11. "the squealing of rats and the squeaking of boards" by Marielle V. Jakobsons (aka darwinsbitch)

New: 
A Field Guide to Phantasmic Birds
https://room40.bandcamp.com/album/a-field-guide-to-phantasmic-birds

Are there any invisible friends who would like to communicate?

http://freeimprovstory.blogspot.se/

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Mark C. Jackman began composing/producing scores for experimental film and dance in 1984 while studying Experimental Electronic Music under Vladimir Ussachevsky (the co-inventor of electronic music/musique concrète, in 1927 with Otto Leuning - see http://en.wikipedia.org/wiki/Vladimir_Ussachevsky ) and Music/Art/Aesthetic Philosophy with Paul Banham at the University of Utah.

Jackman relocated to San Francisco in 1988 at which point he began using the project name "skozey fetisch."

The current focus of skozey fetisch is acoustic cacophonies and field recordings presented with minimal, or no manipulation. While per suing this new focus, the project is still actively recording electronic experiments as well.