Eduardo De La Calle is a disc jockey and music producer who has been active for almost 3 decades. He  remixed tracks for a plethora of artists, including DJ Hell, Agoria, Steve Stoll, Tiga ,Mateo & Matos, as well as the song "The Stand" by Joolz. He has also published his Icosahedrite EP on the American label Planet E Communications owned by Carl Craig, and has made edits from E2-E4 by Manuel Göttsching on Mental Groove.bookings Amandine Siebert     amandine.cyber@gmail.com

INFO & BOOKING CONTACT: 
lateralflection@gmail.com 

Alessandro Ferranti is DJ since ’91 and Producer since ’92.
Acting with the pseudonym of Say DJ, he keeps playing Deep Techno and Electro: a roman sound vision he likes to define as “electronic ritual dance”.
Alessandro is active since the starting of the underground electronic music scene in Rome and Italy, and partecipied to a lot of Rave parties of the historical period (first ones in Italy), back to back with artists Lory D (Rephlex / Sounds Never Seen / Wireblock), Andrea Benedetti, Paolo Zerla and Leo Anibaldi.
He played also in United Kingdom (Brighton, London) and in Switzerland along with E.S.T. Crew, producing tracks included on rare 12" like Say DJ - Sinchronic Alterated Impulse.
Until nowdays he keeps playing in italian electronic music festivals like Live Performers Meeting - Multimedia and Visual Arts Festival of Rome, but also at D-Side nights at the Neo Club and headlined Technicism at Rashomon Club along with Cylob (Rephlex Records).
In March 2006 Donato Dozzy & Say DJ - Polarity EP was released. The EP was conceived and created with Donato Dozzy, and produced by the Swiss label Mental Groove with distribution on vinyl and digital formats by Kompakt.
In June 2007 the roman based label Sensorial Records created from Say DJ itself, pulls out his first release Say DJ - Fantasia EP in digital format, containing two single tracks: Anagolo & Diagolo, an accurate mixture of Ambient and Deep Techno in perfect minimalistic style.
The 13th of September 2010, a new EP from Say DJ and Donato Dozzy is released on the roman based label Attic Music as a result of a new series of collaboration between Dozzy and Say.
8 November 2013 sees the release of a new digital release with strong techno influence "Envelope Generator" EP on the roman label Trivmvirate which will later release SaY DJ 's latest output, a very carefully crafted EP for Techno and Electro lovers named "Music For Paranoid Cats" out on 16 May 2016.
in 2016 he founded a new label called Memories Of Stories, releases 5 albums collaborating with artists such as Kether, Carl Finlow and Anywave.

Singles and EPs:
"Samy One"
Various - Child Rome (12")
Sysmo
SYS 105
1992
https://www.discogs.com/it/Various-Child-Rome/release/154125

Sinchronic Alterated Impulse (12", EP)
Purgatory
PURG001
1995
https://www.discogs.com/it/Say-DJ-Sinchronic-Alterated-Impulse/release/1132980

"Close Contest"
Various - Wasp Distribution Sampler (LP, Smplr)
Wasp Distribution
WASP003 A1
1996
https://www.discogs.com/it/Various-Wasp-Distribution-Sampler/release/794051

Polarity EP (12", EP)
Donato Dozzy / Say DJ 
Mental Groove Records
MGLTD 011
2006
https://www.discogs.com/it/Donato-Dozzy-Say-DJ-Polarity-EP/master/909876

Fantasia EP (2xFile, MP3)
Sensorial Records
SENSORIAL 001
2007
https://www.discogs.com/it/Say-DJ-Fantasia-EP/release/1607947	

Your Transparent Eyes EP (12", EP) 
Donato Dozzy & DJ Say
Attic Music 
AM 006 
2010
https://www.discogs.com/it/Donato-Dozzy-DJ-Say-Your-Transparent-Eyes/release/2433035	

Envelope Generator (EP, (MP3)
Trivmvirate
TWV010
2013
https://www.discogs.com/it/Say-DJ-Envelope-Generator/release/5309560	

Music For Paranoid Cats (EP, MP3)
Trivmvirate
TWV013
2016
https://www.discogs.com/it/Say-DJ-Music-For-Paranoid-Cats/release/8551916

Mixes:
"Tutto Negativo"
Chris Liebing
CLR
Live @ Womb
Tokyo
2006
https://www.discogs.com/it/Chris-Liebing-Live-Womb-03/master/634211	

"Transparent"
natural/electronic.system
Sunshine Over Greenland Mix
mnml ssgs mx49
2010
https://www.discogs.com/it/naturalelectronicsystem-mnml-ssgs-mx49-Sunshine-Over-Greenland-Mix/release/2516178

"Untitled Pad" (Unreleased)
Donato Dozzy
E.P. 200 - Roma
Electronique.it Podcast Series
2013
https://www.discogs.com/it/Donato-Dozzy-EP-200-Roma/release/4487476

Production:
"Episode 10"
A Credible Eye Witness - Episode 10-11 (12", EP)
A.C.E.W. - 003
ELE-14-3272 CD
2014
https://www.discogs.com/it/A-Credible-Eye-Witness-Episode-10-11/release/6131059

Time To Express was founded by Peter Van Hoesen in 2008. It serves as an outlet for deep, physical electronic music. Time To Express is based in Brussels. 

Distribution: Clone, Rotterdam: www.clone.nl

Service announcement: If you're here to send us a demo then please know that *we are not looking for new music*. Don't bother.

NYC-based label, established in 2011 by JM De Frias.

The future:

08/11 Ormside, London (UK)
21/11 NE x Headframes, Kiruna (SE)
12/12 Tresor, Berlin (DE)
19/12 Under Bron, Stockholm (SE)
20/12 Astron, Athens (GR)
31/01 Industrial Copera, Granada (ES)
13/02 TBA Tblisi (GE)
06/03 Under Bron, Stockholm (SE)


Requests/Booking:

booking@northernelectronics.se

The cohesive array of depth charged devices that Anthony Linell has produced is formidable. From his opening statements as Abdulla Rashim on his early label of the same name, right through to his recent work that puts his aliases aside, there is a robust and rigorous intent that compounds the elemental strategies of techno's models to apprehend his singular vision.

Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance, the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these extremes that Linell's caustic rhythmic precision hits. Live, it comes off as a galvanizing strike from the outside; analysing the room as a DJ, it's a case of being pursued through the dark.

Just as the brevity of Linell's output in the eyes of techno is exalted as it is brought into focus, the background to this blurs as you start to decipher his other projects. Lundin Oil skirts the fringes of noise and experimental music, and in collaboration with Varg as Ulwhednar, this is perhaps even more pronounced.

Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.

Now an established force in contemporary Techno, Mike Bierbach, better known under his stage name Rødhåd is someone who has seriously put in the work. Having cut his teeth DJing as a relatively unnoted (but well loved by those in the know) local in Berlin for 10 years, one could argue that by the time success knocked on his door, he was more than ready for playing the international stage. It was during these 10 years of obscurity when he refined his craft to become the singular DJ he is now. 

Launching his party-series-turned-label Dystopian in 2009 was what truly tipped the ball over for Rødhåd. In a time where the Berlin scene was heavily oversaturated by fluffy, miscellaneous dance music, he & his peers set out to form a platform for real techno. The reception to this was raucous. 

Although he has lauded productions and remixes to his name, DJing is his true forte. Before abandoning his day job as a draftsman in construction “The Red” (as some call him due to his gingered, bearded appearance) was known for playing very long sets in Berlin’s most notorious hideaways. 

With an album, several EPs & remixes for a multitude of different artists under his belt, Rødhåd the producer has received equal praise as Rødhåd the DJ. Dystopian has hosted most of his releases, but in 2018 he founded a new label WSNWG that serves as a home for collaborative productions, excavated in sessions at his East-Berlin studio with his peers such as Lucy, Alex.Do, & Antigone.

DJ / PRODUCER
Booking : iori927@mac.com

                

Hailing from Okinawa, now-Tokyo-based producer IORI once cut his teeth as an assistant for David Mancuso’s revered party, The Loft, in New York City, where he learnt a meticulous sonic mentality from his audiophile mentor. This permeates his carefully-handled arrangements, which have helped make his name and define a series of spacey, atmospheric originals and remixes for proponent imprints like Phonica and Prologue to name but a few. Since his striking 2009 debut, Galaxy, which took its cue from Basic Channel and Manuel Gottsching, the Japanese producer has developed an immensely expressive dubbed-out sound in his own right. The first culmination of that is 2012’s excellent Nexus album for Bitta, a label owned by Far Eastern rising star DJ Nobu, seeing his ambient productions sit nicely with his hypnotic dance tunes.
Two year stay in Berlin in early 2010s helped IORI gain a foothold in the international stage. He has since traveled across Europe, validating his characteristic meditative techno set, which is just the tip of his huge musical iceberg that ranges from low-slung house to leftfield oddballs. Despite his return to Japan in 2015, his presence remains strongly felt through frequent European tours. 2016 saw IORI release the Cold Radiance album, where his sci-fi ambient side grew fully- fledged. For an artist that has produced immersive and spacious pieces, it was a logical continuation of his extensive career as a producer. Eschewing the club-orientated perspective, it certainly proved IORI’s expressional depth and does justice to his artistic intention, his acute ears for spellbinding details standing out in sharp relief, which raised expectations of his promising future. (by Yusaku Shigeyasu)

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