I'm a music collector, mostly techno and house, but also experimental electronic, ambient, psy, disco. I am also involved in Brisbane's queer DIY party scene, and organise / play at various little shindigs around the traps, and specialise in music for the after party.

One of the amazing things about the deeply Jamaican music called Dub is its ability to act as a conduit. From its early days as stripped down versioning of popular Reggae tunes to its indoctrination into late 80 / early 90s UK Soundsystem & Dance Music culture, to its current massive mutation (with the “Step” planted firmly in its behind); Dub has shown itself to be not only a musical art form that stands strongly on its own, but also a vehicle of sorts that can transport and connect disparate musical universes. And it’s at the unique nexus of Dub and Arabic music that the Spy From Cairo sits the most comfortably. 

The Spy From Cairo aka Zeb is the kind of musician that fits perfectly in with the downtown NYC music scene – Italian by birth, Gypsy by heritage, and Brooklynite by residence, he has been closely associated with the Turntables on the Hudson scene for close to 12 years – producing dozens of albums as Zeb, the Spy From Cairo and the Organic Grooves project, as well as remixing for everyone from Baba Maal to Tosca to Billie Holliday to Novalima, steadily garnering a worldwide collective of fans and followers 

The Spy’s new album, “Arabadub” is perhaps his most realized vision of deep Middle Eastern and Jamaican sounds coalescing into something that sounds right and natural – because it was conceived and produced in just that natural way. There are no samples used on the album, and Zeb has programmed everything, as well as playing traditional Middle Eastern stringed instruments called the Oud, Chifteli and the Saz himself. Check the opener “Alladin Dub”, with its echoed out skanks, pulsing bassline, and majestic strings – and the deepness that is “Taksim Square”, complete with swirling, psychedelic accordion. Other highlights include the tense four-to-the-floor stomper “Desert Tears”, the rolling dub of “Sons of Hannibal” with it’s beautiful Middle Eastern vocal chants, the nostalgic “Egyptian Pulse” with its Steppers sound and melancholy vibes, and the dancehall vibes of “Prince Ahmed” – sounding like 3AM Kingston wrapped in a Bedouin Tent!
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He’s the techno punk, the unboxable nomad: Berlin DJ, producer and label owner Alex Ridha, better known as BOYS NOIZE, made his DJ debut at the age of 15, taking a teenager´s love of house and techno to a global scale. Accolades have been bestowed by Rolling Stone, who named him one of the "Top 10 DJ's Who Rule The World" and Beatport, who elected him “Best Electronic Act” 3 years in a row. He´s rocked the world's biggest stages, lit up Coachella three times, took Lollapalooza by storm, and headlined festivals and clubs on every continent – from Berlin techno temple Berghain to Fuji Rock in Japan to Justin Vernon’s Eaux Claires Festival in the woods of Wisconsin.

As an artist and producer, Ridha has created a sound and a vision that’s peerless, uncompromising, and enduring – respected in the scene, banging from underground to mainstream, it flies in the face of convention at every turn. He’s remixed Depeche Mode, Daft Punk, David Lynch, Feist and Nine Inch Nails, collaborated with Snoop Dogg, Erol Alkan, and Jarvis Cocker, worked on Mark Ronson’s “Uptown Special” and on the soundtrack for upcoming Oliver Stone’s Snowden, and released group projects with genius pianist Chilly Gonzales (Octave Minds), Skrillex (Dog Blood), and Mr. Oizo (Handbraekes). The list of names alone speak volumes about Ridha’s multifaceted approach.

Ridha is also the heart of Boysnoize Records, the label that he started back in 2005. Founded originally in order to retain his full artistic freedom while releasing his own music under Boys Noize, The Berlin-based anarchist collective —and it’s sub-label, BNR Trax— became a home for multidirectional quality electronic music and is responsible for more than 150 releases incl. Strictly Raw (2015), Out Of The Black (2012), Power (2009), Oi Oi Oi (2007) and Octave Minds (2014).

"... and the spinner will spin. and the bass will be thunder subterranean. and the river will rise as raindrops. from berlin. my favorite electronic house music in the world. immediate. throbbing." - Justin Vernon (Bon Iver)

“One of the most prolific and brilliant artists.” - Zane Lowe (Beats 1)

"BOYS NOIZE makes brilliant music. He doesn´t make a lot of music but when he makes it it´s always CLASS." - Annie Mac (BBC1)

"BOYS NOIZE is the only DJ who can play underground techno for 30,000 people." - 2MANYDJS / Soulwax



One of Germany’s leading house music lights, Boris Dlugosch’s chameleon-like approach has helped him to amass an incredibly enviable catalogue of grooves that continues to grow every year.

Releasing on illustrious labels like Gerd Janson's RUNNING BACK,  Classic Music, Defected, Suara, Toolroom Records and Poker Flat Recordings in recent times, Dlugosch’s chunky basslines, crisp percussion and earworm melodies have found their way to all corners of the house music scene. His successful working relationship with Purple Disco Machine yielded L.O.V.E. and Set It Out, which both hit the #1 spot on Traxsource and the Top 5 on Beatport, as did Peppermint Jam’s 20th anniversary remix package of his classic Keep Pushin’.

Keep Pushin’ was the track that broke him through onto the global house scene in the mid-’90s in a big way. Germany wasn’t exactly a hotbed of house music talent at the time—making him somewhat of a rarity—and it soon became clear with further anthems like Hold Your Head Up High that he was a producer with a serious sense of musicality as well as dancefloor prowess. After this series of club smashes, the big-name remixes started to roll in: Aaliyah, Mary J Blige, Adeva, Randy Crawford… and then came that remix for Moloko’s Sing It Back, a huge crossover track that became the official radio version and hit #4 in the UK Singles Chart. Next came reworks for Daft Punk, Basement Jaxx, Jamiroquai, Mariah Carey, Moby…

Eventually growing wearisome of the declining funky house / garage sounds of the era, Dlugosch discovered a new-found love for the French electro scene in the mid-noughties, releasing Bangkok on Erol Alkan’s Phantasy Sound imprint and Cycle on Lektroluv Records (complete with a remix from Etienne De Crecy), with the likes of 2manydjs, Boys Noize and Laurent Garnier all throwing their weight behind his updated sound.

After the electro scene became saturated and the times progressed once again, he metamorphosed into the producer we know him as today, taking a modern approach to classic house music that draws on multiple influences. “I constantly check for new tracks and absorb what’s out there” he says of his hunger for new sounds and styles. “We all change constantly!” he adds of his—and indeed others’—evolution over the years. “I don’t want anyone to pigeonhole me”. And nor should they. When you have as much musical talent as Dlugosch, it’s criminal to keep making the same sounds over and over again.

A Boiler Room Berlin set in 2013 introduced him to a new generation of house music lovers, and his regular In The Mix uploads on SoundCloud give a good idea of what can be heard in his rocking club and festival sets. Upfront house meets garagey classics and disco cut-ups, dashes of electro, acid and deep melodic moments to give a well-rounded selection that perfectly marries house music’s past, present and future. 

He is also an erstwhile label owner, having set up Golden City Sounds in 2013 with Digitalism’s Isi and HEY TODAY!’s Raik Fargo—but the imprint is currently dormant. He’s eyeing up the possibilities of launching a new label, but only when it feels right and makes sense on a creative level. We live in hope.

A true legend who continues delivering the goods today, Boris Dlugosch is one of house music’s real treasures.

Djuna Barnes (Maria Gerhardt) is a Copenhagen based Dj, Sounddesigner and Music Supervisor.  She loves to tell a story with other peoples music. She is also a writer. With her own words. Her debut novel "Hollywoodstars On My Pavement" (Der bor Hollywoodstjerner på vejen) came out in Danish in September 2014. Translation to foreign languages and international importance is a clear goal. Figthing cancer since 2011.
Emotional rescue/Mixtapes come on this page frequently.

DJ, musician. Big fan of sound.
www.christiandor.com

4EB مجله رادیوی همراه، کاری از جوانان گروه فارسی رادیو 
بریزبن، استرالیا
چهارشنبه‌ها ساعت ۹:۱۵ تا ۱۰ شب
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