#12 SEED

SoundCloud Weekly

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Your likes from Spotify - 2

A track from the album 'New Reality' out now on Constellation Tatsu.

Ecovillage - When I Was A Boy ft. X.Y.R.

Marylou & Mieko Suzuki. Marylou regularly opens the nets of her vast collection of records and sound crops on Cashmere Radio and Rinse France, weaving her delicate mesh in between traditional music, bass, noise detonations, cloudy waters of psychedelic dubs or sinuous paths of improvised music and electronic avant-garde. They plaid b2b to deliver this very special dance for committed ears! Mieko Suzuki is a sound artist and composer born in Hiroshima and based in Berlin.
She deals with time and space as her primal matter. In highly unconventional sound performances, for which she uses drones and field recordings, the crackling of electrical circuits and fragments of vinyl records, Mieko Suzuki always goes for the unexpected. She couples the raw power of sound with the tenderness of subtle modulations and turns any space into a playground for sonic adventures.

MARYLOU & MIEKO SUZUKI [Morphine Records Day] [25.01.2022]

Marta De Pascalis is an Italian musician and sound-designer based in Berlin. Her solo works employ analog synthesis and a tape-loop system, whereby she creates patterns of repetition that shape a sense of a dense, dynamic and cathartic distance. Her sound touches a wide range of electronic music genres, such as ambient, Berlin school first excursions, psychedelic, and tape music. She has produced three solo albums: the self-released Quitratue (2014), Anzar by the Touch-affiliated The Tapeworm imprint (2016), and Sonus Ruinae, released on September 2020 by experimental Berlin label Morphine Records. She has performed in different festivals and venues, notably Museo Reina Sofia, Biennale di, Venezia, Berghain, Funkhaus, Café Oto, Mutek Festival.

MARTA DE PASCALIS [Morphine Records Day] [25.01.2022]

Ahead of the release of her new album, 'The Long Count', on @modernlove, @yourdebit records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series

As Debit, the Mexican-American producer, DJ and audio engineer Delia Beatriz has released thunderous, triplet-filled club music, invigorating ambient, and percussive remixes. She also DJs for Azaelia Banks, and on her new album, combines ancient Mayan wind instruments with machine learning. She speaks to Eoin Murray about her desire to contribute to the canon of electronic music, working with new tech, and making ambient music that goes beyond “beautiful”

Interview & tracklist: https://djmag.com/features/recognise-debit

Recognise: Debit

Lisa Lerkenfeldt - The decay of the flower

from Koray Kantarcıoğlu's Loopworks 2. 

More info at www.discrepant.net

Loopworks 2 (masters 24b)

Koray Kantarcıoğlu - Lamba Pr 03 (from Loopworks 2)

Ribs - Take Care

I Don't Want To Feel This Way Anymore - Take Care

slight nightcore + removed middle part

(idk how this isnt lazy and cartier shi sounds exactly like them)

i smoked away my brain - a$ap rocky

https://sleeper119.bandcamp.com/track/jean-dawson-no-scope-sleeper119-edit

I miss the way things used to be

Jean Dawson - NO SCOPE (sleeper119 edit)

Métron Records are delighted to present a preview from 'Moment (Selected Works 2015-2017)' our debut label release from Osaka based producer 7FO (@mado-4). Having previously released a cassette on RVNG International, and a 7’’ single on Bokeh Versions in 2017, this is the Japanese producer‘s debut full length vinyl release. The tracks, recorded between 2012 and 2017, have been tweaked, remastered and recorded to vinyl for the first time.

Listen to the title track here and pre-order the record below:
metronrecords.bandcamp.com/
www.rushhour.nl/store_detailed.php?item=102778

You can also check out the beautiful music video directed by George Kountouras here:
www.youtube.com/watch?v=XvxG_F1w3Hg

7FO - Moment (Selected Works 2012-2017)[MTR001] - PREVIEW

Loopworks brings together Koray Kantarcıoğlu’s work composed of samples taken from Turkish records pressed around 60’s and 70’s.

More info at www.discrepant.net

Loopworks

Koray Kantarcıoğlu - ATLAS (from Loopworks LP)

Koray Kantarcıoğlu - 263 Loop (from Loopworks LP)

@reimv
@reimv
@reimv

Can't help it

sample: https://soundcloud.com/fokuzrecordings/malaky-mixed-emotions

Shadow w/ Rximv

"Shuta Yasukochi is an artist from the Saitama prefecture in Japan. 
‘In full Bloom’ his first outing on Vaknar, Shuta rekindles the nature themed formula found in previous works, both sonically and in name, while expanding on the thematic by presenting the album in a story like arc, slowly unfolding throughout the duration of the album."

https://soundcloud.com/shuta-yasukochi
https://soundcloud.com/vaagner

Premiere: Shuta Yasukochi - Particle [Vaknar]

Mats Erlandsson – Minnesmärke - LP
Release date - Nov 6th 2020
Catalogue nr. - HG2008
Format - Vinyl / digital

hallowground.bandcamp.com

Tracklist:
1. Vilja 	(19:08)
2. Slakt	(22.03)

Credits:
Hilary Jeffery - Trombone, Tuba
Gaianeh Pilossian - Violin
Yair Elazar Glotman - Double Bass
Mats Erlandsson - Everything Else
Mastering by Andreas Lupo Lubich
Artwork by Marijn Degenaar

///
Mats Erlandsson makes his debut on the Swiss label Hallow Ground with »Minnesmärke,« at once a nuanced sonic exploration of the industrial and political history of his native Sweden and a deeply personal album. One of the key figures of the Stockholm drone scene, the prolific composer worked with The Kilimanjaro Darkjazz Ensemble’s Hillary Jeffery, violinist and long-time friend Gaianeh Pilossian as well as sound artist and frequent collaborator Yair Elazar Glotman for a two-part composition built around tuned sustained tones performed by electronic and acoustic instruments that were combined with field recordings in order to evoke a psychedelic state of reflection, a dream-like elegy for the acoustic properties of the former iron ore mine Ställbergs Gruva where the music has been conceived and recorded. Following up on releases on labels such as Hallow Ground label mates Kali Malone and Maria W Horn’s XKatedral imprint, »Minnesmärke« is Erlandsson's most accomplished work yet. 
Originally a commissioned work by the Non Existent Center for a month-long artist residency in Ställbergs Gruva last Summer, »Minnesmärke« conceptually picks up on the socio-political and economic history of the Bergslagen region where the mine is situated. After mining operations had been on-going for decades prior, in the Industrial Age iron became one of the country’s largest exports, making the mining industry an integral part of the country’s progression towards a socialdemocratic welfare state in the years after World War II. With the rise of neoliberalism and the simultaneous erosion of the welfare state however, the mines around the region started closing, which resulted in the surrounding community losing its relative prosperity. Erlandsson’s interest in this story though does not exclusively stem from the historical significance of the mine, that has been re-opened in 2012 as a centre for cultural activities and critical thought. In fact, his grandfather was born and raised in the vicinity of it and thus his life - and, by extension, his grandson’s - was inextricably linked to its fate and the ebbs and flows of the industrial development in the area. 
It’s no surprise then that the two parts of »Minnesmärke,« which translates to »memorial« or »monument,« is marked by a sense of dislocation and dissociation. »Working in Ställberg was a somewhat surreal experience from the point of view of a musician some one hundred years later,« says the artist. »Being in that environment makes you view time from the side - since the place remains the same it accentuates the deep chasm that separates my perspective from those of my relatives, while at the same time providing a form of intimacy with them.« This naturally shaped the recording process, which saw Erlandsson create an interaction between the acoustic and the electronic, the human and the machinic as well as the natural environment and the technology that has shaped it as much as it has been shaped by it. A combination of synthetic and recorded sound sources was processed by reamping it in various rooms of the vast mining complex. The resulting hybrid field recordings were transferred to tape and have then been treated extensively. An arrangement for Pilossian’s violin, Jeffery’s tuba and trombone playing as well as Glotman’s parts on double bass were recorded separately and similarly manipulated to create an expanded chamber ensemble with a wider range and an ability to transcend the usual temporal bounds of the instruments.

MATS ERLANDSSON - Vilja (edit)(HG2008)

From the album 'Intimate Immensity'
Out on Hands In The Dark on 26th March 2021 (LP)
www.handsinthedarkrecords.bandcamp.com

TOMAGA - Intimate Immensity

Our aim is to deconstruct, distort and re-assemble the lore of (un)popular music. 

Discrepant: inconsistent; conflicting; at variance [from Latin discrepāns, from discrepāre to differ in sound, from dis-1 + crepāre to be noisy]
Visit us at www.discrepant.net  for more music, releases, video and general discrepancies...