Thank you and f you to the DJs that introduced me to the unnamed artists that captured my imagination in the dark warehouse parties of the 90's. 30+ years of techno does a number on you.

Bookings: peter@minttalentgroup.com
313-513-6677 

https://biglink.to/GolfClapDet

Label: https://soundcloud.com/country-club-disco
Facebook Group: https://www.facebook.com/groups/CountryClubDisco
Weekly Radio Show: https://soundcloud.com/countryclubdiscoradio
Promos: golfclappromos@gmail.com


Detroit has long been a hub for electronic beat lovers and speaker freakers, but Golf Clap’s Hugh Cleal aims to lead a new generation. For nearly a decade, he’s hustled the project and its Country Club Disco label to the forefront of house music’s funkiest dimensions. The project (formerly a duo with Bryan Jones), works tirelessly to conjure a palpable energy, one fans can feel at every gig, be it a hot-and-heavy club set or an energetic takeover of a festival stage. Golf Clap feeds off the crowd, spinning the hottest songs of the moment while breaking new records - and this isn’t any press play, hands in the air fair. You're likely to hear a lot of cutting up between facefulls of funk and bass. 

Fueled by a relentless passion, when Cleal isn’t behind the decks, he’s likely pulling all-nighters in the studio. Bodies dancing in real-time is an addiction, but when it comes to original productions or high-profile remixes, Golf Clap wants to create something for every moment. Recent singles “Freak It Out” [Country Club Disco] “Mystery Scene” [mau5trap/Insomniac] and “Gravitate” [Toolroom] showcase their deft and dark grooves, while 2018 EPs  Vices  and  Machines  showcase club-ready attitudes. High-profile remixes for Zeds Dead and Illenium, Zhu and Tame Impala, Louis The Child, and Hotel Garuda give the music makers a chance to showcase stylistic variety. 

While 2020 has been a year of great change, Cleal has never stopped working. With loads of new tunes in the wings and a dedication to the Country Club community, Golf Clap is and always will be, in his own words, “about creating a community.”

Unleashers of brassy funk since 2006.
Downloads: https://luckychops.bandcamp.com/
MGMT: info@luckychops.com

DJ Bookings -  handsupdjs@outlook.com
Lock in  9pm-11pm On Kisstory (DAB) to here our Radio show.

Multi Award Winning Platinum Selling producers Eddie Craig & Jim Sullivan aka The Wideboys have been working together since the mid 90’s and in that time have worked with a who’s who of the current music industry. Song Writing, Producing, Djing, Remixing, Compiling and Tastemaking describe what the guys do on a weekly basis.

The boys first big break happened in the mid to late 90’s after building some heat on some small independent labels in the emerging underground House & Garage scene in London, the boys had a chance meeting with Andy Lewis of Locked On records at a club in London, who heard an early version of their song “Sambuca” he immediately signed it , the track became the second release on Warner imprint 679 recordings following on from Mike Skinner’s debut single“Has It Come to This”  with The Streets.  From there the boys signed with Public Demand Records which was home to the Artful Dodger & Craig David and started really building their craft.
Non stop for nearly 2 decades the boys have only gained momentum and have officially remixed and produced for artists including –
Beyonce, Clean Bandit, Louisa Johnson, Justin Bieber, Pink, Usher, Lady Gaga, Wiley,  LMFAO, Snoop Dog, Swedish House Mafia, Rihanna, Example, Ed Sheeran, Wretch 32, NERD (Pharell Williams), Professor Green, Leona Lewis, Alicia Keyes, Mariah Carey, Boy Better Know, Carly Rae Jepson, Black Eyed Peas, Pussycat Dolls, Ludacris, Miley Cyrus, Cascada, Nelly Furtado, Lily Allen, Nicole Scherzinger, Kylie Minogue , Nikki Minaj, Jason Derulo, Eric Prydz, Robin S, Bob Sinclair, Janet Jackson, Jennifer Lopez, Estelle, Kanye West, Souljah Boy, Britney Spears, Will I Am, Maroon 5, Flo Rida, Olly Murs, Emeli Sande, Nile Rodgers, Boy Better Know, Chris Lorenzo, Raye etc
Musically the boys are and have always been very diverse. Crossing from North to South of the electronic musical spectrum. From big room house to delicately programmed deep grooving garage, to storming trap & drum and bass, to catchy energetic pop and downtempo. From the depths of Ibiza to massive UK festivals to commercial Universities, no challenge is to Big for Ed & Jim to get their musical teeth into and the boys use their skills like master craftsman to tailor for each gig and production very specifically. The boys have an extensive knowledge of dance music and have used this to help sell in excess of 1,300,000 compilation albums to date, including UK Platinum Selling “Addicted to Bass ” series. With their long standing compilation deal with Ministry of Sound every single one of their albums has hit the Top 10 of the UK Charts including the prestigious No.1 spot.  The  boys reached #3 in the Uk charts with their latest Tv advertised release, “Back to Bass”
The Wideboys are also known as radio tastemakers and have their own prime time National Radio show across  the UK’s biggest DAB station Kisstory part of the Kiss Fm network every Friday night from 9-10pm. Previous to this the boys have also provided guest mixes for BBC Radio 1, BBC 1xtra , Capitol, Rinse and Kiss Fm radio. 
In the last year alone the boys have had their original music supported by David Guetta, Fatboy Slim, Rudimental, Oliver Heldens, Don Diablo, DJ Ez, Mistajam, Sam Feldt, Pep & Rash, Target, Martin Garrix, Tiesto  and Disclosure sighting Wideboys material as part of their early inspiration in their Beats 1 radio show. Over the years they have gained support by a real cross spectrum of the dance community with Annie Mac , Toddla T, Scott Mills, Nick Grimshaw, Zane Lowe, Pete Tong, Judge Jules, all playing their music in their DJ & radio sets. For publishing the boys are signed to Nottinghill Music for their Song writing 
“Doing it for the Love” – Wideboys 2025

Refugee from Saigon, here to share sounds I love.
🍒🫖🍓

Management: MK@threesixzero.com
Bookings NA: MKteam@WMEAgency.com
Bookings RoW: nick.matthews@teamwass.com

Booking : brasstracksgroup@caa.com
MGMT : nathaniel@afterschool.club
say hi : brasstracksmusic@gmail.com

It was in 2011 that Dutch pair Lars Dales and Maarten Smeets quickly broke through in the electronic music scene. Since then they have become known for their widescreen approach to making and playing club-ready grooves. From deep to disco, tech to soul, they join the dots between the past and the present with their own sense of storytelling and do so in clubs around the world, as well as in their studio. House might be the root of the Dam Swindle sound, but it takes nourishment from a much wider world of music. 

Still now, their breakthrough tunes such as ‘The Wrap Around’ and ‘The Break Up’ receive countless plays on dancefloors all over the world and the duo has made timeless music such as their 2023 disco-house bomb ‘ That’s right’ and 90’s throwback banger ‘Allright – just a tribute’ that became one of the hits of the 2024 festival summer. Dam Swindle has built a trademark sound, while still evolving and maturing their craft in various musical niches. Their landmark 2018 album High Life shows a broad musicality from the duo and this is even more so on their highly anticipated 2025 long player ‘Open’.  ‘Open’ features countless collaborations with high-profile artists such as Dutch pianist Joep Beving and New York-based Ethiopian vocalist Haile Supreme, and sees the duo flex their sound from ambient electronica to synthwave, hiphouse and more. 

Since 2013, the pair has also established their record label Heist Recordings as one of the key independent labels for underground dance music, while also releasing music on other underground mainstays such as Aus Music and Classic Music Company. Heist is more than just a label, though - it is a breeding ground for talents old and new; somewhere talent is nurtured and allowed to develop. Label showcases and special projects such as the yearly Roundup EP; where all artists from the past 12 months remix each other after a random selection process, furthers the family vibe and helps Heist stand out from crowd. Artists such as Cinthie, DJ Sneak, Crackazat, Tesfa Williams, Makèz, Pépé Bradock, Matthew Herbert, Ge-Ology, Byron the Aquarius and many more have all contributed, proving that it is a place for unrestrained creatives to be free with their own sonic visions. The label looks as good as it sounds, too, thanks to visual artist Bas Koopmans's standout artwork designs. 
 
Proof of Dam Swindle's widescreen approach to production is their long and talented list of collaborators, which includes the likes of acclaimed musician Tom Misch, US talent Seven Davis Jr., instrumental collective Jungle by Night, plus Marc de Clive-Lowe, Jitwam and Lorenz Rhode. Next to their own originals, a broad spectrum of artists have asked Dam Swindle for some of their special remix magic: on labels like Strut and Soundway they have reworked the legendary Pat Thomas, aka the ‘Golden voice of Africa,' and gave his single ‘Yamona’ a contemporary electronic edge, as well as The Mauskovic Dance Band’s track ‘Space Drum Machine’ and plenty more artists like Kerri Chandler, Mayer Hawthorne and Tom Misch. As their talent for bridging genres from all over the world continues to attract global attention, high-profile projects keep rolling in from all points on the musical globe. 

Dam Swindle are famously avid collectors of both old and new records, and it shows in their DJ sets, which keep you on your toes as they move freely through the broad world of house music with skillfully blended moods of soulful techno, acid, breaks, disco and more, all to create those special moments that crowds never forget. It is for that reason that their name has become a real stamp of authority and invention in the dance music world. Whatever they do, then, this pair do with irresistible charm.

DJDeepSix is following