Knew Sound l

Der Schweizer Künstler boaksi veröffentlicht am 9. April 2022 sein Werk «i thought it was yesterday» auf dem Label «Project Indigo». Auf das digitale Release folgt voraussichtlich im August das Vinyl-Release. Wir präsentieren den Titeltrack als exklusive Premiere.
@boaksi
@projindigo

I Thought It Was Yesterday

Premiere: Boaksi - I Thought It Was Yesterday [Project Indigo]

Thylacine EP

Thylacine

Out Now: https://orcd.co/rekids237a

Monty Luke unveils the first part of ‘Nightdubbing’ on Rekids.

Monty Luke’s ‘Nightdubbing (Part 1)’ on Rekids launches with '40 Acres And A Terabyte', a droning and deep cut with broken beats and sustained chords that convey a real sense of space travel. It's physical but emotional, making a lasting impact before the title track, ‘Nightdubbing’, joins in with melancholic chords which strike a bittersweet note, slowly evolving into warm, uplifting rays of cosmic energy.

'Dark Paradise' is another masterful mix of musical chords over deep, dynamic drums below. It's the sort of track which makes the mind wander, with closer 'Bob Molly' boasting wispy pads and astral keys. Each sonic element darts about the airwaves over a woody and organic groove that's both loopy and hypnotic. 

Monty Luke spent ten formative years in Detroit, where the city's unique musical spirit influenced him immensely. He has since distilled this experience into the music he has put out on labels like Rekids, Planet-E, Hypercolour, and his own Black Catalogue. His raw, dub-infused sound comes with plenty of futuristic designs, with the variety of this first instalment of ‘Nightdubbing’ showing real, tastemaker class.

Monty Luke - Dark Paradise

the spacebasspleasuremusic continues and every harlekinsound producer is featured with one tune again.

weird electronic birds fly above a shallow lake until the drop brings them back to the floor. polymorphren’s ‘narsty’ reminds of dub, but is more digital and more hip hop, like trap with a bit of reggae in a grimey dubstep groove. whatever…

released 23 October 2014 
artwork by phineas

www.soundcloud.com/polymorphren
www.soundcloud.com/harlekinsound
www.harlekinsound.net

- one love -


polymorphren "Narsty" [harlekinsound]

Noha & Black Arkipelago - H Music Is For Everyone - PanickPanick 013

DC Promo Tracks #1344: "Kitchen Quarantine" by Tonarunur is part of the release "The Ligeglad Danzador" on Cala Tarida Musica @calataridamusica  

Buy Now: https://www.junodownload.com/labels/Cala+Tarida+Musica/releases?ref=dc 

✉️ Join our weekly Email List: http://eepurl.com/dN23Jw
🎶 More Promo Tracks: https://www.dreamchimney.com/promo
📻 Dream Chimney Radio: https://www.dreamchimney.com/radio

DC Promo Tracks: Tonarunur "Kitchen Quarantine"

recorded in the 2010's.  Heavy on the DFA- which along with bathroom meetings, was the style at the time.

AINT 2HIP 2BA HIPSTER (2010's)

Pollyester - In my Boots - Disco Edit

those who are thirsty for meditation will enjoy the pulse of the heartbeat slowing down and connecting with the breath cycles to clear the mind. ‘dry dub’ is just what it is, full but empty, known but unknown. a moment fading into eternity…


check out the wonderful ‘dry dub’ visual by yAssel: www.vimeo.com/harlekinsound/tcpdrydub

released 17 February 2015
artwork by phineas


www.soundcloud.com/phineas_tcp
www.soundcloud.com/harlekinsound
www.harlekinsound.net

- one love -






tcp "Dry Dub" [hks001] see description...

Bademah - Mani (wip clip)

Cut Copy - Need You Now (Carl Craig Remix)

Vinyl/CD/Digital - https://lengrecords.bandcamp.com/album/out-of-the-blue-compiled-by-phil-mison

Over the years, Phil Mison has become the go-to selector for those looking for Ibiza-themed compilations. None of his previous collections, though, have been quite as personal as Out Of The Blue, a compilation inspired by his first spell behind the decks at the Café Del Mar in 1993 – and the remarkable chain of events leading up to it.

Mison made his first trip to Ibiza in the summer of 1991 and quickly fell in love with the magical music being played by Café Del Mar resident DJ, Jose Padilla. On his return to the UK, Mison began to cultivate his own take on the laidback, open-minded style, recording mix-tapes of “Ibiza style chill out” tunes to give to friends.

In November 1992, Mison was hanging out in Tag Records, Soho, when Padilla walked in. He plucked up the courage to speak to the Spaniard because earlier that summer Mison had given one of his friends some tapes to take out to Jose in Ibiza so he wanted to see if he had got them. During the conversation Mison invited him down to his next DJ set at Nicky Holloway’s club, the Milk Bar and less than three months later, and clearly impressed by what he’d heard on the tapes, Padilla invited Mison to fill in for him at the Café Del Mar, beginning in April ’93.

It’s that first trip to DJ in Ibiza – a crazy six-weeks spent dividing his time between spinning records at Café Del Mar, hanging out in Jose Padilla’s house in the hills, and meeting some particularly eccentric White Isle residents – that proved the inspiration for Out Of The Blue.

The compilation contains a mixture of records that Mison played in his earliest Ibiza sets, those that remind him of that period, and recent discoveries that boast a similarly warm, loved-up vibe. Mison is at pains to point out that it’s not a track-for-track representation of his first sets, but rather a collection inspired by this most momentous of experiences.

As you’d expect from a selector of Phil Mison’s standing, Out Of The Blue is an outstanding collection. Some will no doubt hear the influence of his mentor – the man he credits with effectively turning his DJing career around – in the undulating rhythms and new age melodies of Kamasutra’s “Sugar Step”, the meandering synthesizer solos and Spanish language vocals of Congarilla’s sublime “Sacred Tree”, and the lilting flamenco guitars of “Gambarra”, an unreleased mix from Mison’s popular Cantoma project.

Elsewhere, listeners can marvel at the starry ambient bliss of Belgian legend Frank De Wulf’s “The End”, recline to the saucer-eyed fusion jazz of the Christoph Spendel Group, shuffle along to tactile, hard-to-find period deep house from Language, Moodswings and Don Carlos, and marvel at The Cactus Rose Project’s ridiculously rare “Jelly”, a sparkling, disco-era jazz-rock outing partly inspired by the Doobie Brothers’ “Long Train Running”.

Out Of The Blue may well be a very personal selection of tracks celebrating a moment in time, but it’s happily one that we can all enjoy.

Out of The Blue

LENG SHOP

The Cactus Rose Project - Jelly

The third release of WEorUS comes with four massive tracks perfectly delivered by talented Maurice Giovannini and remixed by Cocoon's rising star Dana Ruh

Premiere: A2 - Maurice Giovannini - Orange (Dana Ruh Interpretation)

https://superlounge1.bandcamp.com

@superlounge

Premiere : Superlounge - Tool4 (Bandcamp exclusive)

YouTube

Synthesizers, loops and abstract beats.  These are a few of my favorite things?  I am a strange breed, other worldly, and a super freak.   Cold wave, minimal techno, electro abstract, avant- hard, hardcore techno, break core, IDM, EBM, Death Rock, punk Rock, New Wave,Dark Wave, Ambient, MiamiBootyBase, SpeedBase, Dub, RagaMuffin, Dubstep, Industrial, Noise, Experimental, world beat...did I forget anything?  Neophyte, for sure, and these are all my newly found treasures, that I have dug up from around the world.  One day I will produce some tracks again, until then, I will spend every minute listening to all the newly found gems!

Disko B wurde 1991 von Peter Wacha aka Upstart als Sublabel des Independent Labels Sub Up Records (F.S.K., Die Goldenen Zitronen, etc.) gegründet; damals noch unter dem Namen "Disko Bombs“. In den 90er Jahren zählte Disko B mit international anerkannten Künstlern wie DJ Hell, Acid Scout, I-F oder Dakar & Grinser zu den weltweit renommiertesten Labels für elektronische Musik. Im Windschatten der Disko B Struktur entwickelten sich um das Jahr 2000 herum auch das Künstlerlabel Chicks On Speed Records sowie DJ Hells Gigolo Records. Mit dem Signing von Künstlern wie Stereo Total, Console, Electronicat oder Schlachthofbronx hat sich Disko B im Laufe der Nullerjahre zu einem eklektischen Label entwickelt, für das keinerlei Genregrenzen mehr gelten.


Pollyester - In my Boots - Disco Edit

Disko B

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