House DJ and producer from the UK now living in Thailand.

Greetings Digital Brothers & Sisters...

The Music Maker began DJ'ing in 1986 in his bedroom like many others & has enjoyed the listening & playing of electronic music from the early sounds of hip hop, Electro in 1984 from the breakdance scene, the early house, the early acid house sounds of Chicago in 1986, Go Go, New Beat, Techno, rave of 1988. in 1990 he decided to stay with playing the sounds of Techno & Acid in all its forms from 1990: Techno Trance, Acid Trance, Gabba, Industrial, Speed Core, Terror Core & Hardcore Techno & became established & known for mixing his intro with his DJ sets of: Jean Michel Jarre, Vangelis, Gustav Holst, Carl Orff, sometimes dark, some times light classical music, & also epic film scores.

" I've always tried to do my own thing by not following others, doing what my imagination & creative side allows me to explore, the more bizZAre makes me more creative by pushing & going beyond the normal & blending different audio sounds".

He also does have his other hobbies, which are dancing in his mirrored suit whilst having lasers fired onto it & making music with laser sounds.
http://www.youtube.com/watch?v=51iQfFSbHr8

LASER SOUND*
He's made some tracks along his musical path over the years along the way with other music lovers & he uses the acronym:
The Ascid Project - Altered States of Consciousness In Dance.
Some samples from his 9 track album with laser sounds: http://www.youtube.com/watch?v=6md_or2wDIs&feature=related
LASER PLAY full length versions of these tracks available on cd on line via:  www.paypal.co.uk/  send £9.00 + £1.00 p&p to: ascidowen1@googlemail.com 
comment: laser play (SORRY OUT OF STOCK) 

He hopes you enjoy what comes, in whatever shape & form he creates it in when it arrives... 

FOR BOOKINGS: message here or on Facebook.

He is deep in the motives when he delivers his DJ sets & is truly on for the head strong....

Take a good look around you, because when you come back from this trip, nothing will look the same to you again...  ♪♫ ♪

When bass notes are played in a musical ensemble such an orchestra, they are frequently used to provide a counterpoint or counter-melody, in a harmonic context either to outline or juxtapose the progression of the chords, or with percussion to underline the rhythm. In popular music, the bass part, which is called the "bassline", typically provides harmonic and rhythmic support to the band

Born in Middlesex London, Brought up near Brighton, my first proper experience was at 15 when I went to Jean Michel Jarre at Docklands88 London 100,000 people, I was laser addicted, straight away. I had seen Depeche mode at wembley and Erasure in Brighton and put into perspective all the Kraftwerk, Depeche Mode/Erasure Vincent Clarke yazoo days that I had in my head. 
Sterns/Interdance/Purple Haze/Empire/Twighlight Zone/House on the hill however you relate to it was my Local, with Empire going to Bognor so did I, I started going there when it was a discoteque and to mention of course for Worthing the Carioca, which in my memory heard testone for the first time and had to buy it, Sunrise, Biology, Energy in 88 I had missed out on so had to make up for it,  that was it, bedroom was just a mixing Den. wallpaper was flyers. great bunch of friends and music was everything, work in the week, raved at the weekend, that was life, LFO shook the house and I was hooked, and was named DJ Corgi. never made it big but DJ's wanted to borrow my records, it was a pleasure as DJ Haze is my Legend and best DJ I have known, big shout Kev, truth is I couldnt mix, technology seems to of enabled me to at least half get some sort of mixing going on so trying things out for start?. 
I wanted it large scale so was following all the Dance 90-91 around the south and going to the Slough Centre were crazy days. 
So with the birth of my era I had all this electronic house music and loved it so much I had to spend most of my wages on records, I started at MI-PRICE (Carl Cox and Luke Slater ran this, I found it ammusing as they were taking the mick out of our price then Jelly Jam, which a good friend from school worked in. 
My collection kept growing by ending up mail ordering records from Streatham Records, travelling to MASH in Oxford street and Blu Bird was expensive in itself. 
Then stopped altogether in 93, (got fed up as didnt like jungle or drum and bass, could not relate to it although I am sure the detroit Techno would continue to be a very underground scene) to start a family and have been concentrating on them for the past 20 years, so just on here to share some of my memories of my youth. 
Love and peace and Music 
Shout out to Paul (for teaching how to make a perfect cuppa after an allnighter and another gifted with ears to DJ). Tony, Darren, Liam, Harvey, Si, George, Jim, Liam, John M, Mick Poynter (fantastic DJ), Neil Hilton, Dax and Ginger, Lesley and Flo thanks to Jason and Mark for hiring the venues for our pre sterns mix up, Shelley thanks for making the T Shirt : ) to name but a few, you were the house crew........ 
I like Sting, he is I class a proper musician who I have always followed. ATM I listen to classical music, Jazz, Reggae, love old 60's 70's music
Love, Peace and music, BIGGEST shout out to my best mate Mr. Hilton X

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