Rhodes went through an Op6 to a BA6A. 
Wurlitzer 140b went through Neve Shelford with Eq, compression and Red silk then to an LA2A for gentler compression.
Yamaha CP70D had a send to a Mutron Biphase and Tremolo effect on and went through Neve Shelford with Eq and Compression as well as the ADL670 for gentler compression.
This is just the mix out of ableton but I'll probably send this out to a Fat Bustard Summing Mixer then Pultec Eqs to Ampex 350 tape and back and post an alternate take to see if analog mixing has much of an impact on the sound.

In The Waiting Line CP70 Jam

Sleigh Bell Classical Soul Jazz


V8 Fender Rhodes- Vari-pan and compression
Yamaha CP70- Neve 1084 into 2254 compressor
Moog Model 15- Bass recorded into RCA BC6B pre amp console then Pultec Eqp1a then RCA BA6A compressor 
Make Noise Shared System- Kamek effect
WMD Drums 
Sleigh Bells recorded with AKG C24 in Mid-Side into V76 and Neve Shelford then UA175B compressor

Mastered with Neve 1059 summing mixer into Master Bus Transformer

Sleigh Bell Spirit

2 parts Godzilla, 1 part Regulate, 1 part Jam 
Moog Model 15 Bass
Make Noise and Instruo euro rack modules
WMD Drums 
Polymoog
Oberheim Four Voice
Cp70 into Korg Stage Echo

Mix:
Ableton to Fat Bustard, Neve 5059 summing mixers to Neve 5060 with ADL 670 limiter on master into Neve MBT for final touch

Gday

Moog Model 15 Bass
ARP 2600 Tonus lead
Make Noise and Instruo modular synth 
WMD modular drums 
Teenage Engineering Choir captured with CM-15 into Tx6 to Euro rack through strymon Starlab
Moog Vocoder with Model 15 as carrier

In The Waiting Line CP70 Jam

Greenstaff

Related tracks