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Ron Mexico is the selector of the @data-transmission premiere & Podcast/Spotlgiht Mix series and also runs @dtweapons, @63brecords.  Also the selector for @nudetechno premieres/mixes and @discoinfiltrators

I rarely read inbox messages - always email hello@datatransmission.co for premieres, DT Free downloads, mixes (I always delete emails that are just a link)

Bio:
Despite the many weird and wonderful submissions they get from Joe Public at Data Transmission – think everything from bottles of homemade hooch to used underwear – Data Transmission freely admit that we were most surprised to receive a cassette accompanied by a polaroid photo of alphabetti spaghetti spelling out ‘I AM RON MEXICO’ in the post at the tail end of last year. Intrigued, DT dusted off their Walkman and gave the tape a listen to find that what was on offer, was, well…surprisingly good!!! They then set about finding him online, only to find that there was not a single mention of him on the internet.

Several weeks passed and having written Ron Mexico off as an elaborate prank concocted by the over active imagination of one of their many friends with far too much time on their hands, Data Transmission didn’t expect to hear from him again. Then the postman delivered a bottle of tequila every day for twelve days. A postcard then followed, with the following message inscribed in Spanish “Now you’re suitably inebriated, perhaps we can talk on Facebook”. One brief chat later, Data Transmission had arranged for Ron to come with us to burgeoning snow festival, Rise, wherein we’d meet the mysterious selector in the flesh for the first time. His rider, predictably contained a variety of mescal, alongside “1 semi-inflated inflatable shark, a frozen banana and a copy of the Karate Kid on VHS”. The time in the French Alps with a masked Ron was fleeting and having ingested what we’d consider a potentially lethal amount of Mexican spirits, Ron Mexico left as much of an enigma as he’d arrived.

6 years on and Ron Mexico became the selector of all music for Data Transmission

After some gentle coaxing and assurances by Hobbs (UK) that he wouldn’t bring any “cameras or cops” ‘Ron’ instructed him to meet him at London’s St. Katharine’s Dock at 10.47 AM precisely with the promise he’d see him. And see him he did. Arriving by jetski, the still masked Mr. Mexico disembarked on to a pontoon wherein they set about creating 'Scolarisé à Domicile'.

2 Kids from Miami who make House music

Label Bosses @Retail-Records

@westend-burner

MGMT: westend@ayita.com
BOOKINGS - Wasserman/ CAA
USA/ROW: lhandelsman@teamwass.com
jmoss@teamwass.com

PROMO: https://www.tstack.app/westend
_

Westend has emerged as one of house music's most promising artists. The New York native's ever-expanding sonic footprint was instrumental in drafting the blueprint for the sound of modern tech house and helped usher in an era that has seen American artists once again push to the forefront of dance music culture.

As a teenager during the blog house era, he fell in love with the sounds of artists like MSTRKRFT, The Bloody Beetroots, and Justice. Compelled to replicate those groundbreaking sounds, he dove head first into production classes at the Bronx High School of Science, the alma mater of famed synth engineer Robert Moog. 

His ability to remain on the leading edge while staying true to the roots of house music has created peak dancefloor moments for ravers across the globe and led to releases on esteemed imprints like Repopulate Mars, Insomniac, Armada, and D4 D4NCE. As one of Beatport's top ten best-selling tech house producers, hit records like 2021's "Jumpin'"—with fellow New Yorker CID—have not only spent weeks dominating the top of the charts, they've landed into the crates of MK, Diplo, Lee Foss, John Summit, and Sonny Fodera. 

Each passing year brings breakthrough moments. In 2022 he collaborated with Latin house kingpin, HUGEL, and Cumbiafrica on "Aguila," which sat in the top ten for staggering eight weeks. In 2023 he collaborated with longtime friend Noizu on the rave-tinged anthem "Push To Start," which quickly rocketed to peak positions on the tech house and overall chart.

And while he continues to climb the charts, he's also been a faithful steward of the producer community leading the Kick and Bass network, where he shares his vast production knowledge with several hundred budding producers. 

Beyond his production prowess, Westend crisscrosses the country, regularly performing at festivals and clubs from EDC and CRSSD to Shambhala and The Brooklyn Mirage. In 2023 he made his first forays onto the international scene with gigs in Liverpool and a coveted slot on Insomniac's kineticFIELD at EDC Mexico.

Westend's creativity is constantly expanding. His plans for the coming year include launching his label in late 2023 and embarking on his first solo headline tour. His remarkable journey from throwing micro-raves for New York high schoolers to headlining festival stages exemplifies how the DIY spirit of dance music continues to permeate the culture.

Bookings:  matt.meyer@unitedtalent.com
Info:  noizu@ayita.com
Noizu Merch:  https://noizu.merchtable.com
Buy tickets: https://linktr.ee/noizusound

The time to save our planet is now.

In the Electric Lab mix series you can expect the biggest bangers, chillest tracks, and everything in-between. Although limited, any profit from live sets will be donated to help fight climate change.

Bookings: DM on Instagram (link below)

everybody needs a SIDEPIECE 💋
record label @lipservice

VIVa Limited - Armada Subjekt - Suara -  Simma Black - Cr2 and more...
Music Director @istreemradio
All Enquiries: sacha@istreemradio.com

“Gooooood DJ” - Eats Everything

“Wax Worx’s music stands out from the pack” Steve Lawler

Winner of Fatboy Slim and LWE Events Smile High DJ competition; Wax Worx is a true DJ that was born to make people dance.

Whether he be in the studio or behind the decks, Wax Worx has an undeniable energy that stands out in his production and is a sight to behold in his killer sets.  Over the last few years his unstoppable rise has seen his music make its way into the sets of the biggest names in the business including Claude Von Stroke, Solardo, Todd Terry, Low Steppa and Jamie Jones, Carl Cox dropping his hit “One House’ at his closing party at the legendary Space, Eats Everything smashing his remix of Human Resource, ‘Dominator’ at Warehouse Project in Manchester, while Paco Osuna hammered it in nearly every set he played that summer, Monki premiering his first release ‘Bump Shake’ on his own label Shanghaied on Radio 1 and Black Madonna finishing 2018 for him in style by dropping his unreleased track ‘One Green Laser’ on her Radio 1 show and telling him she loves him – What more can any DJ want!

With such critical acclaim for his music the last couple of years have seen releases on Suara, Armada and a 3 track EP on Steve Lawlers VIVa, with 2019 set to be even bigger with his next release on London Records Believe music imprint, a stomping remix of the Stretch & Vern classic ‘I’m Alive’ and kicking off the years gigs opening the terrace for the biggest party promoters in the world; elrow at their original Barcelona home club alongside heavyweights Claptone and Fisher, with an incredible set that earned him the love of all at elrow and seriously high praise with a hug and a handshake from Juan Arnau Snr the father of the elrow family! 

Wax Worx’s skills, presence, dedication and pure love for the music and the scene shines through and will always leave you shouting for one more…

DJ Cruff is following