Wow tbis is crazy amazing i never comment on songs either 

Booty Sway

Click the link below for your FREE The Dorm Room EP download:

https://www.dropbox.com/sh/xfj34nmnt5qe7ne/AABba-sBAVZE2zHmpomjyADwa?dl=1

Nobody Has To Know Cover

Popcaan Drake Sean Paul Mash Up

fantasy (click buy for free dl)

Watch: https://www.youtube.com/watch?v=mFM0cbO7pIA


Pain Goes Away

Syrup by Artist TEA
Stwo Edit
Recorded, Mixed & Mastered by Sunny Diamonds
Co-Written by Anjulie Persaud 

Video : https://www.youtube.com/watch?v=PEssnqmYcMQ

www.teakittagucci.com

Free Download

SYRUP (Stwo Edit) - TEA

Day 4- Andrea

Under License to https://soundcloud.com/tom-leo-records

Amazed by Kevin Cohen's performance on this masterpiece by Bill Withers at the French TV Show "Nouvelle Star" 2015, I decided to contact his producer to make a remix of his cover and here is the result :) 

Enjoy and share it if you like it :)

Kevin Cohen : https://www.facebook.com/LeBinx-320420188145804/
Tom Leo Records : http://www.tomleorecords.com/
Doumëa : www.facebook.com/doumea

--

Impréssionné par la performance de Kevin Cohen aux auditions de la Nouvelle Star 2015, J'ai décidé de contacter son producteur pour faire un remix de sa cover du célèbre "Just The Two Of Us" par Bill Withers. Voilà le résultat !

Partagez si vous aimez :)

Buy • Stream

Bill Withers - Just The Two Of Us (Kevin Cohen Cover)(Doumëa Remix)

Alina Baraz & Galimatias - Maybe

Livin' @Lavish

Follow @goodluckforever

Follow @skipondabeat
http://twitter.com/skipondabeat

GOODLUCK FOREVER

YOKOHAMO - Forbidden Lust (Prod. SkipOnDaBeat)

Produced by @TYLERxCORDY. Mixed by Espen Berg. "Down To You" by Joni Mitchell, flipped by Tyler and me.

Please enjoy the muzak vid directed and choreo-ed by Jessica Beth Redish: https://www.youtube.com/watch?v=CrOfJD_mVLU. 

Additional  production credits: Guitar by Michel Heyeca, Vox recorded by Sebastian Sartor. Artwork by Ricardo Galbis. Listening by you.

FaceBook - http://on.fb.me/1U3ZgoE
SoundCloud - http://bit.ly/1ReOBcR
Twitter - http://bit.ly/1SKXPJe
Instagram - http://bit.ly/1KwerlS




DOWNLOAD

Down To You (My Confidante)

Banks - Someone New (Mackswell Edit)
All additional drum sounds (except kick drum) recorded acapella
Download at  www.mackswell.com/downloads

Banks - Someone New (Mackswell Edit)

VÉRITÉ - "Sober" (Childish Gambino Cover)

Listen on Spotify: https://open.spotify.com/track/4F1iikWAaDmhdurtxwwSFT
Buy on iTunes: smarturl.it/VeriteSober

Twitter: www.twitter.com/verite
Facebook: www.facebook.com/veriteohverite
Instagram: www.instagram.com/verite

Produced by Zach Nicita
Mixed by Mike Tuccillo
Mastered by Joe Lambert

Original song by Childish Gambino: https://soundcloud.com/childish-gambino/sober-unmixed

Sober

Don't Hold Out

"Everything's a game..."

Free download through the "Buy" link.

facebook.com/GlasshouseAus
twitter.com/_glasshouse_


Banks - Brain (Glasshouse Cover)

soundcloud.com/wafia

i call you names inside my head
but i tell you it’s okay
and when i meet you in that place we know 
i lose everything i should say 

give me a window seat i know the glass can keep me safe
you missed your window when you promised you would change 
give me a window seat and i’ll watch you as i drive away 
i want to see your face when you beg for me to stay
 
boy you got me paralysed from the waist up
got so much to say but it’s better to run 
coz all the words wouldn’t be enough
you always liked to speak for both of us

i carved your name beside my bed 
because i don’t like it when you are far
but how can you make this all about yourself 
when you’re so comfortable where you are  

gave you a window seat i knew the glass would keep you safe
i missed my window when i promised i would change 
gave you a window seat and i’ll watch you as you drive away 
tell me you’ll face me when i beg for you to stay 


Thomston x Wafia // Window Seat

Thanks to Jean de la Fontaine, everybody now knows the difference between the oak and the reed. One boasts a certain virile majesty, a welcoming shade, an apparent strength and solidity. The other is seemingly so fragile, yet of a suppleness that allows it to bend without ever breaking. 

A symbol of the ability to endure everything and anything, of being able to stand fast during even the toughest of times, Roseaux (Reeds) is a musical project that is understated, yet impassioned and utterly compelling, born amidst the stormiest times yet seen in the annals of the recorded music industry. Roseaux is a collective that brings together a radio music scheduler (who’s also a DJ) and various musicians, artfully blending the skills of a guardian of musical knowledge and all the artistic feeling that characterizes a group of musicians who have each taken many different paths in the pursuit of their passion.

Roseaux began with Emile Omar, a music-lover with tastes as diverse as they are insatiable who sniffs out sounds without regard for the dictates of musical convention and genre. Some ten years ago his musical inquisitiveness led him to take on the management of Radio Nova’s record collection and then to play his part in finding the musical ingredients for the station’s celebrated ‘Grand Mix’ of innovative sounds. This gave him the opportunity to create Nova Tunes compilations and box sets – an eclectic essence of rare refinement drawn from a selection of new sounds and past musical wonders. Ever since his teenage years, Emile has also been adept at getting people on the dance floor – so adept, in fact, that he now DJs at themed evenings, delving into a repertoire of  classic soul, house, reggae, disco and tropical music. In this way Roseaux’s roots are firmly anchored in a cultural subsoil that comes straight from the racks of record dealers who specialize in a very unusual type of music – that which is able to delight the body and fire the soul at the same time. 

About 5 years ago Emile developed the desire to venture where it seemed that his status as a non-musician must surely bar him: the field of making music. 
Ever since Brian Eno knocked the ivory-tower idea of the existence of such a thing as musical legitimacy on the head, ever since Lee Perry, King Tubby and Tom Moulton turned the mixing table into an integral part of the creative process, ever since hip hop and electro DJs were able to demonstrate that creativity could be channelled through turntables and samplers in a kind of musical collage, the definition of what it is to be a musician has radically changed. 
He contacted 2 musician friends (musicians in the traditional sense of the word), cellist Clément Petit and multi-instrumentalist Alex Finkin, to ask them if they wanted to join with him in creating an album that would be based on the arrangement of ten or so of his favourite songs taken from a whole range of different genres.
The three got down to work, with Emile discovering Aloe Blacc, long before the American singer made the headlines with the hit I Need A Dollar. 
Although Aloe Blacc had little singing experience at the time, he launched himself into Emile’s project with enthusiasm and open-mindedness in equal measure.
Roseaux is therefore the product of a meeting of minds and hearts between an enlightened amateur and a group of musicians whose talent and adaptability made this project possible and gave it its artistic unity. 

The same lack of musical dogmatism as evinced by Emile’s choice of music for the Radio Nova playlist and his evenings on the turntables is on display here in the shape of such little-known gems as Strange Things by the Jamaican John Holt, Indifference by grunge band Pearl Jam, Patti Labelle’s More Than Material, Try Me by Esther Phillips and Clarao da Lua by Brazil’s Nazaré Peirera. The most famous track is undoubtedly Walking On The Moon by The Police. A world away from ‘carbon copy’ style cover versions,  each of the ‘guest tracks’ gets its own special treatment whereby it metamorphoses into something completely different (in the eyes of anyone who is familiar with the original version) and utterly enchanting. These are not covers in the narrow, generally accepted meaning of the word – they can best be classified as reinterpretations or even complete rewritings of songs. So, the Jamaican feel of Rad Bryan’s Girl you rock my soul gives way to polished folk guitar arrangements and string instruments, the swaying rhythm of Walking On The Moon falls into line with the jazzy footsteps of Nina Simone, John Holt’s rocksteady Strange Things takes the road to Rio, Missing You, the 90s underground house hit from Kim English is transformed into a soul ballad, before dropping into a long, cross-fade on the Fender Rhodes electric piano, Bill Evans style.

Could it be this way of gently bending these songs to their will that was the inspiration behind the name ‘Roseaux’? Or perhaps it’s the air of elegance that emanates from the album as a whole, a melancholy tide of post-soul and nocturnal jazz lapping against the shores of this scattering of songs through which the gentle, caressing tones of Aloe Blacc wend their way? One thing is certain, with Roseaux, Emile Omar and his partners have succeeded in investing this project with more than just a certain unity, more even than an identity – they have given it a soul. 


Roseaux  feat. Aloe Blacc - "More than material"

DJ ◦ Remix ◦ Design
Resident for @InnerCircleSF

Banks - Someone New (Mackswell Edit)

MACKSWELL

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