The-->Way

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Friend v.22

Protect me

When the city becomes a cage and hope is a dead frequency, all that's left is the static in your head. This is the anthem for the hollow, the ones praying to a sky made of stone.

Hallow cathedral

Gloomy Sunday(Reimagined)

“Complaint Number 35”

(I was locked out of my SoundCloud Account 08/24/2025 - 10/09/2025)

This song was born from raw frustration and defiance. I had to make it because artists like me—DJ Oracle—often feel powerless, stuck beneath giant music distribution platforms that prioritize profit over the creators themselves. Despite uploading my work with hope, SoundCloud—a cornerstone for so many emerging artists—failed to respond to not one, but 34 complaints, earning a notorious D- rating from the Better Business Bureau. That shock and betrayal is what fueled this anthem. 

https://www.bbb.org/us/ny/new-york/profile/music-distribution-companies/soundcloud-inc-0121-87150311

Right now (08/24/2025), I’m completely locked out of my account. The site instructs me to “reset my password,” but the process loops endlessly. I’ve run out of the “backup codes” SoundCloud once provided. As a result, I’m 100% locked out of my catalog — 110 songs and the fans I worked so hard to build. This song is my way of reclaiming power when the system silences artists.

Every lyric reflects that tension:

Verses expose the cold reality of ghosted artists and an institution that grades trust while abandoning creators.

Pre-choruses climb with righteous anger—“Boom, Boom, I’m going to rock this fucking room”—as I reclaim power.

Choruses and the bridge become stadium-sized chants, turning protest into a communal roar, demanding recognition and refusing to be silenced.

This is more than a song—it’s a rallying cry. It’s about taking back the mic when the system tries to mute us.

Artist vs. Distribution Platforms

Artists are often left with little control. Distribution companies like SoundCloud lock us behind policies—or silence us altogether. Even though they promise “tools” and “connectivity,” the truth is: when complaints pile up, we lose visibility, engagement, and trust. That imbalance is at the heart of this track—because without true access to artists, those platforms collapse into empty promises.

SoundCloud Today: Valuation & Revenue

Even while treating artists like ghost stories, SoundCloud is financially far from broke:

In 2023, SoundCloud generated approximately €288 million in annual revenue — around US $310 million — a year-over-year increase of 7–9%.
(Sources: cbinsights.com, musicbusinessworldwide.com, nypost.com)

For the first time in its history, SoundCloud achieved a positive EBITDA of about €2 million in 2023.
(Source: musicbusinessworldwide.com)

Its valuation has climbed steadily, reaching over US $1 billion in 2023.
(Source: prioridata.com)

So yes—they can be profitable and command massive value—yet still leave artists in the silence. That contrast is exactly what “Complaint Number 35” calls out.

#DJOracle
#ComplaintNumber35

Complaint Number 35

Indigo Incantation

All Bend a Knee
(c) J. Murdock McInnes Vasey

[intro]

[instrumental]

How low must we have come
To worship such a one
To believe the basest lies
From the beast before our eyes

How can we give this creature power
To destroy our very lives
To spread poison by the hour
Till nothing good survives

[chorus]
All bend a knee to it
To the maggot in a suit
All bow and plea for mercy
Women must all curtsey
It has come into the room
It is time to meet our doom

All bend a knee 
All bend a knee 

[instrumental]

How can anyone not see
A creature with no conscience
A creature ruled by hate
And now, it is too late

A creature ruled by lust
It must do what it must do
It cares nothing for all else
It cares only for itself

[chorus]
All bend a knee to it

All bend a knee to it
To the maggot in a suit
All bow and plea for mercy
Women must all curtsey
It has come into the room
It is time to meet our doom

All bend a knee 
All bend a knee 

[instrumental]

How deeply stupid must we be
To trust someone like he
To take his word as truth 
And ignore what we see

What have we done?
There is no going back
Our future now all gone
It is courage that we lack

[chorus]
All bend a knee to it
To the maggot in a suit
All bow and plea for mercy
Women must all curtsey
It has come into the room
It is time to meet our doom

All bend a knee
All bend a knee

[instrumental]

All bend a knee to it
To the maggot in a suit
All bow and plea for mercy
Women must all curtsey
It has come into the room
It is time to meet our doom

All bend a knee
All bend a knee

[outro]

All Bend a Knee

C'eri tu c'ero io

Loverpool ( Live in Athis Mons, Greater Paris)

Lost in a strange valley after a plane crash.

Wreckage Of The Fallen

DJ Oracle | Multi-Genre Music Producer, Songwriter & Festival DJ

If you hear it, I wrote it

My Focus:
Industry says: “Focus on one genre to build a fanbase.”
I say: “I’ll master them all.”

My writing isn't meant to be confined to one playlist category. Every moment is a mood, every lyric is a poem, and every song tells a story. I refuse to limit myself. Writing music across genres isn’t just a skill—it’s my passion. I have no desire to change who I am to meet industry expectations.

Genre = Mood
Lyrics = Poems
Music = Story

Where Am I Today?
I can write in any genre, any language, and on any topic. I have access to any instrument and can create with any vocal style—male or female. But at my core, I am a writer, not an entertainer.
I feel timid stepping in front of a microphone—exposing myself vocally is still a challenge. There are skills to master and fears to overcome before I record my own voice or perform live. But I am comfortable behind the DJ decks.

Where Am I Going?
As I navigate my place in the music industry, my goal is to split my music into three primary genres and sign with labels that align with each sound:

EDM – #SpinninRecords, #Monstercat, #UltraRecords
South Florida Country Pop – #BigMachineRecords, #CurbRecords
Everything Else – TBD

Next Steps for Me:
✔ Write daily and publish new music weekly
✔ Finish EDM albums: #IWantToDestroyYou and #AlicesSonicJourney
✔ Intern with an established DJ – @PhilHarrisMusic
✔ Start publishing behind-the-scenes content
✔ License a song or album to a record label or collaborate with an artist to expose my music and make money

I know social media is necessary, but it’s far outside my comfort zone. Sharing the creative process, the "sauce" behind the songs, feels vulnerable. But I also know that if I want my music to be heard, I need to open that door—even if it’s uncomfortable.

This is my journey. Let’s see where it leads.

#DJOracle #MusicWithoutLimits #MultiGenreProducer #Songwriter #FestivalDJ #EDM #CountryPop #MusicStorytelling