  Some Intuition songs. beats by equilibrum. 

see the difference is our differences are not the same.

Intuition - FINISH WITH A KILL

The Golden Age is the sixth official mixtape by American rapper Dizzy Wright. The mixtape was released on August 19, 2013, by independent record label Funk Volume for free and digital download, along with autographed hardcopies via the Funk Volume website. The mixtape featured guest appearances by Wyclef Jean, Hopsin, Joey Bada$$, Jarren Benton, SwizZz, Logic, Kid Ink and Honey Cocaine among others. Along with production from DJ Hoppa, Rikio, Kato, 6ix, and Cardo, among others. Due to its retail release, the mixtape debuted on the Billboard Top R&B/Hip-Hop Albums chart at number 39 becoming his highest charting project at the time.

Hope You Have a Good Day  (Pro

Tellem My Name  (Prod Rikio)

Brand new project from J. Gillie! Follow him on Twitter/Instagram @jgillie302.
Also, visit: jgilliemusic.com for exclusive content! 
Stay Cool. 
Produced By: Rheezo

J. Gillie - Retrospect (Prod. By Rheezo)

Flexing - Underacheivers

04 - Mark Battles- The Future (Produced By AC3 Beats)

Choose One

Friends and Strangers - Kidd Upstairs

new shit from Anime Coming Feb. 9th

Mixed by bradley Atom x Christo 

Follow me @gaptoofchoo on twitter.


Anime

Go Home

Burn Money Music presents #BRIDGECITYCYPHER featuring premier artist from the Portland Hip-Hop scene, as well as a few special guests. Stay tuned! Follow us at: @BurnMoneyMusic @Astral_OG @godofPDX @iiisosceles @Jayheff_ @BntlyHvze

Bridge City Cypher Episode 1

Under Palm Trees

“You just don’t become a leader in one year. You’re prepped for it. When you’re at your lowest—but you got that faith—that gives you motivation. And when you have that motivation, that’s what makes you a leader,” says Las Vegas native Dizzy Wright. Beyond his years at 22, Dizzy has been one of the first Sin City rappers to grab the spotlight and carry it across the globe.
“My mom kicked me out when I was 17,” Dizzy reveals of the woman who both raised him and managed his career since childhood, “I was thrown out into the world.” With a similar story to his inspiration, Tupac Shakur, he took to local clubs to build a network and fan-base by being both skilled and flashy. “I was all about getting people to know my name. I knew the vision, but I didn’t know the gesture. You’ve got to live through this to get an understanding of it.” Along the way, Wright says that life taught him to keep a tight circle and to be concerned with how his music sounded in venues just as much as the writing. That dichotomy of substance and swagger has made Dizzy Wright an independent charting sensation with three 2012 releases, SmokeOut Conversations (along with the 200,000 times downloaded promotional mixtape), as well as a follow-up EP, The First Agreement. In turn, the youngest member of Funk Volume has been one of the most active.
Although SmokeOut Conversations could be dismissed as just marijuana music, the inspiration behind the concept is deeply personal to Dizzy. The rapper asserts, “I didn’t want people to perceive me as this weed rapper with a weed album.” Instead, he admits that a key moment in creating the album came from his first encounter with his father. “I did a show in Detroit with Hopsin, and I got to meet my father for the first time. I was trying to figure out what he was gonna be like. He went to jail a couple months before I was born, and then he got out 20 years later.” To buffer the circumstances, Dizzy and his Pops eased tensions with some help. “When I finally met him, all we did was smoke and talk.” “We just got to do a lot of catchin’ up, lotta talkin’, and lotta smokin’.” After his father traveled to several dates with the Funk Volume family, Dizzy left the experience with a title and theme for his debut album.

Tellem My Name (Prod Rikio)

Dizzy WrightFV