Deep, dark, the track art is "just right" 👍

Disquiet 0581 - this weeks challenge was to download a rhythmic field recording and make it part of a track or incorporate it somehow.

Thanks to Scott Fletcher for having provided the original material. It is used thanks to a Creative Commons license: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0). Original track at: https://soundcloud.com/disquiet/helsinki-downspout/

I loaded the field recording into Ableton and put it into a drum rack. I then took all the bits between the beats (hiss and non rhythmic parts) and started to mess about with these, adding filters and effects and also playing them as drum hits - that is how the track opens. 
I them loaded all these hiss parts into a synth and stretched and played them as keys, creating the additional synth sounds with effects changing the sounds somewhat.  After jamming about for 30 / 40 minutes I hit reccord and laid down a fairly basic arrangement. 
I tweaked this slightly, adding a little more effects until I had a nice short experimental track i'm pretty happy with!

More or less the whole track was made with the source sounds but it's debatable if the original sound is recognisable?  However I took the prompot to "to sample and rework the source material" as a guide! 

Disquiet Junto Project 0581: Helsinki Downspout

The Assignment: Use a rhythmic field recording as the foundation for a new track.

Step 1: This is a shared sample project, one in which all the participants will utilize the same provided recording, about a minute and a half long, as the rhythmic element for their own music. Access the track, originally recorded by Scott Fletcher and used with his permission, here:

https://soundcloud.com/disquiet/helsinki-downspout

Step 2: Listen to the provided track several times. Think about ways to map its content, perhaps making notations about when certain unique, momentary aspects surface.

Step 3: Record an original piece of music for which the provided music is the underlying rhythm. You might take this quite literally, using the source as it is, resulting in a track that is precisely 1:35 long. Alternately, you might elect to sample and rework the source material. If you go the latter route, make certain that the original sound is, at least at some point in the finished track, recognizable.

Step 4: Because this is a Creative Commons resource, be sure to identify Scott Fletcher as the original recorder of the source material, and include a link to the source track. Identify the license as: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0).

Audio Obscura - Helsinki Downpour [disquiet0581]

All the sounds in this track are generated from the original field recording.

More on this 581st weekly Disquiet Junto project, Helsinki Downspout (The Assignment: Use a rhythmic field recording as the foundation for a new track), at: https://disquiet.com/0581/

Thanks to Scott Fletcher for having provided the original material. It is used thanks to a Creative Commons license: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0). Original track at: https://soundcloud.com/disquiet/helsinki-downspout/ 18

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0581-helsinki-downspout/

Downspout Drone (disquiet0581)

A rhythmic field-recording of a downspout in Helsinki serves as the basis for this track, inspired by the Disquiet Junto Projet 0581 (details see below).

Somehow Helsinki immediately  triggered thoughts of Aki Kaurismäki and his many beautiful films. Especially https://en.wikipedia.org/wiki/Drifting_Clouds_(film) came to mind and gave the track its title.
I hope the track does it justice. Since it was created rather technically it is a result of the versatility of randomness and the power of art.

I proceeded as follows: First, low-pass and high-pass filtered versions of the field-recording were created. Then hit-points and midi-notes were extracted from these three variants. These were assigned to different instruments.
Two variants of the field-recording created with PaulXStretch are also included.

More on this 581st weekly Disquiet Junto project, Helsinki Downspout (The Assignment: Use a rhythmic field recording as the foundation for a new track), at: https://disquiet.com/0581/

Thanks to Scott Fletcher for having provided the original material. It is used thanks to a Creative Commons license: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0). Original track at: https://soundcloud.com/disquiet/helsinki-downspout/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0581-helsinki-downspout/

Kauas pilvet karkaavat (Disquiet0581)

Disquiet Junto Project 0581: Helsinki Downspout
The Assignment: Use a rhythmic field recording as the foundation for a new track.

I started with slicing out some bars, mostly with irregularities. For whatever reason I thought I have to do this in 5/4th, so the samples had a lenght of 10 noise events, 2 for 1/4. I extracted 6 samples and looped them in Live. Because I wanted to have some irregularities I used two tracks with randomly chosen samples for placing them in a stereo field. I also just had bought Mac for Cats Synthie Cat which made nice noises on two tracks. I rendered the Stems and went on in Reaper, to add some flutish musical themes and place the Downspout noises in stereo. Much more time went into in EQing out stuff from the Downspout tracks, but I wasn't conviced with the results and the Downspout sounds were so nice and fruity in itself, so I deleted all this EQing parameter automation. I sometimes wonder how many things you do that are not in the final track …  


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Thanks to Scott Fletcher for having provided the original material. 

It is used thanks to a Creative Commons license: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0). https://creativecommons.org/licenses/by-nc-sa/3.0/

Original track at: https://soundcloud.com/disquiet/helsinki-downspout/

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More on this 581st weekly Disquiet Junto project, Helsinki Downspout (The Assignment: Use a rhythmic field recording as the foundation for a new track), at: https://disquiet.com/0581/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0581-helsinki-downspout/

Bandcamp?

Hellsinki Dawn [disquiet0581]

This is my submission for this week's Disquiet Junto project. 

More on this 581st weekly Disquiet Junto project, Helsinki Downspout (The Assignment: Use a rhythmic field recording as the foundation for a new track), at: https://disquiet.com/0581/

Thanks to Scott Fletcher for having provided the original material. It is used thanks to a Creative Commons license: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0). Original track at: https://soundcloud.com/disquiet/helsinki-downspout/ 23

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0581-helsinki-downspout/

Helsinki Rhythm [disquiet0581]

I wanted to keep things simple by strictly using the original source material without any synthesis or fancy resynthesis. So I put the original recording in reaper and then sent various filtered versions of it through various effects. I want to create something like a bass drum from the track, but I didn't want to 'cheat' by doing pitch modulation / using a self resonating filter on it. That said, I ended up using a self resonating filter for the bassline like thing, and I used paulstretch to extract some tonal content. The best intentions.. I manually adjusted the clip so that it stayed roughly synchronised for the bulk of the track, but then mixed in the original recording at the end so that there was some syncopation.

I find it a bit heavy on the drudgery of the march, and if I were doing it again I think I would try to escape that drudgery by transitioning to more of a drone, but I'm not about to start from scratch now :)

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More on this 581st weekly Disquiet Junto project, Helsinki Downspout (The Assignment: Use a rhythmic field recording as the foundation for a new track), at: https://disquiet.com/0581/

Thanks to Scott Fletcher for having provided the original material. It is used thanks to a Creative Commons license: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0). Original track at: https://soundcloud.com/disquiet/helsinki-downspout/ 24

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0581-helsinki-downspout/

shifty pipe [disquiet0581-helsinkidownspout]

This was my contribution for the Disquiet Junto Project 0581:Helsinki Downspout

Here’s a copy of my post on the Disquiet Junto 0581 discussion thread:

I went in a lot of different directions at first trying to figure out how to incorporate the rhythmic field recording but finally settled on using it alongside more ambient tracks. Hopefully the source audio isn't lost or too much in the background.

This was created in Ableton Live using Slate+Ash Choreographs and ThePhonoLoop Tapes.01. The sample was modulated with Max for Live Slink Devices with added effects using Valhalla Supermassive and Baby Audio Spaced Out.

Thanks to Scott Fletcher for allowing us to use his recorded sample. Water drops image is by sneaky-head via Unsplash.   

More on this 581st weekly Disquiet Junto project, Helsinki Downspout (The Assignment: Use a rhythmic field recording as the foundation for a new track), at: https://disquiet.com/0581/
Thanks to Scott Fletcher for having provided the original material. It is used thanks to a Creative Commons license: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0). Original track at: https://soundcloud.com/disquiet/helsinki-downspout/ 23
More on the Disquiet Junto at: https://disquiet.com/junto/
Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0581-helsinki-downspout/

Helsinki Downspout Dream [disquiet0581]

I felt inspired to have a go at this week’s Junto as I love field recordings and I am also pretty immersed in playing with rhythms at the moment. It was a natural fit and great fun.

For the process I loaded the original field recording into Ableton’s Simpler and used Split mode, one of my favourite features. I done similar on another channel with a sampled drum loop. Between the two they made a complex polyrhythm. From here I mapped up some parameters and jammed out a long take, most of which remains untouched in this piece. I then layered sub bass below using the Model D and used a sample from 2001 Space Odyssey I took from vinyl a few months ago for the primal style scream halfway through. I felt it fitting with the tribal nature of the drums.

I think the piece is quite a challenging listen but very honest. Great fun was had too :-)


Thanks to Scott Fletcher for having provided the original material. It is used thanks to a Creative Commons license: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0). Original track at: https://soundcloud.com/disquiet/helsinki-downspout/

Flying Tulpa - Disquiet0581 - Helsinki Downspout

Pulling Together Again

Galaxy’s

MOVD 16(R28), R16			
CMP R16, RSP				
BLS 20(PC)				
MOVD.W R30, -80(RSP)			
MOVD R29, -8(RSP)			
SUB $8, RSP, R29			
ADRP 217088(PC), R5			
ADD $640, R5, R5			
ADRP 327680(PC), R6			
ADD $8, R6, R6				
STP (R5, R6), 56(RSP)			
ADRP 884736(PC), R27			
MOVD 4072(R27), R1			
ADRP 327680(PC), R0			
ADD $1400, R0, R0			
ADD $56, RSP, R2			
ORR $1, ZR, R3				
MOVD R3, R4				
CALL fmt.Fentry(SB)			
MOVD -8(RSP), R29			
MOVD.P 80(RSP), R30			
RET	
MOVD R30, R3				
CALL runtime.morestack_noctxt.abi0(SB)	
JMP cli.main(SB)			
?	
?	
?	


shifty pipe [disquiet0581-helsinkidownspout]

disjuntolate

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