Here is the recording from the Pancakes & Booze Art Show @ Underground Arts Philadelphia.  We rotated about every half hour and played for 4 hours.  

Sean Dexter & Deep C Live at The Pancakes & Booze Art Show Philly

Peak Time/Melodic Techno & Progressive House/Trance  DJ from South Africa
With a deep appreciation for the pioneers of electronic music, Deepsoulelectric's love for electronic music was ignited in the early 90’s. Drawing inspiration from esteemed labels such as Harthouse and Eye Q, along with iconic artists like Sven Vath and Carl Cox, profoundly influenced his artistic growth and musical evolution.
His DJ sets are a masterful blend of carefully selected tracks that transport listeners to new emotional landscapes. From soaring deep melodies to driving energetic beats, his selections are expertly woven together to create a cohesive and unforgettable experience that tells a story through sound.
His journey into electronic music began with discovering Reactivate 9 & 10 cassette tapes, igniting a passion for synthesizer music, despite challenges in accessing quality electronic music while living in South Africa, and starting with a basic mixer featuring only two sliders.

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Sean has been a dj, music producer, radio host and party promoter for over 30 years. His unique take on house music and creative mixing have taken him all over the United States and Canada.   Sean’s successful radio show BayAreaBeatbox ran from 2011 to 2024 starting on Pure Radio Holland and ended on Underground Kollektiv Radio in the UK.  This show featured sets from Sean and hosted several artists like Paul
Johnson, James Curd, Jay Tripwire and others. Along with his own show he has also been featured on podcasts and mix shows around the globe.  Sean’s original productions and remixes have been featured on Selekta Recordings, SoulJack Digital, Deepen Sound and many others.   He has collaborated on remixes and productions with Jay Tripwire, Sen~Sei, George JJ Flores and others over the years.   
In 2024 Sean relocated back to his home town Philly and has played several gigs in the city with recent gigs in San Francisco, Oakland, San Diego and Chicago.
Sean has been featured in Chicago’s 5Magazine.

🌏 Resident, House Fusion Radio (July '24-Present)
🌏 Resident, Beach Radio UK (Aug. '22-May '24)
🌏 Resident, Waves Radio (Jan '22-April '23)
🌏 Resident, UMT Radio (July '21-May '23)
_
One of New York City’s most enduring exports, Aaron James has spent the last couple decades in a state of wanderlust rocking parties around the globe. With skills forged in the fire of NYC’s vibrant and eclectic club scene, Aaron is versatile with a capital V while still dropping his signature style into every set.

Aaron's CV reads like a Who’s Who. He’s opened for House legends Barbara Tucker, Joey Negro (aka Dave Lee), Danny Rampling, Norman Jay, John Digweed, Detroit Techno founder Juan Atkins, Jeremy Healy, Studio 54's Nicky Siano, Groove Armada,, Mat.Joe, Vanilla Ace, Elton John, Sheryl Crow, TV On The Radio, Santigold, Bootsy Collins, Talib Kwele, Jack Johnson, Hawthorne Heights, Mark Ronson, ?uestlove (The Roots), Alex Pall (The Chainsmokers), Lil' Kim, Pitbull - and he's warmed the stage for the Beastie Boys, Eminem, and Tenacious D to name a few.

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Found House Music in 1997 at The Underground shop in North Highlands, CA, after hearing about a party that went down around that time in San Francisco (Wicked). House proved to be a very uplifting, non-aggressive, and non-depressing new music genre that appeared highly underrated.  In fact, I did not see House as dance music until much later in life. The DJ mixes I were listening to were more like “soundtracks for daily living”.  Was very, very intrigued by the United DJs of America and Global Underground DJ 💿 mix albums. I did not make it to the club scene at all as a young father, and also being in Sacramento.  The scene seemed wack compared to what was happening in San Francisco.  Listened only for about 7 years every chance I could possibly get (approx 11,000 hours of ear time between 97’ and 04').  Yes, I was the guy strollin’ thru Arden Fair Mall slammin’ house beats in my headphones (that could easily be heard from other people nearby) because IDidntGAF.  I used to make the staff in the stock room at Ross Stores Inc. listen to House on the little boom box (cassettes!) they had while we processed merchandise.  I had them convinced for about a year that it made everyone more productive (98'-99'). Lol.  Did have a super unfortunate event in 04'.  My car was broken into and about 350 store bought CDs (dj mixes) were stolen.  There were other valuables in the car that were not taken.  I paid for all of those cd albums with tips I received working in restaurants. 
Despite this happening....
...I started mixing on my own in 05' self-learning and applying by way of ear on a Numark CDMIX2, years before sync button technology.  I will also give credit to Chris Almazan (Beat Fleet DJs), as he gave me some fundamental beat matching tips back in the year 2000.  

Last, my basis on selecting and playing songs is if they sound good, and that’s it. 

—

Faded Opportunities:

Ink Eats and Drinks August 2003-brought in a few CD album mixes (MF sets.  Live at OM and 🤔) that were played in the bar b4 their vinyl DJ came on (he played top 40, 80s to then.  Justin) Told the bar tender (Demitrious) that I’d be interested in doing sets there, too.  No DJ experience, but didn’t care.  I was going to learn, quickly.  He said he would push for it if I could bring a similar sound to the CD mixes I brought.  Planning for express emergency equipment procurement began.  The very next week, Ink’s entertainment sector was shut down by the city planning commission.  Dreams smashed.  No equipment.  Would have been vinyl turntables.  

SRO Corporation May 2008-AKA Bistro 33 and a few other establishments.  4 years practice in on cd mixing equipment (NuMark CD Mix 2 and two Axis 9 CDJs) The company had planned to open Club Tré, on Howe Ave in Sacramento.  I connected with one of the Executives for SRO corp and he passed me on to a Desi who was involved in the entertainment for the Sacramento club known as Town House.  Desi had been recruited as the Director of Entertainment for Club Tré.  I submitted some cd mixes to him, and he called me back and said he’d like to get me in there as a DJ.  Well, there was a disagreement I had with the management at Bistro 33 Davis (serious haters), so this opportunity fell apart due to politics.

Then I left DJing, and just became a listener again.  Found the EDjing app in 2013 and bought a Pioneer DDJ.  Did almost 100 mixes in the app while the ddj sat in a closet.
Went to MF50 and was revived.  Started mixing on the DDJ regularly.  

—

Finally jumped into vinyl (Dec 2019).  One House record purchased, however, way back in 06’.  

Released two wack tracks in 2020 and one in 2021 that were produced using Apple Garageband software (Iphone).  

Joined Underground Kollektive Radio in late 2022.


Might end up being “washed up”….from the land side.  And thats ok.  Had a good amount of curveballs in life.