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Verse 1
The door forgot how to be closed
The night walked in on its own
Something cold was breathing
Between the floor and your bones
I left a shape on the table
Where metal learns to reflect
Truth does not need a witness
Only a surface it can bend

Pre-Chorus
I learned your hands by the space
They refused to stay in mine
Some falls begin as patience
Some walls pretend to be time

Chorus
So I let it happen
I let it speak
I let the edge decide what’s weak
If I named the end
You’d never hear
How far the echo disappears
I let it happen

Verse 2
You stood still under borrowed light
Calling absence a sound
Every step you didn’t take
Was still moving the ground
I knew the weight of the moment
Before it learned your name
Some sins are only doors
Some love looks just like blame

Pre-Chorus
You say I turned my face away
I say the room was too small
If I stood where you were standing
There’d be no fall at all

Chorus
So I let it happen
I let it speak
I let the edge decide what’s weak
If I named the end
You’d never hear
How far the echo disappears
I let it happen

Bridge
These hands are not empty
They are full of delay
Every word I didn’t say
Still chose to stay
If you felt alone
That was the cost
Of learning the difference
Between held and lost

Final Chorus
I let it happen
Even when it burns
Even when the fire learns
Your shape
If I pulled you from the dark
You’d never know
What the dark creates

Outro
The door is still open
Or maybe it’s gone
Either way
You walked

Unchained

Long Time Coming

Ten Thousand Fists

Sons of Plunder

ep’s 1988-1991 and rare tracks

soon

loveless

Let's Get Down To The Real Nitty Gritty

Sookie, Sookie

Andrew Weatherall - The Cosmic Traveller 
Free DL Here: https://hypeddit.com/track/75aff9
...
Weatherall added vocal samples from the US soul group The Emotions, a drum loop from an Italian bootleg of Edie Brickell's song What I Am, alongside snatches of other Primal Scream songs, and frontman Bobby Gillespie singing a line from Robert Johnson's Terraplane Blues.

Gillespie saw Loaded as being part of the Jamaican tradition of dub records, where songs are deconstructed at the mixing desk, adding new elements and desecrating existing ones.

It propelled the rock band onto the dance floor, and kick-started their career.

"I think it's time to stop saying 'this is a dance record' and 'this is a rock record,'" said Gillespie at the time. "If you can play music, you can do whatever you want. Just use your imagination."

The success of Loaded led to Weatherall being recruited for the whole of Screamadelica, establishing him as one of the UK's most in-demand producers.

While remixing acts like St Etienne, Beth Orton and My Bloody Valentine, he also held down a DJ slot on London's Kiss FM and ran two club nights in London.

However, he never became a household name like his contemporaries Paul Oakenfold and Fatboy Slim - a career move that was entirely deliberate.

"That sort of carry-on was never for me," he told the Independent in 2016. "It's a lot of work, once you go up that slippery showbiz pole, and it would keep me away from what I like, which is making things."

Instead, he carved out a career on the cutting edge of techno, with projects including Sabres of Paradise and Two Lone Swordsmen.

'Titan of music'
In 2017, he explained the lure of the dancefloor in an interview with Uncut magazine.

"It's the enduring appeal of transcendent experience, which has been with us for 200,000 years. A room, coloured lights, smoke and music? Over to you, Roman Catholics. There are ancient Greek rituals involving herbal drugs to achieve transcendence.

"People were having transcendent experiences in 1940s dancehalls, dancing to a big band; now we do it with drum machines and electronic technology - it's the same concept. Humanity hasn't changed for 100,000 years, but our technology has."

Musicians paying tribute to Weatherall included Ride guitarist and former Oasis bassist Andy Bell, who described him as "absolute titan of music".

BBC 6 Music DJ Gilles Peterson said it was "hard to put into words" the "influence and impact he has had has had on UK culture."

Hacienda DJ and author Dave Haslam tweeted he was "one of the greatest, sweetest, funniest guys I've ever met".

And Tim Burgess from The Charlatans wrote he was "shocked and saddened to hear that cosmic traveller Andrew Weatherall has left the building".

Free Download

Andrew Weatherall - Live Mix - Williamson Tunnels - Liverpool - May 2017 - 4,5h - Free DL

Soon Come

Soon Come (feat. Liam Bailey)

The official Disturbed SoundCloud. New album DIVISIVE out November 18! “Hey You” & “Unstoppable” out now 🤘 https://disturbed.lnk.to/Divisive

Sons of Plunder

Disturbed

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