// BOOKING CONTACT 
// REMIX REQUEST
// booking@stillhotberlin.com

FanPage   www.facebook.com/homm.markus


| When Markus Homm started going to his first House parties, the likes of Beatport and Myspace hadn't even been thought of. Born in 1980, Marcus was 15 years old when he became infected with electro music and subsequently got his hands on a turntable. He then began to seek out the latest releases at the record store and also by asking local DJ's the identity of the tracks that had kept him dancing late into the night. Markus Homm was born in Romania, and now lives in Nurenberg. Eventually the second turntable made it into the equation and he started to mix records. His first gig came at age 21 and proved to be the first of very many.

In 2000 Markus returned to his former homeland. In Romania he played several gigs and met his current production partner and friend Mihai Popoviciu. Impressed by the quickly developing club scene in Romania he opened a record store with fellow local DJ's in Sibiu.

It is not only his passion for techno music that has taken him to places far and wide. Since he was 18 years old, Markus has been traveling as a professional dancer to tournaments all over the world. Learning Latin American dance has definitely influenced his sense of rhythm and his training has taught him the intricate design and implementation of many forms of music. In 2006, Homm's professional career took him to Moscow, and it was there that he started to produce music. Working sometimes alone and sometimes with partner Mihai Popoviciu, he formulated his own unique style of dance music, ranging from Deep House to Tech House. Markus Homm's music is in a constant state of development, always searching for, and finding the most compelling groove.

This diverse musical direction has led Homm & Popoviciu to successful releases with various labels, including their home label Highgrade Records, and Diynamic Music. In 2009 they had a widely acknowledged summer hit with "Bis Co". Markus Homm has also released a string of solo tracks and remixes which have gained notable success and positive feedback. Markus Homm has earned himself a solid position in the international Techno scene. Legendary Berlin clubs like Panorama Bar, Watergate and Tresor, or international destinations and venues in Zurich, Bucharest, Mexico, Madrid, Tokyo and Hong Kong are his regular playrooms. But despite all the fun of the last few years, Markus Homm has continued to push his musical development. The Highgrade Disharmonic Orchestra is his latest Live project, alongside label colleagues Tom Clark, Todd Bodine, Dale und Daniel Dreier. The group made an amazing debut in the summer of 2010 at Watergate. And so it goes on. Producer and DJ Markus Homm moves consistently forward and continues his playful exploration of the tensions between music and body, while working on his own unique and very special musical success story.

From the start, Son Lux has operated as something akin to a sonic test kitchen. The Academy Award® and BAFTA-nominated band strives to question deeply held assumptions about how music is made and reconstruct it from a molecular level. What began as a solo project for founder Ryan Lott expanded in 2014, thanks to a kinship with Ian Chang and Rafiq Bhatia too strong to ignore. The trio strengthened their chemistry and honed their collective intuition while creating, releasing, and touring six recordings, including Brighter Wounds (2018) and triple album Tomorrows (2021). The result is a carefully cultivated musical language rooted in curiosity and balancing opposites that largely eschews genre and structural conventions. And yet, the band remains audibly indebted to iconoclastic artists in soul, hip-hop, and experimental improvisation who themselves carved new paths forward. 

Distilling these varied influences, Son Lux searches for equilibrium of raw emotional intimacy and meticulous electronic constructions. Son Lux scored A24’s Best Picture winner Everything Everywhere All at Once for which they were nominated for two Academy Awards and a BAFTA. The full score album features new collaborations with Mitski, David Byrne, Randy Newman, and Moses Sumney, among others.

Bookings:
World: daniel@jackmode.com 
North/Central America: natalie@auroratalent.agency 
South-America/Spain: mikel@b4bookings.net

MGMT: royrosenfeldmgmt@purplewall.com

Since 2009, Roy Rosenfeld has been sharpening his artistic skills in electronic music, effortlessly blending diverse styles and genres of House music. Each of his creations showcases the consistently unique and recognizable sound that defines Roy Rosenfeld.

Starting out as a beginner DJ, he began his career as a resident DJ in a dance bar. He later expanded his reach, performing at larger venues like festivals and underground clubs in major cities. His passion for music and musical abilities quickly earned him recognition and a dedicated global following.

Roy Rosenfeld has established a successful music career by collaborating with several leading record labels in the House music industry. He has released tracks on "All Day I Dream" by Lee Burridge, including "Lift of Love”, "Honey”, "Rumbala”, and "Simi”, to name a few. He has also published his music on Guy J’s "Lost & Found" Records, where one can find "Phase" and "Force Major" EPs, among others. In addition, Roy has released well-known musical works under Guy Gerber's imprint "Rumors," including the track "No Drama" and a remix to “Rainchecks In Montreal” by the label boss. His back catalog includes music on Sebastien Leger's label "Lost Miracle," such as “Toco/Sanga Dance”, “Milongi”, "Hypnosa De La Rosa" and "Tuti" EPs, which feature collaborations with Sebastien himself, including the tracks "Creme" and "Cherry On Top," both have become instant classics.

Throughout his career, Roy has created several iconic works, including “Epika”, a collaboration with Guy Mantzur, released on the legendary “Kompakt” Records and regarded as one of the greatest anthems of 2015. "The Biggest Heart," released on Lee Burridge's label "TRYBESof" in 2019, took some dance floors by storm, capturing hearts globally, and became a standout anthem of that year's “Burning Man”. To kick off 2023 with a bang, Roy released "Kala" on the highly regarded label "VOD." The track received immediate support from major industry figures like Solomun, Keinemusik, and Adriatique and quickly climbed to the top of Beatport's charts, receiving worldwide recognition and airplay.

Having many top hits in the sales charts, winning contests and awards, and collaborating with some of the most respected artists, had all gained Roy massive recognition and support from major superstars, such as Solomun, Black Coffee, Dixon, Keinemusik, Lee Burridge, Guy Gerber, Maceo Plex, Richie Hawtin, Laurent Garnier, Michael Mayer, Guy J, Hernan Cattaneo, John Digweed, Luciano, Stephan Bodzin, Joris Voorn and many others. The list even goes on to Tiesto, Armin Van Buuren, Deadmau5, and Groove Armada.

In addition to his production accomplishments, Roy successfully balances a hectic DJ schedule. In 2018, there was a global increase in demand for his unique sound, resulting in multiple participations in several “All Day I Dream"
events in Ibiza, Mykonos, and Dubai. This was followed by a huge interest in the US. He then performed at different massive festivals including Tomorrowland in Belgium, Zamna in Tulum, We Are Lost in Buenos Aires and Amsterdam, All Day I Dream in the US, Warm Up in London, Return to Rio in Sydney, Warung in Brazil, Marvellous Island in Paris, and more.

In early 2020 Roy started his new events production called “No Drama”, a small but highly successful dance-music event launched in Tel Aviv. Despite its modest size, the event attracts a dedicated crowd of music lovers and dance enthusiasts, who come together to enjoy a day & night of a musical journey. With a lineup of top local and international DJs, “No Drama” has quickly established itself as one of the hottest dance-music events in the city, known for its relaxed and fun atmosphere, great music, eye-catching decorations, and fantastic crowd.

Roy's fervor for music and unwavering ambition have established him as a distinguished figure in the music industry. He is constantly pushing the boundaries of house music and stirring the hearts of others with his unique sound. Whether he is commanding the stage at a packed venue or honing his skills in the studio, Roy remains steadfast in his dedication to his craft and bringing joy to others through his music.

“These days there are plenty of genres and styles within the electronic scene, which cause our minds to be fixated / square and stuck into the “rules” of those music genres. We can always pursue those styles and learn from them a lot, but always keep a warm place for our unique sound and style. We need to preserve and protect the uniqueness and specialties of each one of us. Do not let it run next to you. I believe this is the way to success”. Roy Rosenfeld.

Psychedelics And Fat Beats !

Send Demos to - demos@collectingdots.com 

USA / Latin America / Canada : 

tal@strangetalent.agency
soann@strangetalent.agency

ROTW : 

Booking@ritual-artists.com

For all of Matthias Tanzmann’s achievements, the future is showing even further excitement and evolutionary growth. He is known as a global leader of the Tech House scene and is synonymous with Moon Harbour, his influential and soon-to-be 25-year-old record label that has already put out over 100 vinyl releases and more than 200 digital tracks. Like Matthias who first broke through as a DJ at the end of the 1990s, it constantly evolves, adapts and leads the scene from the front. 

Both he and Moon Harbour have stayed true to the signature sound that first stood him apart. They never fail to bring new ideas to the dance floor and constantly evolve with the culture. Along the way, there have been countless seminal moments. From his early residency at Leipzig’s cult Distillery Club to his first releases on Steve Bug’s Dessous label and Freude Am Tanzen in 1998 and 1999 via the infamous Moon Harbour showcases at major events including Miami Music Week, Amsterdam Dance Event, Barcelona’s 'Off Sonar' and the leading clubs of Ibiza over the last 20 years. Furthermore he is an integral collaborative member of the super group, Better Lost Than Stupid, alongside Davide Squillace and Martin Buttrich. This ground-breaking trio performs all over the world from London, Ibiza, Miami to Dubai. Together they released the acclaimed full length album Wild Slide and accompanying remix album. 

Whenever he plays, Matthias locks his global audience into his winding and hypnotic grooves for hours on end, always ramping up the pressure and keeping dancers on their toes. He has consistently performed as a resident for almost 15 years at Ibiza's wildest and the most cutting-edge Circoloco party at DC10. He also plays in demand back-to-back sets with partner in crime Davide Squillace and is regarded as one of the favourite players at the infamous ANTS events at Ushuaia Ibiza. In between those regular gigs and picking up several DJ Award nominations, he is on a constant tour of the world's most celebrated clubs and events from Elrow to Solid Grooves to Music On. 

Founded in 2000 and followed by sub-label Cargo Edition in 2006, Moon Harbour Recordings has been a vehicle for much of his music over the years, though it has also been responsible for bringing through plenty of next-generation talents. Matthias Tanzmann has served up three solo albums on his own label - Restless in 2008, Momentum in 2016 and the far-reaching Round And Round album in 2019. Each one shows how he brings colour and narrative to his music through the careful layering of percussion and the teasing out of deft sound designs to make for moments of real dance floor drama. Whether working solo or in collaboration with the likes of Steve Bug, Black Circle or Daniel Stefanik, the key for Matthias is to never stop evolving, asking questions and exploring new ground. Furthermore as a keen contributor to the industry and passing on to the new generation, Matthias shared his vast knowledge with a unique production masterclass in collaboration with Mixmasters in Ibiza in 2023.

As a remixer, Matthias also brings an in-demand signature sound for the likes of Jamie Jones, Dennis Cruz, Moby or Booka Shada. His Remixes 2002-2012 compilation showcased his adeptness and adaptability, and he has further cemented his legacy as a definitive DJ with seminal mix CDs for revered series like Cavo Paradiso Mykonos in 2010, Circoloco in 2008 and 2011, fabric London in 2012, and several times for Moon Harbour.

What started as an obsessive hobby back in Leipzig became a globe-trotting profession. Importantly, though, Matthias Tanzmann has always retained the sense of fun and inquisition that motivated him back then. That shows in the tracks he continues to skillfully craft, whether deep and moody for cozy backrooms, or more raw and jacked up for the main room. From his sets to his productions via the music he A&Rs for Moon Harbour, Matthias Tanzmann blends a deep understanding of dance music dynamics with a burning desire to keep things moving forward.

Music Producer | Audio Engineer | DJ
Bookings/MGMT: zigmon@stoneseedmusic.com

Few labels have established themselves as solidly and definitively as Matthias Tanzmann and André Quaas’ Moon Harbour. Since the turn of the millennium it has been a bastion of deep and tech house quality that has not moved with the times, but has defined them ahead of trend. Through a carefully curated series of EPs and LPs, the label has fomented its own close-knit family that expands and contracts with careful consideration.

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