GROOVE IS IN THE HEART DJ DMITRY's TEKTONIQ RMX

Yo, what’s good? I’m BernieRenegade, aka Rebel Frequency, and my journey’s been a wild ride through the heart of music. As a young kid, I was hooked—music wasn’t just sound, it was my pulse, my escape, my everything. Even though I didn’t chase it as a career back then, that fire never faded; it’s still burning bright, fueling every beat I craft today.

In the late ‘80s and ‘90s, I was deep in the underground, soaked in the raw energy of L.A.’s DJ culture. I lived for those outlaw warehouse parties and early raves—grimy, electric nights where the basslines shook the walls and the crowd became one. 

Those moments laid the groundwork for the EDM, electronic, and techno scenes we vibe to now. That era? It’s in my DNA, woven into every track I drop.

Over the years, I’ve tapped into something deeper: life and frequencies are intertwined, like a universal rhythm connecting us all, no matter our differences. Sound isn’t just art—it’s healing. Frequencies, vibrations, they mend my body, mind, and spirit. Music is my light, my rebellion, my frequency.

Catch me on SoundCloud as Rebel Frequency, where I’m channeling that renegade spirit into beats that move souls and spark unity. Let’s vibe together. Peace.

Your Favorite Z-List Actor, Singer, Songwriter, MemeStar dubbed "Future Man" as seen on the Conan O'Brien Show in 2013. I played "Caesar Stardust" in the Blockbuster Film "Showgirls 2:Penny's From Heaven". I'm also the Viral Bluebeard Guy Behind Bernie in 2015 aka "When you see your customizable character in a cutscene"

Joshua grew up in a small New England town during the 1980s, heavily influenced by the vibrant jam band scene that swept across the region, as well as the raw intensity of the hardcore metal club circuit of the early ’90s. This unique blend of musical subcultures inspired him to craft an audio-visual aesthetic of his own by the mid-’90s, collaborating with a tight-knit group of artists and DJs.

In 1998, Joshua moved to Chicago, and by 2004, he had relocated to Los Angeles, where he continues to produce, edit, engineer, and design across multiple media disciplines including audio, video, gameplay, and graphic design. His love for music runs deep—dating back to 1979 when he acquired his first vinyl record: the infamous KISS Dynasty, a pivotal influence that helped define his identity as both an artist and a human being.

In the wake of Warholian excess, amid the sampling and reshaping of pop culture through immersive soundscapes and technotopian visions, Joshua—under the name SOTRAB—emerged as an image-sound manipulator. Working with film, digital video, turntables, samplers, and live media, his creations blur boundaries. His films, live audio-visual performances, and installations have been featured in underground venues, galleries, and living rooms around the world. He regularly performs across the U.S. and internationally. Though originally from Massachusetts, he now lives and works in Los Angeles.

The origins of visual music can be traced to the 1890s, when George Thomas projected photographic slides alongside the song The Little Lost Child. While crude, this marked the birth of visual music. Over time, however, the medium became co-opted by commercial forces, evolving into the modern music video—ultimately synonymous with MTV and mass-market commodification.

My work seeks the lost chapters and forgotten epilogue of visual music. I reject the notion that music's visual counterpart must serve industry metrics. Instead, I pursue a form that exists independently—a visceral, intuitive embodiment of sound through image. Drawing on the legacy of Maya Deren, Stan Brakhage, Bruce Nauman, and Vito Acconci, I explore their creeds within a video techno-wonderland.

Each of my films, performances, and online transmissions probes the assumptions that reduce visual music to mere commercial artifact. By manipulating pop iconography and repurposing tools of the music video industry, I confront the viewer's biases—forcing a reconsideration of what visual music can be. In a gallery or performance space, can an audience sever the neural tether to television? Can they resist reducing my work to just another music video?

I recreate what could be sold as a slick music video, yet demand it be experienced as personal expression and experimental art. The blurred lines between context and interpretation rise to the surface: can visual music be separated from its commercial shell? Or will every video artist forever inherit MTV’s shadow?

Each of my works is a self-contained experiment—part homage, part rebellion—advancing the legacy and evolution of visual music.

DJ Dmitry is known internationally as a DJ, producer and co-founder of the seminal New York dance group Deee-lite. In 1990 they released their worldwide smash hit, Groove Is In The Heart, which still packs dance floors today and which Rolling Stone Magazine recently called one of 10 best dance tracks of all time. After releasing five albums, eleven number one dance hits and touring around the world the group disbanded in '95. Dmitry continued DJ'ing, moving crowds around the globe from Hong Kong to Jerusalem and from Berlin's Love Parade to Brazil's Rock In Rio. He was given a DJ of the year award in the party capital of the world, Ibiza.
DJ Dmitry has made remixes for many artists including Arthur Russell, Jungle Brothers, Sinead O'Connor, Ziggy Marley, Nina Hagen, Ultra Naté and others. He collaborated with Julee Cruise (Twin Peaks/ David Lynch) to release the album "My Secret Life". DJ Dmitry is currently based in Berlin where he continues to DJ, compose, produce and re-mix.

My philosophy as a DJ is simple. Seek out great tracks and pull them together in a way that moves the crowd. Heavy NYC Deep House, Detroit "Hi Tek Soul" influences...Pal Joey, Roger Sanchez, Frankie Knuckles, MAW, OG Detroit Techno, DJ Pierre, Sound Factory, Nell's, Shelter. Raised on vinyl but embracing the possibilities of digital. Hope you enjoy these offerings. 

Follow me on Twitter and Instagram @groovenick

Catch me on deepspaceradio.com 
Mondays at 8 PM EST
House Music All. Night. Long.