The highly anticipated new EP from Dizzy Wright released December 3rd. Features include Jarren Benton, Nikkiya, Irv Da Phenom, and Man-Like-Devin.

End of Times

WATCH CYPHER: www.youtube.com/watch?v=UpBkXEhkDIM
https://soundcloud.com/trizz-lea
https://soundcloud.com/rmean
https://soundcloud.com/emoney-is-chill
https://soundcloud.com/sofasound-beats

FUCKITUP: TRIZZ, R-MEAN, EMONEY (PROD. SOFASOUNDBEATS)

16 - Mark Battles- Here For You (Produced By J.Cuse)

TEAMBACKPACK - Peoples, C Plus, Trizz, Chuuwee (Produced by The Hippies).mp3

sick beats and Dope Vibes all in the same place


Azizi Gibson - Unstoppable (Prod. Kamandi)

1st Gear

Untouchable

Smell The Coke

$tranger Thing$

Stream/Buy "The Basement": http://smarturl.it/TrizzTheBasement

“I've taken you up to “The Attic”, showed you around and introduced you to a few of the homies. Now I’m going to take you through The Basement, it gets real spooky down here." Inland Empire/Los Angeles emcee, Trizz is readying the follow up to his 2018 album “The Attic”. To be released via Below System Records on March 15th, “The Basement” is another tour through the same little house of horrors.

Claustrophobic trap drums, skittery synth tones and snatches of horns, strings and vocal samples are the backdrop for Trizz’s “been there, done that” vocal tone. Autobiographical tales of love gone wrong, romances with illicit substances and street life operas are swept up in a dark hallucinogenic haze of gore and seen through a cold and distorted glass bottle full of lean.

Speaking on his musical themes, the emcee revealed “I believe in the afterlife, hell and heaven, demons and angels. The horror in my music comes from a real place including things I’ve seen as well as nightmares and visions I have had.” Long haunted by those visions, Trizz began self-releasing projects in his teens (including his early and equally grim break-through release, “Case 17”). “The Basement” marks his 9th solo project.

Joining him on this latest entry of tales from the hood are co-hosts Rittz (formerly of Strange Music), T.F, Roc$tedy, Xavier and Audio Push. Some of his past work includes collaborations with G Perico, Rob $tone, Bizarre (D12) and Brotha Lynch Hung.

Production on “The Basement” are done by Stone’s Neighbor, Oh Gosh Leotus, SexCurryBeats, C. Ray, Audio King, DJ Rybe and Beatnick Dee.

In addition to his voluminous solo work, Trizz has released several weed-centric EP’s and albums with Sacramento emcee Chuuwee (including “AmeriKKa’s Most Blunted” 1, 2 and 3, the “Two Puff Pass” EP and “The Smoke Out” EP) with a bulk of the production handled by AC3Beats. The duo have completed numerous tours together.

Follow Trizz:
- twitter.com/Tr1zz
- facebook.com/Trizzofficial
- instagram.com/babyripgut

© 2019 Below System Records
www.belowsystem.com

Stream/Buy

Trizz - Stayed Down (feat. Rittz)

Smoove

“You just don’t become a leader in one year. You’re prepped for it. When you’re at your lowest—but you got that faith—that gives you motivation. And when you have that motivation, that’s what makes you a leader,” says Las Vegas native Dizzy Wright. Beyond his years at 22, Dizzy has been one of the first Sin City rappers to grab the spotlight and carry it across the globe.
“My mom kicked me out when I was 17,” Dizzy reveals of the woman who both raised him and managed his career since childhood, “I was thrown out into the world.” With a similar story to his inspiration, Tupac Shakur, he took to local clubs to build a network and fan-base by being both skilled and flashy. “I was all about getting people to know my name. I knew the vision, but I didn’t know the gesture. You’ve got to live through this to get an understanding of it.” Along the way, Wright says that life taught him to keep a tight circle and to be concerned with how his music sounded in venues just as much as the writing. That dichotomy of substance and swagger has made Dizzy Wright an independent charting sensation with three 2012 releases, SmokeOut Conversations (along with the 200,000 times downloaded promotional mixtape), as well as a follow-up EP, The First Agreement. In turn, the youngest member of Funk Volume has been one of the most active.
Although SmokeOut Conversations could be dismissed as just marijuana music, the inspiration behind the concept is deeply personal to Dizzy. The rapper asserts, “I didn’t want people to perceive me as this weed rapper with a weed album.” Instead, he admits that a key moment in creating the album came from his first encounter with his father. “I did a show in Detroit with Hopsin, and I got to meet my father for the first time. I was trying to figure out what he was gonna be like. He went to jail a couple months before I was born, and then he got out 20 years later.” To buffer the circumstances, Dizzy and his Pops eased tensions with some help. “When I finally met him, all we did was smoke and talk.” “We just got to do a lot of catchin’ up, lotta talkin’, and lotta smokin’.” After his father traveled to several dates with the Funk Volume family, Dizzy left the experience with a title and theme for his debut album.

End of Times

Dizzy WrightFV