/queues, sometimes with just a shell of a track and other times nearly completed. I wanted all our voices to be present, and to allow freedom in the parts for interpretation and improvisation. Maybe because we’ve all worked together in various situations and are friends, I’m not sure, but it came together naturally, magically and quickly."

'Ray' [SLP060] is available from November 2020 on LP and download. Painting by Gayle Paul. Design by Ashley Paul. Mastered by Giuseppe Ielasi. Distributed by Boomkat.

LP/DL

Light Inside My Skin - Ashley Paul

Enter, ANGST a series of musical ‘’essays on the ephemeral being’’ by Portuguese pianist and composer Tiago Sousa. 

More info at www.discrepant.net

ANGST - Essays on the Ephemeral Being

Tiago Sousa - The Myth of Sisyphus (from Angst CD)

Palanga Street Radio
presents: 
💦Monthly show Liūdesys.💦
Dive deep into your sorrows with another episode. 
✨A swim through sadness and tears.💦
@paulsadness
Tracklist:
Carl Stone - Banteay srey (1991)
I'm Sorry - A voicemailspoken word poetry
Pierre Rousseau - Anonyme
Domenique Dumont - Water Theme (Le Château de Corail)
King Hannah - Creme Brulee
Military Genius - Focus
Dungen - Peri Banu vid sjön
Damaged Bug - In My Heart
The Durutti Column - Royal Infirmary
Daniel Hart - History
Joep Beving - Midwayer
Slowdive - J's Heaven
John Carroll Kirby- Essaouira
Nick Malkin - Perfect Terminal
Mark Kozelek & Jimmy LaValle - Somehow The Wonder Of Life Prevails
Tor Lundvall - A Dark Place
John Zieman - Occasional Thing
Carla dal Forno - The Garden
Povarovo - Ronald
Goldmund - Threnody
Bernardas Braždžionis - Baltas balsas orchidejų
DATHON - Waking Idaho
Does It Get Easier - Lost in Translation Movie CLIP
Michael Arthur Holloway - Empty Bridges
Croatian Amor - The River That Flows In You Also Flows In Me
Global Communication - 0.54
Balam Acab - Still
Adult Fantasies - The Party is Over
Vytautas Kernagis - Ištirpęs sniegas
👍
http://palanga.live

LIŪDESYS #4

Our aim is to deconstruct, distort and re-assemble the lore of (un)popular music. 

Discrepant: inconsistent; conflicting; at variance [from Latin discrepāns, from discrepāre to differ in sound, from dis-1 + crepāre to be noisy]
Visit us at www.discrepant.net  for more music, releases, video and general discrepancies...

Tiago Sousa - The Myth of Sisyphus (from Angst CD)

Discrepant

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