DJ Mixes

November 2019

Dec.2019

A happy little remix for your summer events.&#13;
Thank you Shaka Loves You for their awesome video!!! &#13;
Check them out:&#13;
https://www.facebook.com/shakalovesyou&#13;
https://soundcloud.com/shakalovesyou &#13;

Everyday People (Free Download)

DJ Danny Gee: ESE Old School Hip Hop R&B Blend Throwback Thursday Mix Vol. 2 - Danny Gee

In The Mix 6pm on WBLS... Grown Folks Music... Friday Late Nights Master Mixer

WBLS 9.07.15 DJ Sir Charles Labor Day Mix

Old school Hip Hop Party Tracks..

Down - Marion Hill (SK1L ED1T) 1,000 play=Free Download

This Shade 45 mix is phuckin Lit! Warning it may cause you turn up in your car so hard that you jump out in traffic hitting that shit.....yassssss! Originally aired on Shade 45 May 20th 2017

DJ $HAY MONEY SHADE 45 MIX Vol. 1 (Air Date 05/19/17)

My Segment from the 2016 SoufEast Summertime Mixtape with the SoufEast Allstars Brothers

DJ SCRIBBLES MINIMIX [From 2016 S'E Summertime Mixtape]

DJ $hay Money K927 2

DJ $hay Money K927 1

Check out my newest Shade 45 mix it aired 12/23/17! This ones for the trappers & twerkers! It includes all of the latest club hits, twerk records & turnt trap records! Yassssssss......Caution It will have you lit while you drive!......Enjoy

Dj $hay Money Shade 45 Mix Vol. 2 (Air Date 12/23/17)

Old School Funk Mix of 70's and 80's Classics Mixed by DJ Special Ed

DJ Special Ed's Old School 70s and 80s Funk Mix Vol. 1

PURE GROOVE(80S SOUL MIX)

$chmoney Gangggg! My most recent Shade 45 Mixshow is out! This is a club mix full of turnt new records for the trappers & twerkers! Warning please be prepared to throw gang signs or to throw that ass while listening to this mix.....enjoy! Simply click the link below to listen....feel free to share!

DJ $hay Money Shade 45 Mix Vol. 3 (Air Date 05/18/18)

Mixtape of some of my favourite Oldschool Hip Hop tracks 

#snoop #dr.dre #sadee #djsadee #mixtape #hiphop #rnb #soul #icecube #nas #jayz #mya #usher #jarule #laurynhill #next #chrisbrown #50cent #maryjblige #amg #justintimberlake #missyelliot #naughtybynature #dmx #liljon #montelljordan

NOTHING BUT A G THANG 90s Mixtape of Oldschool Hip-Hop & RnB

🍑🍑🍑

<a href='https://theartistunion.com/tracks/60a099'>Download for free on The Artist Union</a>

Download

Khalid - Talk (Alamaki Nola Bounce Edit)

New jack swing or swingbeat[1] is a fusion genre spearheaded by Teddy Riley and Bernard Belle that became extremely popular from the late-1980s into the early 1990s. Its influence, along with hip-hop, seeped into pop culture and was the definitive sound of the inventive Black New York club scene. It fuses the rhythms, samples and production techniques of hip-hop and dance-pop with the urban contemporary sound of R&B. The new jack swing style developed as many previous music styles did, by combining elements of older styles with newer sensibilities. It used R&B style vocals sung over hip hop and dance-pop style influenced instrumentation. The sound of new jack swing comes from the hip hop "swing" beats created by drum machine, and hardware samplers, which was popular during the golden age of hip hop, with contemporary R&B style singing.

Many songs with elements of new jack swing and similar R&B styles ranked in the top 10 of the US R&B Billboard charts or the top ten of the US "top 100" charts throughout the late 1980s and early 1990s.
In 1988, Keith Sweat's song "I Want Her" was number 5 in the US charts and number 1 in the R&B charts. One of Sweat's singles, "(There You Go) Tellin' Me No Again" was on the soundtrack for the film New Jack City. The musician and record producer Teddy Riley's group Guy, a group which was one of the early pioneers of hip-hop and R&B had a hit with the song "Groove Me", which went to number 4 in the US R&B charts, and the 1988 song "Teddy's Jam", which ranked number 5 in the US R&B charts. Al B. Sure! had success with "Night & Day", "Off On Your Own", and Rescue Me", all three records went to the Top 5 of the R&B chart in 1988.
Northern California's Club Nouveau had a Billboard number one single with their cover of Bill Withers's song "Lean on Me" in 1987. The song won a Grammy award later that year. The song was included on the group's debut album Life, Love & Pain, which was released in 1986. The backing track uses a sequenced swing beat, characteristic of the "New Jack Swing" style. Club Nouveau was a later incarnation of the San Francisco Bay area group Timex Social Club who helped to lay the foundation for new jack swing.
In 1988, Bobby Brown began his string of Top 10 Billboard hits with a cut from his second album, Don't Be Cruel, which ranked number 8 in the US top 100 and number 1 in the US R&B charts. In that same year, former NBA cheerleader Paula Abdul had a number 10 US R&B hit with "(It's Just) the Way That You Love Me" and Ready for the World, a danceable, funk-infused Michigan group founded by Melvin Riley and Gordon Strozier, had a number 6 R&B hit with "My Girly". Tony! Toni! Toné! had three songs in the top ten of the Hot R&B/Hip-Hop Singles & Tracks, including "Little Walter" which made it to number 1. Johnny Kemp's "Just Got Paid" also cracked the top 10 on the Billboard Hot 100 in 1988 and went to number 1 on the Hot Dance Music/Club Play.
In 1989, Wreckx-n-Effect, a Teddy Riley-produced group which garnered press attention regarding their use of bikini-clad women in their videos, released "New Jack Swing", helping to popularize the new name for the emerging style. That same year, Fenderella garnered a hit with "Mr. DJ", a song with featured Doug E. Fresh, who was known as the "human beatbox" for his realistic imitations of drum machines and other hip-hop sounds. Also, Janet Jackson released her fourth studio album, Janet Jackson's Rhythm Nation 1814. The album included a number of very successful new jack swing tracks, such as the number one Billboard Hot 100 hits "Miss You Much" and "Love Will Never Do (Without You)" as well as Alright and Rhythm Nation, both of which made the top five of the Billboard Hot 100 in the United States. Also in 1989, Neneh Cherry's "Buffalo Stance" peaked at number 3 on the US top 100, and key new jack swing producer Babyface had a hit with his song "It's No Crime", which ranked number 7 in the US charts and number 1 on the US R&B charts. Another Teddy Riley-produced group, Today, had a hit with "Girl I Got My Eyes On You", which garnered a number 1 spot on the US R&B charts.
Jimmy Jam and Terry Lewis had their share of contributions to new jack swing. Janet Jackson had seven top 5 singles off her 1989 Rhythm Nation album, which merged the Minneapolis sound with new jack swing. Karyn White, also produced by the Flyte Time team also had hits in the late 1980s and early '90s. Sheena Easton also had a few hits from her 1991 album What Comes Naturally produced by hitmakers Vassel Benford, Wolf and Epic, Nick Mundy. The single "What Comes Naturally" went to US number 19 on the Billboard 100 singles chart.
After the band New Edition broke up, its former members formed several splinter groups or acts, including Bell Biv Devoe, Johnny Gill, Ralph Tresvant, and Bobby Brown. In 1990, several ex-New Edition members had hit songs. Bell Biv Devoe's songs "Poison" and "Do Me!", as well as Johnny Gill's single "Rub You the Right Way", all made it to number 3 in the US top 100. Ralph Tresvant had a number 4 hit (US top 100 charts) and number 1 hit (US R&B) with his song "Sensitivity", with another on the House Party 2 soundtrack "Yo Baby Yo". Also in 1990 pop singer Whitney Houston recorded "I'm Your Baby Tonight", produced by Babyface and his new jack swing producing partner Antonio Reid. The single topped the US Hot 100, giving Babyface his first produced number 1 song while further helping to bring the genre to the mainstream.[14]
That same year, Samuelle, a former member of the disco-infused dance-urban group Club Nouveau had a number 1 R&B hit with "So You Like What You See". Troop also had a number 1 hit with a single from their second album, Attitude, entitled "Spread My Wings". "Feels Good" by the Oakland, California group Tony! Toni! Toné! reached number 1 on the R&B charts in 1990, and it also placed on the US top 100 (number 9) and on the dance charts (number 3). Today charted again in 1990 with "Why You Gettin' Funky On Me?", which reached number 2 on the R&B charts. "Let's Chill" by Guy garnered a number 3 spot on the US R&B charts.
Color Me Badd had a number 1 hit with "I Wanna Sex You Up". That same year, Christopher Williams released a single "I'm Dreamin'" from the New Jack City soundtrack, which became a number 1 single on Billboard′s Hot R&B/Hip-Hop chart. Boyz II Men's song "Motownphilly" was a number 1 R&B hit and top five U.S. pop hits. "I Like the Way (The Kissing Game)" by Hi-Five garnered the US number 1 and R&B number 1 spots. Jodeci's debut album Forever My Lady garnered three number 1 R&B Hits in the fall of 1991 ("Forever My Lady," "Stay," and "Come and Talk To Me"). "Exclusivity" by Damian Dame charted as number-one R&B single, spending two weeks at the top position, a position also achieved by The Rude Boys with their song "Are You Lonely For Me". In 1992, Michael Jackson's single "Remember The Time" placed at number 3 on the Billboard Hot 100, number 2 on the Hot Dance Music/Club, and number 1 in the Hot R&B/Hip-Hop category. Joe Public's single "Live and Learn" hit number 4 on the U.S. Billboard Hot 100, number 3 on Billboard′s Hot R&B/Hip-Hop chart and becoming the group's most successful single. Chuckii Booker scored a number 1 R&B hit with his song "Games". That same year, "She's Got That Vibe" by R. Kelly and Public Announcement reached the number 7 position on the R&B charts. "Weak" by SWV (Sisters With Voices) hit the number one spot on both the US top 100 and the R&B charts. In 1993: "Don't Walk Away" by Jade made it to number 7 and number 3 in the US top 100 and R&B charts, respectively. The New Jack R&B group II D Extreme scored a hit in 1993 with their New Jack ballad "Cry No More". TLC's debut album, "Ooooooohhh.... On the TLC Tip" (1992) had several hits, including "What About Your Friends" and "Ain't 2 Proud 2 Beg". In 1995, Montell Jordan had a number one new jack swing hit, in "This is How We Do It".
Young artists were given the spotlight during this era. They included Tracie Spencer with her hit album Make the Difference (1990) and groups like The Boys with The Boys (Motown, 1990), Redhead Kingpin and the F.B.I., whose Teddy Riley-produced debut album A Shade of Red contained the hit single "Pump It Hottie", which reached number 2 on the US Hot Rap Singles Chart in 1990,[15] and Another Bad Creation with Coolin' at the Playground Ya Know! (1991).
Australian pop singer Kylie Minogue incorporated a strong new jack swing sound into her 1991 album Let's Get to It,[16] most notably the lead single "Word Is Out".[17] Although the album and single releases did not chart in the US, they did achieve success in the UK, Australia and throughout Europe. This exemplified the growing international popularity of the new jack swing genre.[18]
Mexican pop singer Paulina Rubio also incorporated a strong new jack swing system into her debut 1992 album La Chica Dorada and second album 24 Kilates and most notably her hit lead single "Mío", one of the best songs in the '90s in Spain, third single "Amor de Mujer" which also entered the Billboard Hot Latin Tracks, peaking at number 8.
Madonna's 1992 album Erotica featured new jack swing sounds on several tracks including the singles "Erotica", "Fever" and "Bye Bye Baby", as well as combining the genre with house music.[19]

A collaboration between former members of Minneapolis music group The Time, Jimmy Jam and Terry Lewis, and Janet Jackson originated the style that came to be known as new jack swing with Jackson's third studio album, Control. Jam and Lewis used similar influences with hip-hop influenced drums with smoother R&B stylings in the production. Though Jackson had previously been popular in R&B music, Control established her crossover appeal in the popular music market. Musicologist Richard J. Ripani Ph.D., author of The New Blue Music: Changes in Rhythm & Blues, 1950–1999 (2006), observed that the album was one of the first successful records to influence the rise of new jack swing by creating a fusion of R&B, rap, funk, disco and synthesized percussion.[3] The success of Control, according to Ripani, bridged the gap between R&B and rap music.[3] He asserts that "[s]ince Jackson's album was released in 1986 and was hugely successful, it is not unreasonable to assume that it had at least some impact on the new jack swing creations of Teddy Riley."[3] Mantronix's early records in the mid-1980s also had new jack elements.[4]
The term "new jack swing" was coined in a 1988 Village Voice profile of Teddy Riley by Barry Michael Cooper.[5] "New Jack" was a slang term used in a song by Grandmaster Caz of the Cold Crush Brothers, and "swing" was intended by Cooper to draw an "analogy between the music played at the speakeasies of F. Scott Fitzgerald’s time to the crackhouses of Teddy Riley’s time."[6]
The term "new jack swing" describes the sound produced and engineered by R&B/Hip hop artist and producer Teddy Riley. Riley is an American R&B and hip hop singer-songwriter, musician and record producer. He led the band Guy in the 1980s and Blackstreet in the 1990s. Riley said, "I define the term [new jack swing] as a new kid on the block who's swinging it."[7]
Music website VH1.com notes that while in the 2000s, "hip-hop and R&B are kissing cousins," in the early 1980s, "the two genres were seldom mentioned in the same breath." However, in the late 1980s, "during the era of high-top fades, and parachute pants, producer Teddy Riley and label boss Andre Harrell successfully fused and marketed the two sounds in a sexy, exclamatory music that critics termed new jack swing. It sparked a revolution." Riley stated that before new jack swing, "Rappers and singers didn't want anything to do with one another," because "Singers were soft, rappers were street." Riley's new style blended "sweet melody and big beats".[8] The sensibilities of Riley's fusion of the styles would forever change pop music/hip-hop music pairing and was further popularized with Bad Boy's dominance of the late 90's through much of the same techniques. Riley, a 19-year-old kid from Harlem, quickly became an A-list producer and commanded big fees to add his sound to major artist projects. The aesthetic of the culture also spread to mainstream white audiences through popular groups such as New Kids on the Block.
New jack swing is mellifluously soulful solo or harmonizing vocals addressing romantic themes and lyrics, sung over rhythms and "street" beats derived from urban musical influences. This style of music melded with hip hop, which also gave it elements of aggression of swaggering on some songs. Some songs consisted of rhythmic beats with music, while others had singing alternating with rap sections over this same type of music.
According to the 2004 New Rolling Stone Album Guide, when Michael Jackson recorded his album Dangerous in 1991, he wanted to update his sound, so he replaced his previous producer Quincy Jones with Teddy Riley.

Genetix-New Jack Mash Up DJ Mix. Pt1 (tribute 2 Teddy Riley) Free D/L

Juicy Kutz

9NEEZ MIXTAPE

TWO.ONE - THROWBACK KUTZ Part 1 2K19

1. Dazzle Intro
2. Reggae Nights - Jimmy Cliff
3. A Night to Remember - Shalamar
4. Never Too Much - Luther Vandross
5. Give Me The Night - George Benson
6. Ain't No Stoppin Us Now - McFadden & Whitehead
7. Can't Get Enough of Your Love, Babe - Barry White
8. Saturday Night, Sunday Morning - Thelma Houston
9. What Do I Do - Phil Fearon & Galaxy
10. Sweet Inspiration - The Yandall Sisters
11. Treat Her Like A Lady - The Temptations
12. Never Give Up On A Good Thing - George Benson
13. Young Hearts Run Free - Candi Station
14. Boogie Shoes - KC & The Sunshine Band
15. Got To Be Real - Cheryl Lynn
16. Heaven Must Be Missing An Angel - Tavares
17. Never Knew Love Like This Before - Stephanie Mills
18. Best Of My Love - The Emotions
19. I'm Specialized In You - Time Bandits
20. Love Come Down - Evelyn "Champagne" King
21. What A Fool Believes - The Doobie Brothers
22. Don't Stop Till You Get Enough - Michael Jackson
23. How Will I Know - Whitney Houston
24. Ain't Too Proud To Beg - The Temptations
25. Working My Way Back To You - The Spinners
26. Let's Hear It For The Boys - Deniece Williams
27. Knock Three Times - Tony Orlando & Dawn
28. Shamalamma Ding Dong - Otis Day & The Knights

J1NGLE JANGLE - PINEAPPLE KUTZ

Hip Hop Workout Mix - Mashups and some WTF songs (clean)

Here's my new 90s mix I've been working on for around a year now (on and off) that cuts up and mashes together everyone from Destiny's Child to DJ Shadow... Hope you like!

Please feel free to comment, share, post and all that other stuff...

Thanks to Louise Fifties for the artwork and Turnstyle for the final mixdown

Lebrosk links:
www.facebook.com/lebrosk
www.mixcloud.com/lebrosk
Bookings - bookings@lebrosk.com

FREE DOWNLOAD

90s Mixtape

Live from Sephora during grand opening - a little of everything !

2019 Top 40 Open Format Mix - Live from Sephora (CLEAN)

Easy listening chill vibes to listen and sing along to

2000s 90s THROWBACKS with a hint of current - 2019 - Quick Mix- R&B (CLEAN)

Open Format Past Chart Toppers and Crowd Favorites.

Hits Flashback Vol.4

My set from VH1 Master of the Mix Episode 3: Hip-Hop Challenge

Download Link: http://godirect.topspin.net/home/products/161880

Dynamix MOTM Ep 3  Hip Hop Challenge Mix

Instagram: @djkharisma
Bookings:  kharismadj1@gmail.com

DJ Kharisma is an NYC DJ with a true passion for music.  she loves feel good music; focuses on taking the crowd on a journey of emotions using music that uplifts and makes you forget about everything.   In love with 80s old skool, 90s hip hop, current hip hop and pop, and dancehall/soca.  

Mobile DJ - feel free to email/message for quote requests.