Flyer

Grietas

Original Version:
https://soundcloud.com/jvox/bye-killa

Jvox - Bye Killa (Senglar 11 Version)

This is my submission for this week's Disquiet Junto assignment. 

More on this 603rd weekly Disquiet Junto project, Animated Suspension (The Assignment: Record a piece of music that suggests something floating in air), at: https://disquiet.com/0603/ 1

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0603-animated-suspension/

Meissner Effect [disquiet0603]

Created by harvesting sounds in the standalone software Emission Control 2: https://github.com/EmissionControl2/EmissionControl2  The source sound was a mouth sound and a pan lid.

Alien Typewriter

I recorded this in an apartment I was staying at in New York. It was early in the day. I was the only one up. I had another hour before my solitude was scheduled to be interrupted. The building’s HVAC each night disturbed my sleep, but as with a nightmare, those same sounds were tranquil, even beautiful, come morning. I had attempted another 30-second recording before this one. While it was underway I noted several disappointing disturbances — creaks and pops, the aural detritus of a building waking up. Apart from them I heard an extraordinary spatial drone, a manifestation of overtones, a symbiosis of modern domestic infrastructure and a room of high ceilings, a hard floor, and a wall of glass at one end. When the first attempt ended, I took a slow, deep breath and hit record. I knew in the moment that it would work out well. There is something of Schrödinger’s cat to the act of field recording. A place is many places when you listen to it over time, but when you hit record, it gets clarified (reduced, flattened, distilled) to one specific environment. This can feel like an exertion of influence when you undertake the recording process consciously, when you have situated yourself in the moment. I felt a kind of authorship as the second recording was underway. It was precisely what I had heard beneath the extraneous noises the first time. After 30 seconds had elapsed, I ceased recording. I had a sense it had worked out, a sense confirmed many hours later, when I listened back for the first time, on the flight home. Just minutes after this recording ended, the room went suddenly silent. The air conditioning system had reached a point — whether barometric or calendrical — that caused it to shut off. Minutes later, the lawnmowers began their prowling. I had been even more fortunate than I’d known when I hit record that second time.

In One Place (Second Attempt)

I was moved when I read this weeks Haiku from Naviars own Marco Sebastiano Alessi.
There was an idea in my head almost straight away, a repeating piano set to a echo delay effect that could potentially never end. Anf then the feeling of an empty house, an old distorted 78rpm record playing as if from a distance (of time?) and the feeling of a place of memory but now all gone.

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Endless echo
footsteps on an empty house
once full of life

Third poem written by me that gets featured in the haiku challenge. As always, I hope you’ll find it inspiring.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 1st November 2023

Haiku by Marco Sebastiano Alessi

Picture by Raya Mal https://unsplash.com/photos/closed-window-ggeI8TyPeZM

Audio Obscura - Echo Footsteps (naviarhaiku512)

CrystaLucifer:

''В кожному треці ви відчуєте потужну енергію, що вибухає з синтезаторів та електронних ударних. Ритмічні ландшафти переплітаються з глибокими басами, створюючи хвилі, які зачарують вас.
Дозвольте цим звукам вивести вас за межі реальності.''

linktr.ee/crystalucifer

available on all platforms:

fanlink.to/CrystaLEchoes

follow our label on instagram:
www.instagram.com/ochi.music.ua/

© released 24.12.2023 on ОЧІ label, curated by be_ca_di

all rights reserved

biglink.to/ochi_music
credits
released December 24, 2023
license
all rights reserved

CrystaLucifer - Plasma

Electronic composition, an evolving textured drone sequence, original sounds created using Pure Data.

Forbidden Ground (naviarhaiku605)

but not for that? | untitled project 001 sessions | ambient atmospheric psyche drone horror WIP | ears 4 15 bpm take 1 8825

In Open Fields

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.