@muqataa turns the noise of warfare into protest music

Tracklist + Q&A: https://bit.ly/3yeTXfz

Impact: Muqata'a

Dixmount - Flexin On The Decks !(Om Bouk)ft . Mastaziano (Explicit Content)

Milano, 8 gennaio 2022.

Narici bucate da tamponi rapidi e festa nel seminterrato di un amica.
I dischi scivolano liberi come i pensieri e da un microfono escono parole taglienti che scuotono e uniscono i presenti. 

Nasce l’urgenza di imprimere il messaggio in una sessione in studio.

Ne esce in pochi giorni una cavalcata per la pista, cruda, che parte da uno scantinato e racconta con disarmante semplicità la dignità del Ballo, della Festa e di tutti i suoi Praticanti.

—
Voice & Lyrics: Annibal
Mix and Master: Claudio Brioski / Prisma Sonoro
—

É VERO

L’uomo, è l’uomo
L’animale è l’animale

L’uomo è l’uomo
L’animale è l’animale
Ora, nonostante tutto, confondersi è normale 
L’istinto è animale

——
Io canto una canzone che spinge come un treno
C’è gente che guadagna tanto con molto meno

È vero 
——
La droga è la droga
L’acqua è frizzante, oppure naturale
Ora, nonostante tutto, confondersi è normale
Il prezzo non è uguale
Fare attenzione è fondamentale

La droga è una sostanza
l’acqua, uguale
Ora, nonostante tutto, anche l’acqua puó essere letale 
Dosare è fondamentale
L’educazione è fondamentale
——
Io canto una canzone che spinge come un treno
C’è gente che guadagna tanto con molto meno

È vero 
É vero
——
Un rave è un rave
La festa del mondiale
Ora, nonostante tutto, confonderli é normale 
Rave mondiale
Voglio un rave mondiale

Se celebri lo stato è tutto più legale 
Ma io non ho nazione ne consenso popolare 
Ora, nonostante tutto, fare delirio è naturale
Ballare è normale
Ballare è normale

Rave ovunque, Rave legale
Rave ovunque, Rave mondiale
Rave ovunque, Rave globale
Rave ovunque, Rave universale

Questa situazione è il mio stato naturale
Questa situazione è la mia nazionale

La mia nazione è questa situazione
La mia nazione è questa situazione
——
Io canto una canzone che spinge come un treno
C’è gente che guadagna tanto con molto meno

È vero 
É vero

Io canto una canzone che spinge come un treno
C’è gente che guadagna tanto con molto meno

È vero 
É vero
É vero
É vero

è Vero

È Vero

Get Ultratech Symposium 1 now (FREE DOWNLOAD):
https://ultratechrec.bandcamp.com/album/symposium-1

V/A - Symposium 1 (UTR007)
Label: Ultratech Records (https://soundcloud.com/ultratechrec)
https://instagram.com/ultratechrec
https://facebook.com/ultratechrec

> Cinder (@cinder303)
https://instagram.com/cinder303
https://cinder303.bandcamp.com

Tracklist:
01. Valcove - Aspirant
02. Miso - Flow
03. Shônagon - Heartbeat
04. Tom Nox - Polaris
05. Naominitel - Solarpunk Disco
06. Scarlet (feat. Maëlle Gonzalez) - 01101100 01101111 01110110 01100101
07. Väriare - Tell Me Why
08. Nil Hartman - Oloïde
09. Mariia Menshikova - A Limit For Hope
10. Randy Edgewood (feat. Almone Silice) - Pollen (Intro)
11. Rohan1000 - Festin
12. Clarence Rise - Sibyllin
13. Divine & Breakphil - Crash Reverb
14. Frontal DK - Ace Seed
15. Corby - Noir Picon
16. Crash Server - Infiltration
17. Vertebral - Free Fall
18. Cinder - Ecdysis
19. Perch - Fluoxetine
20. Denis Salem - 家族 (Famille) [R3]

Mastering: Tom Nox & Cinder
Design: Alice Dirwimmer

FREE DOWNLOAD

PREMIERE : Cinder - Ecdysis

'Inn Kunt Tureed' was born out of a moment; a feeling suspended in time where desire, wanting and dancefloor energy intertwined.
Inspired by the energy of recent Daraq gigs, 'Inn Kunt Tureed' is a voyage that blends dreamy techno, rave euphoria, introspective storytelling and powerful emotions.

Label: Daraq Records
Catalogue Number: DRQ-001

Written, Produced, Mixed & Mastered by Cyber Witch

Follow Daraq Crew for more updates: www.instagram.com/daraqcrew/
Follow Cyber Witch: www.instagram.com/cyber_witch___/

Cyber Witch - Inn Kunt Tureed [DRQ-001]

Snoh aalegra - Lost you (AK Edit)

FREE DL: https://hypeddit.com/djjays/stacks102matchamitschnapsdjjayseditfreedl

STACKS102 - MATCHA MIT SCHNAPS (DJ JAYS EDIT) [FREE DL]

This Saturday, we have Cairo-based DJ Azzouni with a special mix that’s a little bit of everything from outside the club, packed with touchdowns in various sonic territories from Jamaica, Nubia, and Capo Verde, just to name a few. 

One of the most riotous DJs and producers in Cairo’s underground electronic scene, Azzouni is known for his signature genre-hyphenated experimental sets, mixing ambient, breakbeat, grime, jungle and deconstructed club sounds.

Instead of a traditional mix, Azzouni dug deep into his sonic library to bring us more of a three-hour, 33-minute and 33-second playlist, chasing joy outside the club vibes. The playlist is inspired by a recent trip Azzouni made to a pristine natural beach in Wadi El Gemal protectorate, called Ras Hankorab (which is currently facing a threat of being turned into a luxury resort. 

The set is a patchwork of various sounds that skate across swaggering funk, dub reggae, blues, jazz,  and everything in between, featuring a thoughtfully curated selection of eclectic tunes by the likes of  Ali Farka Toure, Mad Professor and Sharaf Band. As Azzouni puts it, “Drop in at any timestamp, and stick around if you like the vibes.”

Select 333: Mixed by Azzouni

Buy full album: https://itsnayoo.bandcamp.com/album/fig

Ft. @emsallam @LaEsm



El Soo6 (Ft. Emsallam & LaEsm)

Synthetics is a deep, emotional liquid roller from Fr4ktion that blends moody atmospheres with liquid-inspired grooves. Rolling breaks and subtle textures carry the track forward, while the bassline moves with a dark yet hypnotic flow. Layered pads and haunting vocal elements inject raw emotion, creating a contrast between melancholy and intensity.

Crafted for late-night sessions and heads-down listening, this one takes the listener on a journey — equal parts heavy and soulful, with that signature Fr4ktion edge.

Synthetics

SONIC INTERVENTIONS & INDIGENOUS RESISTANCE

A militant IR session ft SANKARA FUTURE DUB RESURGENCE, DHANGSHA, MAPU & APACHITA. Broadcast 18.07.20 on Raskattas Radio Show.
Intro: West Papua Liberation 
1 TWO THOUSAND SEASONS DUB 
Intro: Black Panther Breakfast Club & Anarchism. 
2. PERFECT BLACK LIGHT
'Zoonotic' meaning intro. 
3. STANDING ROCK FUTURE DUB
4. WOMEN HOLD UP HALF THE SKY
5. FIRE
Intro: Afro Colombians, Indigenous people on the frontlines. Mariela Franco remembrance.
6. COLOMBIA N21
7. DREAMS ARE DUB REALITY
Intro: Dhangsha & Dj Soundar aiding in breaking musical convention.
8 IWA PELE
DUB MUSEUM, KAMPALA, UGANDA
Ras Issacs: flute, djembe, Nyabinghi drums 
Kabaka: vox 
Ras Kilomo: vox
Esaete: vox
Ras Charles: recording
Jozef Spin: translation
TURTLE ISLAND/CHILE
Mapu: vox, Aztec drums, shakers
Apachita: vox.
Nico: trucata
Prasonik:wordsmith interventions at 4 am 
COLOMBIA
Dub Code II: N21 demo and vox recording
UK
Dhangsha: electronics 
Ramjac: mastering
FRANCE
DJ Soundar: sequencing
BRAZIL
Dubzaine: Artwork
Brazilian Sistren In The Shadows : Brazilian pronunciation coaching
Indonesia:
Nina:vox

These are some reflections Dhangsha wrote on this broadcast that we would like to share with you :
Sonic Interventions & Indigenous Resistance                                                                                                                                                      
                                                                  
“IR Sonic Interventions” was first broadcast on 18th July 2020, on Raskattas Radio, based in Sofia, Bulgaria. It featured Sankara Future Dub Resurgence, Dhangsha and Dub Sisters Mapu, Apachita and Esaete. For those who listened in, it was like an exhilarating live gig - raw in sound and text with punk attitude, but disciplined like a Peoples' Army on manoeuvres - everyone jumping in to take the baton then passing it on - everyone looking out for everyone else.



This is what happens when sonic experimentation and co-operation moves music and text beyond current convention. The political commentary and degree of analysis demonstrated a depth that is missing from present day dub, but not at the expense of dance propulsion. Bob Marley and his contemporaries created a framework of militant poetry with which to uplift the spirits of oppressed people. But over forty years on, it is not enough to merely REPRODUCE that template. 



As Sankara FDR say: “this is no photocopy dub.” Aside from spoken testimonies, the session was comprised of field recordings, acoustic rhythms and melodies and uncompromising programmed sequences. It was assembled using a variety of techniques: post-punk cut & paste, dub mixology and live electronic improvisation. This was in fact an ‘alternative news broadcast,’ unashamedly betraying a robust anti-colonial perspective. It was on THAT level. 



For all the Sisters & Brothers out there with open hearts and minds and ready to engage: 

WE SEE YOU NOW. 



For all those out there who would hinder our ability to breathe - you have revealed yourselves: 

WE SEE 



Sankara Future Dub Resurgence is a group of musicians from Uganda living in  the city of Kampala and in the area near Lake Nalubaale  ,Uganda. They collaborated with  IR ::Indigenous Resistance and Dhangsha to produce the four track EP 
" IR 55 Sankara Future Dub Resurgence"  which has been released to critical acclaim and which is available on Bandcamp here https://dubreality.bandcamp.com/album/ir-55-sankara-future-dub-resurgence
.
They also contributed tracks to the IR album " If Thomas Sankara & Fela Kuti Were Here They Would Say FREE WEST PAPUA" a free album in support of the liberation movement for a Free West Papua available on the Dubdem website www.dubdem.com.br 
s.

Sankara Future Dub Resurgence with Dhangsha, Mapu & Apachita : IR Sonic interventions

Bechir Abdelghaffar Known also as DIXMOUNT , DJ  and Producer
, 1/2 of @gsndct record label & Co founder of @thrusttunisia .

Dixmount - Flexin On The Decks !(Om Bouk)ft . Mastaziano (Explicit Content)

DIXMOUNT

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