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The next single taken from Hollie Cook’s forthcoming fifth album, Shy Girl, is a heavenly and distinctive reggae cover of Skip Mahoney & The Casuals, ‘We Share Love’. Further embodying Hollie's dedication to staying true to herself and remaining authentic to her craft, it has the air of a timeless production yet with a contemporary edge. 

Providing the perfect send-off and closing track to Shy Girl, ‘We Share Love’ is a celestial cover of Skip Mahoney & The Casuals 1974 classic. It sees Hollie and the General Roots band flip the soul-infused original into a hazy, sun-soaked roots beauty. Hollie’s dreamy tones are supplemented by a bouncing bassline, tender organs, and lush vocal harmonies from the brilliant Jalen Ngonda. Bathed in emotion and grounded in love and longing, this reggae reinterpretation is an exquisite ethereal ending to the album.


We Share Love

When it comes to Latin soul, Bobby Matos And The Combo Conquistadores 'Tema De Alma Latina', has to be up there as one of the heaviest tracks ever recorded. This much-loved Latin workout has been rocking dancefloors for years with its infectious, driving energy and pulsating rhythms. Released in 1968, the 'My Latin Soul' album on Philips Records now receives a welcome reissue on Mr Bongo. It’s a sheer delight throughout and a premier example of the Nu Yorican sound that was thriving in New York in the ‘60s. 

From a young age, the Bronx, New York-born Latin jazz percussionist Bobby Matos found inspiration through the conga drum masters Mongo Santamaría and Patato Valdez (who he had informal backstage lessons with) and timbales legends Willie Bobo and Tito Puente. Bobby was drawn into New York's club scene and began playing in the vibrant ‘60s beat / bohemian Greenwich Village cafes, followed by stints in a wide range of different venues. These included Bronx dance halls and after-hours clubs in El Barrio, through to the elegance of Carnegie Hall, Central Park concerts, and off-Broadway theatres.

Later relocating to Los Angeles, Bobby played an important role in spreading Latin music far and wide. He became an inspiration to many on the jazz dance and acid jazz scenes in the ‘80s / '90s where his recordings were picked and played, becoming prized collector items amongst DJs. The track 'Tema De Alma Latina' was immortalised as a classic for many, after being featured on the Gilles Peterson’s Street Sounds Jazz Juice 5 compilation in 1987. A captivating listen from start to finish, the album features other treats such as the dynamic album opener ‘Nadie Baila Como Yo’, the blazing flute led 'Mambo Maxims', and the blistering piano shuffler 'Raices'. 

A truly iconic Latin classic whether you’re being reunited with it like an old friend or discovering it as a fresh new find.


Bobby Matos And The Combo Conquistadores - One Mint Julep

Daphni - Josephine

The second single taken from СОЮЗ (SOYUZ)’s career-defining fourth album KROK comes in the form of ‘Ніці / Nici’. A dreamy, timeless production, it showcases SOYUZ’s composer, Alex Chumak’s brilliance as an arranger. Almost genre-less in quality, the music incorporates elements of AOR, jazz, and folk, but the structure and interplay between the instruments feel unique and are a testament to Chumak’s original thinking as a modern composer.

Broadly speaking, ‘Ніці / Nici’ is a song about the strange nature of dreams. Both wistful and hopeful in the same breath, that ethereal essence carries through as Chumak effortlessly rides the melodies with his signature soft vocal tones. Across this fourth album, Chumak took the step to change the language in which he writes songs from Russian, which is used as lingua franca in many post-Soviet countries, to his native Belarusian. The poetic nature of that switch shines in ‘Ніці / Nici’, with a distinct delicacy and intimacy to Chumak’s delivery. Deft Rhodes playing and a shimmering string arrangement by Chumak, coupled with a laidback beat by Biel Basile and electric bass from Marcelo Cabral, form the breezy basis of the song. Alex’s celestial vocals and the hypnotising, gently phasing guitar melodies loop around the ether, leaning ever further into the dreamstate nature of the song.
 
On first listen, due to its mellow nature, the production on ‘Ніці / Nici’ feels stripped back. But as you delve deeper into the song, its rich and delicate textures appear, and their subtle use transforms what first felt minimal into something understatedly expansive.


05 GEORGE CLINTON - If anybody gets funked you

Dj Swinz