Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

ED0041: bad juuju

A mix from extended naff family members Command D and Peanut

In the words of Command D :

Carrying on from some legendary parties before it, the next generation of ravers held 'plur' true to it's og meaning. Young Harry (Peanut) and I had been mixing together and talking about tunes we loved for months leading up to the event. We played in the side room while the morning light slowly poured in, all the homies in the front and gun fingers to the back. Big party mode with some blissy ones, freedom while it lasted, and a fun one to listen back to. Big thanks to everyone who hosted and the dancers!

Recorded on Wangal land.

@commandd @harrisonross

Art by Jesse Osborne-Lanthier as always

naffcast006 ⦾ Command D and Peanut at plur ⋆｡˚ ☁︎ ˚｡⋆｡˚☽˚｡⋆ ⋆｡˚ ☽ ˚｡⋆｡˚☁︎˚｡⋆

TRACKLIST > https://inverted-audio.store/blogs/news/store-mix-9

One year since his previous edition, @antepop returns with Store Mix #9 — an all-vinyl mix navigating through some of the most sought after records that have recently graced the shelves of Inverted Audio Record Store. Recorded live at Brixton Brewery Taproom on Friday 9th May 2025, the mix seamlessly blends ambient, downtempo, experimental, dub techno, and deep house — conjuring a rich tapestry of atmospheres and emotions. Tune in, zone out.

STORE MIX #9

"Summer of Solstice 3055: 

I’d just returned from a long stint working the orbital docks, preparing to settle back into the life cycle routine that was Valkor Zenith. The last thing I expected was to reconnect with three old friends from my days at the Echo House orphanage. Sora had slipped back from exile on Neoterra Prime. Rion had fled the undercity of Crysalis after a grav-bike race gone bad. And Omrin, who I hadn’t seen or heard of in more than a decade, had shown up out of nowhere as if no time had passed with a stolen data map and a proposition: we’d go find the Dream Beacon.

We’d grown up with the story. A myth, really. Some ancient alien relic buried deep in the sand sea, spoken of in hushed tones in level D bars and back-alley data centres. The promise was simple, if you could reactivate its signal with your own transmission, you’d be granted your most longed-for dreams and unimaginable wealth. No one had ever found it.

I’m still not entirely sure what made us set off and follow Omrin so blindly that summer. Maybe it was grief, maybe hope. Or just that need to move, to do anything but sit still. Each of us were adrift in our own orbit of longing and loss, and somehow, we collided again, drawn together like shards of a broken constellation.

We had left the neon haze of Valkor Zenith behind at sunset, riding the wide stretches of plasma rail to the outer edges as the city lights faded behind us. Nights were lit by twin moons and we passed the time listening to old mixes we’d recorded in our youth, our playlists humming through our comms as we hurtled across other-worldly landscapes at 200mph. In the two months that followed, we would laugh in the ruins of the Oblivion Cradle, party with rogue miners in bioluminescent fungi caverns, feel the cold rush of air as our bikes skimmed the ridges of the Halcyon Scar, be chased by Karn bike gangs through synth-storms, and save a lone settler named Joyce trapped in a dust pocket whilst traversing the Ash Spires. 

As we hurtled towards the promise of the Dream Beacon, I often wondered, was the beacon even real? And if it was, what would I even upload as my transmission? Maybe one of those old mixes we used to make. I’m sure all these questions flickered across all our minds, unspoken. But that summer, deep down, none of it really mattered. I would’ve followed those three anywhere..."

@riccardovillella
@truants
IG: @villella303
truantsblog.com

Distant Signals 077: Villella

This recording is from the first edition of L’Appuntamento, a series of open-air listening sessions initiated by Villa Lontana Records and Donato Dozzy in Rome. Each gathering pairs a vinyl set by Dozzy with a live electroacoustic performance by a new-generation artist.

In this first edition, held in the garden of Villa Lontana, Donato Dozzy opened the evening with a selection of minimal, folkloric, and acoustic-rooted records — setting the tone for Verde Prato’s live performance.

L’Appuntamento is an ongoing invitation to pause, tune in, and share time through listening. 
Next appointment is Thursday 26 June 2025 with Ange Halliwell.

L'Appuntamento with Donato Dozzy + Verde Prato - Listening session at Villa Lontana on 11 May 2024

For the newest instalment, i'm really happy to welcome the incredible Brussels-based AliA (@aliamusicc). The local mainstay is a regular on Kiosk radio and runs her own label - @artisjokrecords. Alyah, better known as AliA,  has an exciting & unique approach to dj'ing. She is known for her blend of contemporary club music with jazz, classical and experimental sounds. 

I find AliA's musical outputs incredibly refreshing - the kind of artist who reminds you what a really good DJ can do - they can present genres & sounds to you that you'd otherwise maybe not typically explore, in a new and exciting way. For her Animix, Alyah has gone for an intensely chill blend of ambient & immersive music, with minimal, glitchy, dub techno, jazz, classical sounds and more.

Thank you so much for the mix Alyah <3 

Downloads enabled

Animix One Hundred & Seventy Seven: AliA

shimmer & tech ✧°⋆

https://www.instagram.com/adobeprincess 
https://www.soundcloud.com/adobeprincess



strobe with adobeprincess @ The Lot Radio 07-26-2025

Skar

Club Faust, a renowned club located in Itaewon (seoul - south korea), celebrates its 11th anniversary with a special compilation album titled "I DID FAUST : 11 YEARS" This album reflects the club's rich musical heritage, featuring diverse tracks by talented artists such as Kim Bo Yeon, NOCTURNAL (KR), MARS PARCK, MARCUS L, STANN LUMO and SUMAN. 

Each artist contributes their unique sound, showcasing the past, present, and future of the club's vibrant electronic music scene. This album not only commemorates Faust's extraordinary musical journey but also serves as a bridge to introduce the allure of club culture to a new generation. 

01. Kim Bo Yeon - Bill of Material
02. Nocturnal - Bone Dance
03. Mars Parck - Night Circuit
04. MARCUS L - Dedication
05. Stann Lumo - Orbital Static Ascend
06. Suman - You Luv House

Artwork & layout by Marcus L

#Faust #11YRS #Compilation

11YRS Faust • Compilation

/Nucleon

Received transmissions from the outer reaches of an exquisite corpse universe

Distant Signals 077: Villella

DISTANT SIGNALS