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MineralEP01 is out 10.06.2022.

Infinity – Judgement © 1994 Miracle Records

Mastered and Cut by Marco Pellegrino.
Design by AJAM.

Infinity - Judgement (MINERALEP01 - Snippets)

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* Read more: https://boltingbits.com/aldonna-air-sign-homage-records/
* Watch on YouTube: https://youtu.be/BuGUCCVrKB8
* Pre-order: https://homagenewyork.bandcamp.com/album/morph-ep

With bright chords, pumping rhythms, and gripping bass lines, the fast-rising talent Aldonna emerges from Melbourne’s underground with her ‘Morph’ EP, including remixes from Alex Kassian and Marli, set for release via the always reliable HOMAGE label.

Having cut her teeth in Melbourne's lively community with her party series Re-Leaf and as a fixture on the Australian club circuit, Aldonna’s sound is clearly supercharged with dancefloor energy. And her passion hasn't gone unnoticed. Cosigns from the likes of BICEP, who tapped her to contribute to their acclaimed ‘Feel My Bicep’ mix series, prove she’s been an artist to watch for some time. Now with her debut EP, she introduces her own distinct sound which traverses seamlessly through nostalgic trance motifs and hyper ravey breaks. Aldonna is clearly making a push to be an unstoppable force in clubland.

The EP leads off with ‘Nights In Shizuoka’ and a rugged rhythm laying the foundation for arpeggiated synths building until a mystical pan flute carries the ballad to heavenly heights. Throughout the release, Aldonna showcases a knack for playing with a multitude of sonic textures, and the next track titled 'Air Sign' possesses layers of immersive textures, from tight acid lines to bubbling ambiance, haunting vocal chops, and warm emotive melodies layered over pumping breaks for an ecstatic anthem. The a-side concludes with 'For All That We Know' as a tight bass line sets the stage for Aldonna to build on her playful aesthetic with a shimmering and exuberant melody.

On the flip side, Aldonna goes full rave mode with 'The Empress' Acid Line', leading with chopped breaks before an infectious acid riff creeps and builds with seductive vocals, delivering massive energy that is palpable. Following the originals is a remix by Berlin-based Love On The Rocks mainstay Alex Kassian who aims his version of 'The Empress' Acid Line' at the most euphoric dancefloor moments and delivers a tried and true trancey euro-house weapon not to be overlooked. Rounding out the release is Melbourne’s own Marli who flips 'Air Sign' with a rumbling bass line to reveal a bumping house cut that will satisfy the most vibrant crowds in the dance. 
crédits

Morph EP

PREMIERE: Aldonna - Air Sign

"Muscle Memory" is a deep, rolling house cut with a slick UKG twist — think warm low-end grooves, shuffling percussion, and a hook that sticks after the first drop. It’s built for late-night dance floors but smooth enough to slide into a daytime set, balancing underground vibes with clean, club-ready energy.

Muscle Memory

"Underground in the 303" is a raw acid-driven journey through the underground — heavy kicks, hypnotic bass, and a rolling 303 line made for dark basements and late-night afters.


Test in your sets and tag me, I’d love to see the reaction!!!

Underground in the 303

Don’t Ya Feel Ep,

All Tunes
Produced By Cliff

Dont Ya Feel

Buy At Bandcamp

Do It 4 Me

@huntleyspalmers BELTERS015

Buy: https://www.juno.co.uk/products/jordan-bltrs-015/723122-01/

Jordan Nocturne - Losing Track (BLTRS015)

There's method to my madness.

OUT NOW:

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@dawl
@kosh212

"Despite the substantial weight and pugnacity of this 4-tracker, the staple Haŵs euphoria twinkles through. There’s no shortage in complex drum sequencing, breaks samples and all the other frills, yet the final output is compact and neat. As Haŵs increases its vision more extensively to dance music from across the board, it seems that the best things might at times come as contradictions, and this record’s tone certainly fits the bill."

Vinyl and digital. 
Digital to be released 2 months after physical release.
Distributed by Subwax.
Artwork by Finn Cleverly.

Break It Down

Dawl - 'Break It Down' (inc. Kosh Remix) [HAWS006]

For this second opus, we continue our momentum and we're offering a various artists composed of 4 tracks.

The EP opens on the track " Prendre l'Air " by Vitess. We find the signature of the young producer with a neat and precise production, all enhanced by a millimetric breakbeat and an airy atmosphere, backed by an acid lead.The second track is produced by Pépé Elle who offers here a one-way ticket to England with his UKG infused "Carbon Dance" track. We find all the markers of the style, from syncopated rhythmics to powerful wobble bass. Perfect to turn a club upside down on any circumstance.

The Italians from MDC open the B side with the track Bouncing. The atmosphere gets darker and sweatier. We find grimmy vocals, a heady and efficient acid bassline. The Ep closes on the track The Resistance by Wilt. We continue to evolve in darker atmospheres with a tension that is created throughout the track without ever failing, all supported by a powerful breakbeat that will leave no one intact.

@wilt2
@chatnoirdistribution

Buy:
https://chatnoirrec.bandcamp.com/album/of-a-naughty-cat

Definite Party Material:
https://linktr.ee/definitepartymaterial

PREMIERE: Wilt - The Resistance [Chat Noir Records]

Metro Jaxx, Vol. 2

Way We Do

Legs dangling off the hill, they sat in silence taking in their surroundings. From up here you could see the entire city below; the glow of hundreds of cars moving through the streets and the huge skyscrapers that seemed to stretch far beyond the heavens. She'd never taken another person up here, it was her special place where she came to escape everything. But he seemed different to everyone else; she wanted to let him on her secret.

Moscow's ИДА (IDA) return for another instalment of breakbeats and wonky dance floor cuts, this time from Russian producer Moonoton. Alongside two original cuts that bring a blend of breaks, voodoo vocal samples and Italo synths, the release is backed up by two remixes from Facets and St Petersburg-based producer Maruwa, who adds her signature touch, balancing heavy breaks with dreamy, celestial atmospheres.

PREMIERE: Moonoton - Max Bleep (Maruwa Remix) [ИДА]

BOOKINGS:
djassault@jeffersonave.com

STORES & SOCIALS:
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Detroit's own Booty Bass pioneer DJ Assault has had a large hand in bringing booty music, from the urban streets of Detroit to the suburban club circuit. The incorporation of electro beats with hardcore, sometimes pornographic lyrics, is what makes ghetto-house highly distinguishable from its other techno cousins.

His track "Ass -N- Titties" (Released in on his self run Jefferson Ave label ) featured in a scene in 22 Jump Street an American comedy film directed by Phil Lord and Christopher Miller. The film was released on June 13, 2014, by Columbia Pictures and Metro-Goldwyn-Mayer, received generally positive reviews, and earned over $308 million at the box office.

Another early DJ Assault track, ‘Tear Da Club Up’, was recently sampled by Darius Syrossian who used Dj Assault’s vocal to make it a house track. Darius made the track in the summer of 2013 especially for his BBC 1 essential mix. The track is being played from Ibiza to Japan, by many underground house deejays including Dirty Bird label boss and international deejay / producer Claude Von Stroke, who seems to make it his trademark to insert ghetto-bass elements into his house sets.

Do It 4 Me

DJ Assault®™