[disquiet0482] Through The Gate

"Vast and Cruel" is a dynamic heavy metal instrumental that immerses listeners in an intense and expansive sonic landscape. The track is characterized by soaring guitar solos, relentless drum beats, and atmospheric layers that evoke a sense of vastness and raw power. Without the use of lyrics, the music speaks volumes, conveying deep emotions and stories through its intricate melodies and rhythms.

The inspiration behind "Vast and Cruel" stems from the artist's contemplation of the immense and often unforgiving forces of nature and life itself. Written during a time of personal reflection, the composer sought to capture the feeling of standing amidst overwhelming challenges—whether they be the harshness of natural elements or the complexities of human experience. The instrumental format allows for an open interpretation, inviting listeners to project their own feelings and narratives onto the music.

By blending aggressive riffs with moments of melodic introspection, "Vast and Cruel" embodies the duality of beauty and brutality. It's a journey through sound that resonates with anyone who has faced the vast and cruel aspects of existence, ultimately finding strength and resilience within themselves.

Vast and Cruel - Instrumental

Matt Casket - Deconstructing

Straight Forward

The Demons That Protect Me

Getting Lost

Radio Paris Vox

Radio Paris Vox #14 :: "Qatar-sur-Seine"

Radio Paris Vox #14 : "Qatar-sur-Seine"

31Dec20

My naviarhaiku365 submission;
https://www.naviarrecords.com/2020/12/30/naviarhaiku365-things-just-happen/

things just happen
things just happen until
the end of the year

:D

Boson Spin - Things just happen [naviarhaiku365]

Sur le texte de Charles Baudelaire "Le serpent qui danse".(Les fleurs du mal) domaine public. (c) Stongi pour la musique.
Jean St-Onge: voix, guitare, basse.
Gilles De Repentigny: Batterie

Le Serpent

My first mpc sample based beat. Learned how to do some proper chopping on my MPC with this track and add the in house instruments with additional processing etc. The Idea was to just really capture wherever the beat took me! 

Enjoy :D

Movement In Strange Places

Impulsive Habitat, 2014.

The material of this work is based on a static recording: I installed a microphone under the roof of my father's house in a small village in Alsace (France) for one year. Each day, I recorded one minute of sound on the hour at four different intervals: midnight, morning, noon and evening. I subsequently selected one recording per week for each of the intervals.
These (untreated) recordings were then sewn together in four different tracks, one for each time of day, spanning the course of a year. This results in a cyclical movement consisting of four different time-lapse sequences that trace the entirety of a year in one place.

Matt Casket - Deconstructing

Matt Casket

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