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Jalapathy Gudelli gave the film 3.25 stars out of 5, concluding his review that "Mirchi showcases Prabhas in different avatar. Neat package of masala moments and Prabhas are the strengths. Mirchi is a decent entertainer and time pass flick".[36] Jeevi gave a rating of 3.25 out of 5, commenting that "First half of Mirchi is decent. Flashback episode which occupies 100% of second half is good. Climax could have been better. The plus points of the film are Prabhas, music and all-round orientation. On a whole, Mirchi has all the ingredients of a commercial potboiler".[37] Mahesh S Koneru gave his verdict that "At the Box Office, the film will turn in a good commercial performance", giving the film a score of 3.25/5.[38] Way2movies also gave a rating of 3.25/5, giving the verdict that "Prabhas rocks the show in this decent yet formulaic commercial entertainer".[39] Super good movies gave the film 3 stars in a scale of 5, reviewing that "Go and Watch Mirchi, It entertains both Class and Mass. It is a worth watch".[40]
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In 2013, Prabhas starred in Mirchi. Jeevi of Idlebrain.com gave a rating of 3.25 out of 5, commenting that "First half of Mirchi is decent. Flashback episode which occupies 100% of second half is good. Climax could have been better. The plus points of the film are Prabhas, music and all-round orientation. On a whole, Mirchi has all the ingredients of a commercial potboiler".[27] Mahesh S Koneru gave his verdict that "At the Box Office, the film will turn in a good commercial performance", giving the film a score of 3.25/5.[28] Way2movies also gave a rating of 3.25/5, giving the verdict that "Prabhas rocks the show in this decent yet formulaic commercial entertainer".[29] Super good movies gave the film 3 stars in a scale of 5, reviewing that "Go and Watch Mirchi, It entertains both Class and Mass. It is a worth watch."[30] Prabhas made his Hindi cinema debut in 2014 by doing a cameo role in the item number "Punjabi Mast" from the film Action Jackson.[31]
Going by the posters and the promos, the audience were given a feel that 'Mirchi' is going to be one more mass entertainer from Prabhas. But after watching the movie, it can be clearly stated that 'Mirchi' is a mix of Family drama and mass elements. Nothing special to say about the directorial skills of Koratala Siva, who made his debut as the director with this film, but his dialogues must be appreciated. As the film moves, it takes the audiences to several episodes of several movies. For instance, the episode between Prabhas-Subbaraju will make us remind of Student No .1, we get a flavor of 'Brundavanam' and 'Bindaas' when Prabhas come to Richa's village and finally the climax theme resembles to Dammu. In spite of all these elements, Prabhas performance can be termed as a perfect saving grace for the film. Songs are well picturised and especially 'Kaatuka Kallu' is the best of all. Prabhas chemistry with Anushka was good.PerformancesPrabhas has delivered a commendable performance and looked stylish and handsome. Anushka h

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Aesthetics of the Buddhist Mandala on the basis of the Doctrine of Vak in Trika Saivism

The research undertaken here about Buddhist mandalas is basically designed under the philosophical question how the visible dimensions of forms are related to their invisible contents. The textual sources in reference to Buddhist mandalas teach that the essence of mandalas is shunya (void) and their forms are the reflective images (pratibimba) of shunya. This volume investigates how the colourful form of Buddhist mandalas represents the prime concept of shunya, and what makes these mandalas visually powerful, leaving the impression of ßspiritual enhancementû in the heart of people who do not even know about the Buddhist doctrines.
The mandalas permanently represented in the monastic complexes of Tabo and Alchi in the Western Himalayas have been focused in order to examine a prominent role of visual dimensions of mandalas. In order to comprehend mandalas in the context of Buddhist philosophy, the texts of the Yoga-Tantra class have been looked up. Especially, the references to the tantric visualization-practice throw light on the internal experiences with mandalas.

Considering the fact that the Buddhist mandalas have been developed as a method of Mantrayana, being always combined with mantras and mudras, this volume presents the concept of vak (word, subtle sound, voice) as a key to explain how the ultimate state of shunya and perceptible forms of mandalas are related to each other. The doctrine of vak developed in the tradition of Trika Shaivism in Kashmir provides us with a systematic way to explain the non-dualism between all phenomenal objects and the Supreme Divine. The doctrine of four levels of vak is examined in the book for the purpose of interpreting the aesthetic phenomena and structuring the different levels of meanings of mandalas from the aesthetic perspective. On the basis of the vak theory, the external forms of mandalas have been explored and their visual principles have been technically analysed, in attempt to answer the question: how do the colourful forms of Buddhist mandalas resemble the formless shunya?


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I think the idea of using the computer to do room corrections for computer audio is an ideal goal, especially for those of us who use the computer as our only audio source component. I'm just not persuaded this is the realization of that promise.


this is correct and shows a good understanding of the mechanisms of equalization/room correction. In fact, a well-made filter should be aware that there are situations in which it makes, for certain frequencies, amplifications also the order of 10 db.


Nevertheless, it needs to be considered when using Dirac for room correction and comparing it to without room correction. While Dirac does have an "on" and "off" button it is still in the signal path. The fair comparison is: Jriver Asio -> soundard vs Jriver Kernel Streaming -> Dirac with filters on -> soundcard.


For a 
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You may be asking at this point, why would one need the Room Correction Suite?Your speakers and equipment may cost north of $100,000, so they should putout a fairly flat frequency response, the room is probably decked out in allsorts of room correction paraphernalia, and either you are of the school thatabhors tone control or have a modern preamp-processor with the Audyssey orsimilar inexpensive room correction system.


Well I have to tell you that no speaker is perfect, and in any media room nomatter its size, configuration and correcting apparatus, there will be at best +/- 5 to 10 dB peaks and troughs in frequency response, plus manufacturers tunethe sound of every piece of equipment in the chain to what they consider to beproper sound. Plus, until this program, I've been very dis-satisfied with theresults obtained with the other correction programs out there; the curvesobtained being what the manufacturer considered to be correct.


About a month ago, Dirac contacted me about a new program of theirs, the 
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Unlike most room correction software which are set up to measure one set of roomvolume parameters by having you move the microphone to set areas the programwants, Step Four, 
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I know that $600+ plus the cost of a measurement microphone is a fairly highprice for a computer program, but I guarantee you that the results would beequivalent to meg-bucks updates to your room or equipment. I also know thatthere are many of you out there who feel it's an anathema to use a computer forhigh end playback, never mind using it to do tone control, then performing majorcorrections to speaker output. All I can say is you don't know what you'remissing.

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Madre e hija estaban arreglando la cocina mientras que el vago del chico se tocaba un poco los huevos. El problema es que se los estaba tocando de verdad, ya que estaba bastante caliente ese día. Acercarse y ver a su madre y a su hermana las dos con el culo en pompa solo le dio una idea, la de follárselas.


Dos hermanas se recluyeron en la cocina y follan con audacia con un consolador transparente. Pero, ¿por qué satisfacerse con un juguete grosero si hay un perro tan activo y lujurioso con un pisyun largo y caliente?


Era muy emocional y fácilmente hería sus sentimientos. Con frecuencia comenzaba a llorar abruptamente y decía: "¡nadie me ama!" lo cual era una señal para mi hermana y para mí de correr y asegurarle que la amábamos. Ella era una perfeccionista que era fácil de hacer enojar. Cuando era niña, no podía entender el cliché "no llores por la leche derramada" porque mi madre me castigaba regularmente hasta que lloraba por derramar leche en el piso limpio de su cocina.


Es posible cuestionar por lo menos la evaluación del profesor respecto a la alumna I-1.9. En la entrevista logró demostrar claramente que domina su lengua materna. Durante el estudio la autora tuvo además contacto con su hermano menor, 4K-6, a quien el profesor certificó poseer una competencia muy buena de su lengua vernácula, así como se interrogó a su hermana mayor, I-2.7, que indicó dominar el idioma indígena perfectamente y presentó características muy marcadas de español como segunda lengua. Asimismo queda por considerar la validez de las estimaciones de los maestros con relación al náhuatl como lengua materna de los niños, debido a que solamente la aprendieron como lengua extranjera de forma rudimentaria.


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Adobe Photoshop for iPad has reached the App Store after much anticipation. The new development comes just ahead of the Adobe Max conference that kicks off in Los Angeles on Monday where the California-based company is expected to announce the formal launch of the Photoshop for iPad. Adobe was due to launch the iPad version of Photoshop for a long time. Last year, the company was reported to bring the full version of its Photoshop app for iPad under its strategy to develop its products compatible across multiple devices.


Photoshop CC (14.0) was launched on June 18, 2013. As the next major version after CS6, it is only available as part of a Creative Cloud subscription. Major features in this version include new Smart Sharpen, Intelligent Upsampling, and Camera Shake Reduction for reducing blur caused by camera shake. Editable Rounded Rectangles and an update to Adobe Camera Raw (8.0) were also included.[57]


When saving a file in the desktop version of Photoshop, a popup asks if you want to save to your computer or as a cloud document; and you must access cloud documents from within either desktop or iPad Photoshop apps, or at assets.adobe.com. A 2021 update added the ability to make cloud documents available for offline editing, should you take your iPad somewhere with no internet connection.


It's important to have your colors in mind before you start adding anything in. I prefer to have a color palette built ahead of time. In Procreate, there are a number of prebuilt palettes available. You can also add in new ones just as you did with brushes, or create a custom palette all your own.


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The Mahabodhi Temple Complex is the property of the State Government of Bihar. On the basis of the Bodh Gaya Temple Act of 1949, the State Government is responsible for the management and protection of the property through Bodhgaya Temple Management Committee (BTMC) and Advisory Board. The Committee meets once in every three or four months and reviews the progress and position of the maintenance and conservation works of the property and also manages the flow of pilgrims and tourists visit. The Committee is equipped with 85 regular staff members and over 45 casual workers to attend to the Temple duty as office staff, security guards, gardeners and sweepers. Further consideration is still warranted on the possible designation of the property under national legislation to ensure the protection of its outstanding universal value as well as its authenticity and integrity of the property. Given the significant development pressures in the broader urban and rural setting, the definition of an appropriate buffer zone and the establishment of regulations for its protection is a priority. Options, such as extending the property to include related sites, need to be explored to ensure the conservation of the setting and landscape of the property associated with the life and wanderings of Buddha. The protection of these elements is particularly relevant to sustaining the religious character of the property that substantiates criterion (vi). 
All developmental activities within the premises of this World Heritage property and at Bodhgaya are guided by the rules and regulations of the Site Management Plan framed by the Government of Bihar. All conservation / restoration works relating to the Temple Complex are taken up under the expert guidance of Archaeological Survey of India. The main source of finance for the property is through the donation from Devotees. The sustained operation of the management system allows for the Temple Complex to be well maintained and flow of visitors managed adequately. 
As the site is being visited by pilgrims/tourists (national/international) in large numbers, a need to develop infrastructure and public amenities is anticipated. Proposals will need to be preceded by Heritage Impact Assessments and a particular challenge will be to continuously monitor the impact that potential developments of the area as a whole, including the town, may have on the religious and spiritual significance of the place.
The Bodhgaya Temple Management Committee also seeks to undertake a sustainable approach to the maintenance of the property for example utilization of solar energy, pollution free environment, etc.


Traditionally, Buddha was born in 563 BC on the following auspicious Baisakhi purnima [second full moon in calendar years that do not themselves start during full moon]. As Siddhartha, he renounced his family at the age of 29 in 534 BC,[9][10] and travelled and meditated in search of truth. After practicing self-mortification for six years at Urubela (Buddhagaya) in Gaya, he gave up that practice because it did not give him Vimukthi. Then he discovered Noble Eight-fold path without help from anyone and practiced it, then he attained Buddhatva or enlightenment. Enlightenment is a state of being completely free from lust (raga), hatred (dvesha) and delusion (moha). By gaining enlightenment, you enter Nirvana, in which the final stage is Parinirvana.


The Great Buddha Statue also known as 80 feet statue is in Bodhgaya. The unveiling and consecration of the Great Buddha Statue took place on 18 November 1989. The consecration ceremony was attended by the 14th Dalai Lama, who blessed the 25-meter statue, the first great Buddha ever built in the history of India. The Statue is now a symbol of the holy place Bodhgaya, next to Mahabodhi Temple which is a World Heritage site, and enjoys constant visits of pilgrims fro

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Szerb Antal óta nem jelent meg ilyen alapos, összefoglaló munka amagyar irodalomról. A kötet első írásos emlékeinktől kezdve egészen a kortársírók munkásságáig végigköveti irodalmi kultúránk folyamatos változásait, s azegyes korszakokat és irányzatokat a legismertebb művészek munkáin keresztülmutatja be. Bár a 
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Az Eötvös Loránd Tudományegyetemen szerzett magyar-történelem szakos diplomát 1991-ben. Ezt követően az ELTE Apáczai Csere János Gyakorlógimnáziumában kapott tanári állást. 1996. szeptemberétől az egyetem rektora egy évre, majd 1997. szeptember 1-jétől határozatlan időre megbízta a magyar nyelv és irodalom szakos vezetőtanári feladatok ellátásával.


A hálózatelmélet ilyen egyszerű felhasználása tehát könnyedén megválaszolja a nyugtalanító kérdést, hogy: Vajon olyan, irodalmi-művészeti tevékenységet nyugtázó díjról beszélhetünk-e még, amelyet a kortárs irodalmi élet közmegegyezésen alapuló elismerése övez? A hálózatelméleti vizualizáció éppen ellenkezőleg, azt mutatja, hogy a Kossuth-nagydíjnak semmi köze az irodalmi-művészeti életben betöltött pozícióhoz, sokkal inkább, csak és kizárólag politikai díj, amelyet ideológiai alapon osztanak. A kortárs magyar irodalomban legalább félszáz, ha nem sokkal több olyan szerzőt találhatnánk, aki az irodalmi-irodalomtörténeti közmegegyezés által jóval sűrűbb huzalozású hálózatot volt képes létrehozni életművével, mint az idén díjazott szerző.


Az összehasonlításból levont következtetés teljesen rendben van. Azzal érdemes szerintem kiegészíteni, hogy ezek szerint nem csupán a mindenkori kortárs irodalomnak létezik egy olyasfajta kánonja, amelyet a
szakma által széles körben respektált történeti feldolgozások valamifajta metszeteként kapunk, hanem ezeknek a reprezentatív feldolgozásoknak is. Valószínűleg találhatnánk ugyanis a korszakot leíró olyan kiadványokat, amelyekben azok az írók is részét képezik a jelenkor magyar irodalmi palettájának, akiket hiába keresnénk a fentiekben. Maga az irodalomtörténészi szakma is kanonizált.


A konklúzió pedig épp abba az irányba mutat az irodalomtörténész berkeken belül, amerre a kultúrpolitikai oldal döntéseit elemezve (pl. ki kapjon Kossuth-díjat és ki ne) is eljuthatunk. Az, hogy ki lesz a szakkönyvek által reprezentálható irodalmi kánon része, ugyanúgy hatalmi kérdés, mint az, hogy a politikai hatalom kit tart érdemesnek, hogy a magyar kultúra kirakatába helyezze.


Mint általában a régi magyar irodalom kutatása, a barokk program is határozottan interdiszciplináris jellegű: az itt folyó kutatások nem korlátozódnak a mai értelemben vett szépirodalomra, hanem éppúgy magukban foglalják az eszme-, a tudomány- és a politikatörténeti kérdésfeltevések lehetőségét, mint a kora újkori kultúra antropológiai vagy mediális összefüggéseinek a vizsgálatát. Így Zrínyi Miklós, Gyöngyösi István vagy Faludi Ferenc irodalmi munkássága mellett a program profiljába tartozik például Apáczai Csere János tudományos tevékenységének vagy az önéletíró Bethlen Miklós filozófiai és teológiai tájékozódásának vizsgálata is.



A helyszín választásában közrejátszott, hogy Gárdonyi nemcsak a magyar irodalom klasszikus szerzője, de tanári diplomával is rendelkezett; a témaválasztást pedig az is indokolta, hogy Gárdonyiról, noha kiemelten érdeklődött az európai kultúra jeles szerzői iránt, a világirodalmi viszonylatok ritkán jutnak az olvasók és a kutatók eszébe, pedig életművében fontos világirodalmi kötődések is kimutathatók.








 

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The plot starts with a simple Marathi manoos and a Vaastu adherent, Champak Chandrakant Chiplunkar (Riteish Deshmukh), who is planning to rob a local bank in Mumbai. Two of his friends, Genda (Vikram Thapa) and Gulab (Bhuvan Arora), assist him in orchestrating the robbery. In preparation for the heist, Champak disguises himself as a sadhu and his accomplices wear elephant and horse masks. The bandits successfully make it past the bank's security carrying weapons, thereafter taking over the entire bank at gunpoint. But the heist soon unravels rather haphazardly, resulting in the robbers seizing twenty-eight individuals inside the bank hostage.


In the midst of everything occurring inside the bank, there is a much larger plot unfolding as the Indian Minister of Home Affairs takes an interest in the bank robbery; there is a disk inside the bank with compromising information that threatens to destroy his political career. There is also the expected mad-media circus outside the bank led by crime reporter Gayatri Ganguly aka Gaga (Rhea Chakraborty) whose idol in the movie is Arnab Goswami.


Eventually, Champak and his accomplices decided to end the bank robbery and free the bank staff and customers, removing the zip-ties fastening their hands behind their backs and letting them all go. But just as the hostages are about to exit the bank, one of them, Jugnu reveals himself to be a ruthless bank robber who is secretly working for the Indian Home Minister to procure the compromising disc that threatens to expose him in a political scandal. In a transition of power from the old bank robbers to the new bank robbers, Jugnu and his fellow perpetrators hijack the bank at gunpoint, shooting and seriously wounding an elderly male hostage and taking the original bank robbers, Champak and his accomplices, as their own hostages in a new bank robbery. As the sands of power inside the bank shift from Champak to Jugnu, Jugnu forces the old bank robbers to assist him and his team with their own bank heist.


At one point the CBI officer is invited to enter the bank to check that all the hostages are still alive and safe. The CBI officer enters the premises to discover the terrified bank staff and customers inside a back room, all compelled to sit on the floor with their hands behind their heads. During this time Jugnu instructs Champak to try and fool the CBI officer by pretending that he (i.e. Champak) is still the bank robber and that he (i.e. Jugnu) is still a hostage. At this point, Champak offers to let the CBI officer take the injured elderly male hostage for medical treatment. When the CBI officer leaves, Jugnu beats up Champak for letting one of the hostages go, much to the alarm and fright of the remaining hostages.


At the end, it is revealed that the three who freed the hostages were the actual bank robbers who robbed many banks and all the work done by them was a part to expose the home minister who killed his partner who was a journalist while he was gathering evidence against the home minister. They were also the actual persons who ran away with the money. Amjad Khan admits that they are the only robbers whose mind he could not read.


TV star , who was slated to make his Bollywood debut with Yash Raj Films' Bank Chor, is now out of the project. The production house has revealed that it is a mutual decision. 

The film will now go on floor without Kapil, whose popularity soared high following the success of his stand-up comedy show Comedy Nights With Kapil. 

"We will look forward to working together in future when the time is right," Ashish Patil, business and creative head, Youth Films, Talent Management and Brand Partnerships at YRF, said. 

Earlier, there was news that was caught in a quandary over how to balance his show and film. But it is not clear why Kapil is n

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