NOT liquidfunk. THIS IS JAZZ-STEP DRUM N BASS MUSIC, live Bass-line,Saxophone and Flute, Live instruments, NOT JUST COPY N PASTE MUSIC...produced by DJCAEZAR, mixed & arranged DJCAEZAR .


  ENJOY THE DOPEST RIDE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!1

Dominican Bluestone

Freak of Nature!
Your Object of Worship, Bitches!

🐰
Maine,usa 
Junglist- Illacrew ambassador
Cannabis connoisseur🥦 
ini give thanks and praise to the most high! Jah RasTafari 💚💛❤️

4th Monkey devoted to the mission of proper facilitation of sound system / bass culture appreciation throughout the Multiverses via the #TsunamiBass Experience Multiversity of BCA. 

Owner & operator of the TSUNAMI BASS Sound System & TBE MC/Instrumentalist. Singer/Songwriter. MMFIC. 

Patron of Bass Culture and Sublow, guardian, defender of democracy and instigator of the heart/mind deploying quantum wave technology with full force sonic ejaculation. 
#想像は命 #EarthMonkey  #DoNoEvil

With releases on high profile record labels such as iBreaks, Elektroshok, Hardcore Beats, Broke, Electrofly and Kick It, New York City based Wavewhore has established himself as one of the USA’s leading breakbeat producers. His skills behind the decks have also led to headlining appearances across the US, Europe and Asia and his music and mixes have been featured on many of the world’s top broadcast media outlets including BBC Radio 1 London, WKTU 103.5 FM New York, KISS FM London, RTE Dublin and Sirius Satellite Radio.

Wavewhore has been called a “breakbeat master” by Liquid Todd (Sirius Satellite Radio) and “one of the USA’s finest breakbeat DJ/producers” by Jay Cunning (KISS FM London) while Breakbeat Online described him as “NYC’s finest export since the Beastie Boys”.  His music has also received high level support from many of the top names in the business including Aquasky, DJ Icey, Jackal & Hyde, The Freestylers, General Midi, Elite Force, Annie Nightingale and many more.

In the studio, Wavewhore is also focusing on other genres of electronic music and recently launched an alias called Nihilogix for his house music output with a debut release on G-Mafia Records.  These additional musical ventures will continue to feature his signature high energy beats and basslines combined with the quality production and impact that have led to Beatport Top 10 chart listings and a global following. 

Booking Enquiries:  http://artistecard.com/wavewhore

http://www.facebook.com/wavebreaks
http://www.mixcloud.com/wavewhore
http://www.twitter.com/wavewhore
http://www.instagram.com/wavewhore
  
Affiliations: iBreaks - Elektroshok Records - Broke Recordings - Very Important Music - Hardcore Beats - Baroque Records - Electrofly Records - Kick It Recordings - BreaksFM - Scrape Recordings
  
  Discography:

"Husk (Wavewhore Remix)" - Mariion Christiian - BWP - 2019
"I Feel It" - Wavewhore - Elektroshok Records - 2018  
"Encore (Wavewhore Remix)" - Alt-a - Very Important Music - 2017
"Got To Be Funky" - Wavewhore - Elektroshok Records - 2015
"You Got It" - Wavewhore - Elektroshok Records - 2015
"Powerful" - Wavewhore - Elektroshok Records - 2015
  "Feel That Ammunition (Wavewhore VIP Remix)" - Farace ft. Trevor Rockwell - Kick It Recordings - 2015
"Take The Dancefloor" - Wavewhore - iBreaks Bass - 2014
"Work It Out" - Wavewhore - iBreaks Bass - 2014
  "Synchronicity Dub" - Wavewhore, Acetone - Baroque Records - 2012
  "Get Ready" - Wavewhore - iBreaks Funk - 2012
  "Electrik Funk" - Wavewhore - iBreaks Funk - 2012
  "Feel That Ammunition (Wavewhore Remix)" - Farace ft. Trevor Rockwell - Kick It Recordings - 2011
  "Confide In Me (Wavewhore Mixes)" - Divine Icons - Scrape Recordings - 2011
  "More Life" - Wavewhore - Hardcore Beats - 2008
  “Assembled” (Wavewhore Remix) – D-Ranged – Bombtraxx - 2007
  “This Is How It Should Be Done” – Wavewhore – Broke Recordings - 2006
  “Bass Pressure” (Wavewhore Remix) – Rektchordz – BreaksFM - 2006
  “Funk Pill” – Wavewhore – Broke Recordings - 2005
  “Breakin’ The Law” – Wavewhore – Electrofly Records - 2005
  
  Compilations:
  
"The Spiciest" - Various Artists - Elektroshok Records - 2018
"Bedtime Stories, Vol. 3" - Various Artists - Estrela Azul - 2017
"Future Breaks & Beats Classics, Vol. 12" - Various Artists - LW Recordings - 2016
"Future Breaks & Beats Classics, Vol. 7" - Various Artists - LW Recordings - 2015
"House Party DJ Collection" - Various Artists - White Label Recordings - 2013
"TWELVEnine" - Various Artists - Baroque Records - 2012
  "Chilled Structures 2" - Various Artists - Baroque Records - 2012
  "Beats On Fire" - Various Artists - Wild Records - 2011
  "Broken Beats" - Various Artists - Electrofly Records - 2010
  "The Ends Of The Earth" - Various Artists - Broke Recordings - 2008
  “Export 01” – Various Artists (Mixed by Drumattic Twins) – Finger Lickin’ Records - 2005
  "Fuzzy Breaks 02" - Various Artists (Mixed by Drummattic Twins, James Taylor) - Fuzzy Breaks - 2005

music listener... i love it all... im here to expand my music library 

Gemini Caezar 

  i consider my music production extreamelly bad,tasteless,the worst shit ever created,un-wanted,useless,not playful,terrible,super bad for any kinda mood,stupid,wrong,sad,awful,super depressing,negative,garbage,trash,leftovers,whack,unpleasing, etc.etc.

have fun not listening.

Raised in New England and NYC, now on Florida's east-coast, the past 30 years I've experienced electronic music from every angle. From clubs to radio, using only wax. So, what have I established? That if I can mix every genre of techno in a single set, it keeps the floor intrigued, all while￼ merging original tracks from the 40's to 90's eras.

Brought up on Rock Music of the 70's and 80's like Kiss, Fleetwood Mac and of the likes- I found arrangement extremely important. 

As a teen in the 80's I was heavily involved in the punk rock scene. A place where no one lived by a standard. And as the early 90's approached, I found the Underground,crossing punk rock shows with Gabber. Bands started to get technical like the Beastie Boys, experimenting with sound. 

Self taught and music oriented, I found places like Liquid Sky, opening my mind to new technology and art. I knew I wanted to challenge the norm and not play 135 bpm for 2 hours. 

I found my niche of genres and sub genre techno that I liked and wanted to be able to mix primarily by melody and not by beat all the time. A diverse sound or experiment of sorts, challenging such norms.