AURORA is a cinematic, synth-charged concept album about awakening—personally, cosmically, electrically. Across seventeen tracks, it tracks a night-long ascent from the first jolt of awareness to the blinding blush of morning. Shimmering pads, neon arps, and widescreen guitars collide with heartbeat drums; hooks bloom like city lights seen from a plane. Lyrically it’s sky-obsessed—photons, tides, halos, orbits—but always human at the core: two people finding signal in the noise and daring to move beyond their limits. By the time the title track crests, the record has traded fear for velocity and comfort for wonder, closing on a fearless, sunrise-bright vow to transcend.

Track-by-track snapshots:
• Aurora — The curtain-raiser and thesis: hope refracted into color; a slow-bloom anthem that lifts into open-sky chorus.
• Awakening — Pulse-quickening opener; synth heartbeat becomes a sprint as the first spark catches.
• Celestial — Star-gazed romance; hushed verses, supernova hook.
• ELECTRIC HALOS — Neon-lit mid-tempo; gritty guitars around shimmering choir pads—storm meets starlight.
• Elevate — Updraft groove; lyrics about choosing altitude over attitude.
• Euphoria — Sun-kissed rush; festival-ready drop that feels like windows-down at 2 a.m.
• FALLING INTO LIGHT — Surrender song; the fall that feels like flying.
• Gravity Surrenders — Weightlessness in 4 minutes; bass drops out as voices rise.
• Infinite — Big-sky ballad; promises that outlast the night.
• LIGHTSPEED HEART — Racing drums and bright synths; love as faster-than-light travel.
• Limitless — Affirmation anthem; fists-up chorus built for crowds.
• NEON AURORA — City-pop sparkle; the glow of hope on wet pavement.
• ORBIT OF US — Intimate duet; two bodies finding balance in a shared gravity well.
• PHOTON TIDE — Tidal, hypnotic; waves of arpeggios pulling you forward.
• SAPPHIRE HORIZON — Deep-blue pre-dawn; calm before the final climb.
• SUNRISE SIGNAL — Morse-code synths and marching snare; the world blinking awake.
• Transcend — Triumphant closer; guitars, choirs, and a last, wide-open breath.

SUNRISE SIGNAL

I have no rights to this song, I just want to share their awesome track <3 :) CANDYLAND OG: check them out 

Tipsy (Candyland's OG Remix)

Drake X Beyoncé - Rings

Check out what happens when T-Pain meets Skrillex and Diplo in this mashup! Subscribe if you like it!!!

GET IT HERE

Buy U a Drink (Mitto Bootleg) [FREE DOWNLOAD]

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DOWNLOAD:  http://www108.zippyshare.com/v/FLJDDwCW/file.html

ALL GOLD

Child's Play (ALL GOLD REMIX)

Wanted to turn Bad & Boujee into an EDM banger and ended up with this

Check out the other song used in the bootleg "Cassanova" - Thomas Hayden and Andrea Lombardi.

@thomashayden
@andrea_lombardi

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Bad & Boujee (DJ Cope Bootleg)

T.I. - Whatever You Like (Keegs On Your Side Bootleg) Clean

Want more? Check out www.remixedandmashed.com.

Download for free on The Artist Union: theartistunion.com/tracks/fb7d5d

Remixed & Mashed - For Promotional Use Only - Not For Sale 

D O W N L O A D

Whatever You Like (Keegs On Your Side Bootleg) Clean

Lil Wayne - Lollipop (EJ Noro Bootleg)



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Post Malone - Wow VS Hot Shit! - The Club [Se7en Mashup]

Nomad Navi:
Soundcloud | @Nomadnavi
Facebook | facebook.com/nomadnavi
Instagram | instagram.com/nomadnavi
Twitter | twitter.com/nomad_navi

Free Download

Post Malone - Wow (Nomad Navi Remix)

Best I Ever Had (DJ Scene Hot Steppa Edit)

In 2011, just a sophomore in high school, David James Dotterweich started his career as a DJ and promoter, throwing huge parties on the outskirts of Minneapolis in venues ranging from warehouses, barns, and suburban homes.

Looking to dive into the rising electronic music scene developing on the east coast, David attended college at the University of Massachusetts. Being anything but a DJ in college was not an option, as David started DJing his own rush parties before even pledging and becoming a brother of Alpha Epsilon Pi. David was given the name DJ Copenhagen by his pledge master, probably because his beats were as addicting as the chewing tobacco.

During his time at UMass, DJ Cope established himself a sensation on campus, performing sets from 9PM to 3 or 4 in the morning 2 or 3 times a week at Amherst's most notorious party house, 11 Phillips Street ( http://onlyintherepublicofamherst.blogspot.com/2014/02/public-safety-crackdown.html).

From there he went on to establish residencies at Amherst's top nightclubs Monkey Bar and Lit. In addition he played the UMass Mullins Center twice, opening for Jauz and Seven Lions at Life in Color and Rae Sremmurd for a Halloween party. 

DJ Copenhagen is only getting started, his production and mixing skills get better by the day, as he coins a style focused not on simply pushing a button and playing what he thinks is hot, but instead reading the audience and creating the most fun atmosphere possible through the power of his music.