Songs That'll Make You Feel Like A (Waltzing) Princess - A Playlist

La La Land Soundtrack

An immersive Indie Bedroom Synth Keyboard Dark Edgy EPIC Pop journey through Amsterdam’s nightscape. The narrator meets “Molly” at the Flying Pig Hostel, and together they embark on a euphoric club-hopping adventure through AIR, Club NYX, and Club Prime, ending at dawn along the canals. Lush synth pads, pulsing bass, atmospheric keys, and spacious reverb create a cinematic progression from intimate verses to explosive choruses. The hook’s double meaning leaves it to the listener to decide — is Molly the mysterious woman, or the drug? With vivid, poetic lyrics and a hypnotic arrangement, the track blurs love, desire, and intoxication into a single unforgettable night.

#DJOracle
#MollyInAmsterdam


Molly In Amsterdam

This song is a warm, intimate Christmas love ballad that places personal connection above all the holiday sparkle performed by The Dizzy Jazz Singers and octave plateau. Composed by Gerhard A. Schreiber.

The verses set a festive backdrop of glowing lights, music, and joyful crowds, but the focus quickly turns inward—the real celebration is found in the presence of a loved one. The lyrics emphasize that true Christmas magic isn’t in the decorations, gifts, or traditions, but in the light and warmth reflected in the beloved’s eyes.

The chorus reinforces this theme, comparing that gaze to something brighter and more comforting than candles on a winter night. The message is simple yet heartfelt: with love, all other trimmings become unnecessary.

“Christmas in Your Eyes” is a tender holiday song that blends romance with seasonal spirit, expressing that the deepest joy of Christmas is found in love itself.

Genre Spotify: Smooth Jazz Christmas / Jazzy Holiday Lovesong
Moods: Bittersweet / Dreamy / Reflective / Chrsitmastime
Instruments: Piano, warm basslines, minimal guitar textures
Sounds like: Kylie Minogue / Mariah Carey / George Michael

Here are the lyrics:

[Verse 1]
The lights are strung, the streets aglow,
A festive hum, the world in tow.
But here I stand, the world feels small,
With you, my love, I've got it all.

[Prechorus]
No need for stars to light the skies,
I've got Christmas in your eyes.

[Chorus]
Christmas in your eyes, it shines so bright,
Warmer than candles on a winter night.
No ribbons, no bows, no need to disguise,
I've got all I need—Christmas in your eyes.
 
[Verse 2]
The children sing, their voices soar,
But yours, my dear, I love much more.
The world may dance, may spin and gleam,
But you’re my song, my every dream.

[Prechorus]
No need for bells or lullabies,
I've got Christmas in your eyes.

[Chorus]
Christmas in your eyes, it shines so bright,
Warmer than candles on a winter night.
No ribbons, no bows, no need to disguise,
I've got all I need—Christmas in your eyes.

Christmas in Your Eyes

Behind the Curtain invites you into a small, smoky club where one spotlight finds a lone chanteuse. These songs are intimate postcards from 1940 - 1950 Europe, street-lamp romances, train-station goodbyes, backstage confessions, and the quiet courage of women who keep going.

The Ghost of the Moulin Rouge

Yazeed Fahad - ابغاها

All Bend a Knee
(c) J. Murdock McInnes Vasey

[intro]

[instrumental]

How low must we have come
To worship such a one
To believe the basest lies
From the beast before our eyes

How can we give this creature power
To destroy our very lives
To spread poison by the hour
Till nothing good survives

[chorus]
All bend a knee to it
To the maggot in a suit
All bow and plea for mercy
Women must all curtsey
It has come into the room
It is time to meet our doom

All bend a knee 
All bend a knee 

[instrumental]

How can anyone not see
A creature with no conscience
A creature ruled by hate
And now, it is too late

A creature ruled by lust
It must do what it must do
It cares nothing for all else
It cares only for itself

[chorus]
All bend a knee to it

All bend a knee to it
To the maggot in a suit
All bow and plea for mercy
Women must all curtsey
It has come into the room
It is time to meet our doom

All bend a knee 
All bend a knee 

[instrumental]

How deeply stupid must we be
To trust someone like he
To take his word as truth 
And ignore what we see

What have we done?
There is no going back
Our future now all gone
It is courage that we lack

[chorus]
All bend a knee to it
To the maggot in a suit
All bow and plea for mercy
Women must all curtsey
It has come into the room
It is time to meet our doom

All bend a knee
All bend a knee

[instrumental]

All bend a knee to it
To the maggot in a suit
All bow and plea for mercy
Women must all curtsey
It has come into the room
It is time to meet our doom

All bend a knee
All bend a knee

[outro]

All Bend a Knee

We never planned to release this.
These songs were just for us, little moments that sat on hard drives and notebooks, never really meant to leave the room. But after a while, it started to feel wrong keeping them hidden.

The Collection isn’t a greatest hits or a polished project. It’s the story of where we’ve been, caught in all its rough edges and quiet mistakes. Some songs are years old, while others seem to have come out of nowhere. Together, they make up everything that’s brought us here.

We didn’t mean for this to be an album. But here we are.


Knew Me Now  (LIVE)

Frank Sinatra - Can T Take My Eyes Off Of You

개인곡 올리기 전 마지막 커버입니당 !! 이제 정말 얼마 남지 않았을거에요,, 열심히 하겠습니다ㅠㅠ

Its been a long, long time

En Français

Les Champs - Elysées

DJ Oracle | Multi-Genre Music Producer, Songwriter & Festival DJ

If you hear it, I wrote it

My Focus:
Industry says: “Focus on one genre to build a fanbase.”
I say: “I’ll master them all.”

My writing isn't meant to be confined to one playlist category. Every moment is a mood, every lyric is a poem, and every song tells a story. I refuse to limit myself. Writing music across genres isn’t just a skill—it’s my passion. I have no desire to change who I am to meet industry expectations.

Genre = Mood
Lyrics = Poems
Music = Story

Where Am I Today?
I can write in any genre, any language, and on any topic. I have access to any instrument and can create with any vocal style—male or female. But at my core, I am a writer, not an entertainer.
I feel timid stepping in front of a microphone—exposing myself vocally is still a challenge. There are skills to master and fears to overcome before I record my own voice or perform live. But I am comfortable behind the DJ decks.

Where Am I Going?
As I navigate my place in the music industry, my goal is to split my music into three primary genres and sign with labels that align with each sound:

EDM – #SpinninRecords, #Monstercat, #UltraRecords
South Florida Country Pop – #BigMachineRecords, #CurbRecords
Everything Else – TBD

Next Steps for Me:
✔ Write daily and publish new music weekly
✔ Finish EDM albums: #IWantToDestroyYou and #AlicesSonicJourney
✔ Intern with an established DJ – @PhilHarrisMusic
✔ Start publishing behind-the-scenes content
✔ License a song or album to a record label or collaborate with an artist to expose my music and make money

I know social media is necessary, but it’s far outside my comfort zone. Sharing the creative process, the "sauce" behind the songs, feels vulnerable. But I also know that if I want my music to be heard, I need to open that door—even if it’s uncomfortable.

This is my journey. Let’s see where it leads.

#DJOracle #MusicWithoutLimits #MultiGenreProducer #Songwriter #FestivalDJ #EDM #CountryPop #MusicStorytelling

Molly In Amsterdam

DJ Oracle

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